The Devil’s Due- Dec 2nd- Deviant Process- Paroxysm- Album Review 9/10 \m/

 

 

Deviant Process

Paroxysm

Released 03/11/2016

Jean-Daniel Villeneuve (guitar and lead vocal)
Stéphane Simard (guitar and back vocals)
Pierre-Luc Beaulieu (Bass)
Antoine Baril (Drums)

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If you haven’t had a chance to check out Deviant Process’s album that came out back in March titled Paroxysm than you didn’t really didn’t get out from under that rock you have been under in months. This album is sick, I mean you have Augury’s Antoine Baril on this album and boy does that have an impact. This is a tech death / Progressive death metal. The opening track title “Unconscious” is fucking undeniably badass.  When the song starts you have a cool intro for a solid minute and then when the vocals kick in you know you just opened up a kickass can of metal you are going to wish you had opened sooner.

This is album will appeal to many tech death fans and progressive metal fans.  They really raise the bar with this release and its albums like this one, that when you hear it. You know, you want more of what these guys are delivering.  Tracks that really stand out are Unconscious, Persecution, and Dysfunctional Therapy.  All the songs kick ass and this is a must have for many of you reading this article. .  It’s just too damn good, to not listen to this in its entirety.  One complete spin of this and you will understand why we are giving this a 9/10 \m/ rating

 

 

Since the album dropped they have made lineup changes so we wanted to also detail the current lineup.

Current Lineup:

Jean-Daniel Villeneuve (guitar and lead vocal)
Stéphane Simard (guitar and back vocals)
Philippe Cimon (Bass)
François C. Fortin (Drums)

 

If you like what you hear, go on and head to their FACEBOOK page and give them a like.

 

Click here to check out their BANDCAMP page to order up this gem!

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

www.badgersmetalbreakdown.com

 

 

https://www.facebook.com/Bmetalbreakdown/?ref=aymt_homepage_panel

The Devils Due- Dec 1st- “The Ascension”- Apotheon review 6/10 \m/

 

 

The Devil’s Due is a segment we are doing because to be honest, a shit ton of bad ass metal came out in 2016, and for some of us. We just couldn’t keep up with it.  Some albums or E.P.’s dropped at the same time and got over shadowed by a popular band or something.

So without any further to do I want to kick off part one of our devils due segment.  A month long article where we will be reviewing the E.P.S and Albums that came out in 2016.  As this is not a list but a daily shotgun review of these releases, they are in no particular order and focus on one release a day.

 

 apotheon2

Apotheon

The Ascension E.P.

released 4-30-2016


Andrew Morris – Drums
Fernando del Valle III – Guitar
Ian Burnside – Guitar
Ibrahim Jimenez – Bass Guitar
Reece Deeter – Vocals


This Boulder, Colorado outfit released this E.P. back in the spring and it got little attention. This four track E.P. will surely surprise many who listen to it. It has solid production quality, and has elements of progressive metal and technical death metal. We were pleasantly surprised by this E.P. when it dropped, having found that the tracks “isolationist” and “ Emergence” really appealed to us as listeners.

Now this is where things get even harder to fathom.  There really wasn’t a lot of talk about this E.P. from what we had seen, but this is a killer E.P. with a name your own price option on Bandcamp. Now out of all you metal heads reading this, who doesn’t want to buy an E.P. for whatever you want.  Download it for free, or throw them a couple of bucks, but  not checking this E.P. out is a mistake, whether or not you become a fan. You have the opportunity to get some great music at an even better price. 6/10 \m/

Curious to see what it sounds like? Well that’s why we are streaming it so you can listen to it, and help support metal.

 

Head on over to their BANDCAMP page

Also check out their FACEBOOK page and give them a like.

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/

http://www.badgersmetalbreakdown.com

Aversed- Renewal (debut) E.P. Review 6.5/10 \m/

Aversed

Renewal

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Haydee Irizarry-Lead Vocals
Sungwoo Jeong-Guitar/Vocals
Alden Marchand-Guitar
Martin Epstein-Bass
Jeff Saltzman-Drums

 

 

 

  1. Prison of Existence

This E.P. begins with this melodic and somber introduction that flows for thirty seconds and then the drums come in to set up the vocals. Wow she has a good sound in my opinion, Haydee really harnesses those melodic death metal growls, but has a really smooth voice for the clean singing. Really smooth, like if you heard her singing clean, you would never know she can flip a switch and get down to death metal vocals.   One thing I am really focusing on is the talent of the other musicians in this band.  Often times you find a female vocalist that has a set of lungs that can go on for long periods of clean singing, and then growls that sound so cool, but the rest of the band is so-so.  Not the case here, this group doesn’t get to use the vocals as the selling point of “female vocalist” just to get a targeted fan base. Nope, everything about this song is crisp, every transition they have gone through all the way to the guitar solo at the 4: 11 mark as brief as it is. It was clean and they come back for about 30 seconds to  set up another guitar solo, only this one has a little bit more behind it.  Killer track, and I am really digging the vocals for the last minute of the song.

 

  1. Renewal

I love the simple drum intro, and the guitar riff that follows. It has a great driving rhythm, just gets you moving.  And they take it down a level for the first verse, she brings the volume and tone down. The first lines of vocals are clean, but building Setting things up for the harsh vocals to take over the next lines. The more I listen to this, the more I feel like Aversed is picking up with the melodic metal from the mid to late 90’s and refreshing it.  I mean I can’t be the only one that digs the transition at the :45 second mark.  This is a song you can tap your foot to,  it has a great rhythm, and the tempo matches to make this song a really enjoyable track off this E.P.  This song has   that magnetic characteristic, it’s really catchy, and fun to follow along to. I will always add points to a song based on if it brings certain emotions that bring me back to my younger days.  When you hear something and it makes you smile, or say fuck yeah.  Music that gets you moving and makes you break out the air drums or air guitar while listening to the track. This is a perfect example of that.

 

  1. Living Denial

A cool but bri4ef drum fill sets up the song, this time the song has a much slower feel. But I dig the layered vocals from Haydee, and then right at the :39 mark they kick things into high gear. I love this transition they went through to this point.   This song doesn’t sounds like what you would have expected from the first thirty seconds.  They completely took this song in a different direction than I anticipated, and damn I am glad they did. This song is catchy as hell, and I love those guitar tones. I can’t really tell you much about the guitars since I don’t play, but I know when I hear something I like and the guitars on this track sounds great, this song sounds awesome.  And who expected the vocals at the 3:47 mark? I did not, Haydee has more range and sound than we expected. Not sure if any backing vocals besides her are being layered in.  However the more I listen to this E.P. the more I am digging the talent of this band.

 

  1. Sorrowful Eyes

So this song starts out with a nice simple melody and then picks the tempo up. I am listening to this and wondering what happened here?  I mean the song is good musically.  But I feel as though maybe not all songwriting is done by the same person, or persons.  And this song is a track that makes me feel that way. Because it doesn’t really sounds like what I heard from the previous three tracks. Sure there are harsh vocals double bass, distortion. However when the song kicks in, it sounded like a different band, with the same vocalist, and different ideas. This song to me sounds like a hard rock song.  Something I would hear on the radio, I think they are showing that they have a bigger range than you would expect.  The song is good, I think though, that it takes away from the E.P. a little.  Solid song, but it sounds too radio rock friendly to me. Like they went from being a band like Arch Enemy, to a band like Evanescence.  Don’t get me wrong, there is a time for a song like this, however I just didn’t feel it.

 

  1. Aversion

This song is a little more in the same direction that the first three were going. I dig the beginning of the song. The first ten seconds or so is cool, and they transition again a few times before the first verse. Which really reminds me of that 90’s melodic death metal like arch enemy and Crisis. Once you get passed the first verse they hit you with a guitar solo right around the 2 minute mark, and damn. It’s a subtle solo that speaks volumes, not all solos have to be the fastest shredding solo. Think of it like gravity blasts for drums. Are they cool, yes, are they always necessary? No they are not, but to rip a solo that has some soul behind it, I will enjoy that every time.  This song is just shy of eight minutes long and they sure as shit pack a lot into this one.

 

After listening to this E.P. I gotta say I really dig it. Aversed has a sound very similar to bands like early Arch Enemy, they have a fresh sound that’s blended with late 90’s melodic death metal.  They seem like a force to be reckoned with when it comes to their sound.   I like the dauntless delivery. They are so confident and you can hear it in the music.  The first three tracks are killer, Sorrowful Eyes was an interesting choice. I’m not going to say the song was bad it just didn’t affect me the same way that the rest of the E.P. did.  Now I need to point out, that one song out of 5 is not bad by any means, and this E.P. is quite possibly going to take this band places. I can’t listen to this E.P. and think that they are lacking drive and ambition. They definitely don’t lack anything when it comes to their music, they fill their music to the maximum capacity.  Melodic metal/ Melodic death metal fans will appreciate this E.P. – 6.5/10 \m/

 

 

Like what you hear? Then go on and head over to their FACEBOOK page to give them a like and stay up to date on them Here \m/

Also you can get the E.P. over at their BANDCAMP page Here \m/

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

http://www.badgersmetalbreakdown.com

Dischordia- Thanatopsis album review 8/10 \m/

Dischordia

Thanatopsis

dischordia

Out 11/25/2016

Josh Turner – Vocals/Bass
Keeno – Guitars/Vocals
Josh Fallin – Drums

 

Dischordia have put together this album following last years  Sources E.P. and I gotta say.  They have a lot to offer, and they do so by utilizing so many of their influences and molding them into their own sound.   From a quick listen you will hear influences from bands like Opeth, The Red Chord, as well as the Dillinger Escape plan, and Meshuggah.  They have such a cool sound. I mean they are a legitimate progressive death metal band with multiple personalities, but all seem to jive.  If I told you that a metal band would play a song and break out a xylophone with some circus like music for a few bars before going into one of the coolest endings to an album. Most of you would probably think I need to be medicated. But Dischordia do just that, in fact there haven’t been many songs  that got more play than the albums final track titled The Traveler.  The album is one of those few albums that I simply cannot do my normal track by track review format on. This album is one that you do not break the album down track by track.  You buy this album, and push play.  When the tracks begin to fade into the next track and you aren’t paying attention to that, but focusing more on the cool shit happening in your headphones or speakers.  Then you know the album has a shit ton going on, and it’s all that stuff you want to be paying attention to.

The tracklist consists of nine hearty and heavy songs that will take you places, and I can honestly say you will listen to some tracks and it will have a different tone than the other tracks. But its all part of their style, and that I can appreciate.  As far as songs go they are all solid songs, and bring out different elements in each song to build this heavy hitting and mind bending album. its the very reason why I felt  it was an injustice to review track by track as usual. But not all albums are created equal are they? And Dischordia march to the beat of their own drum as well.

Thanatopsis  Tracklist:

  1. Thanatopsis I: The River
  2. Thanatopsis II: The Road
  3. Thanatopsis III: The Ruin feat. James Dorton
  4. The Curator
  5. 22°
  6. An Unlikely story
  7. Bone Hive
  8. Madness
  9. The Traveler

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When I was listening to this album I did get a lot of enjoyment from; The River, The Road, and The Ruin, but also Bone Hive and the Traveler. I really gravitated towards those tracks, I suppose its just personal preference, but I really dig those tracks. The first thirty seconds of Bone Hive should be enough to get you interested. Listen to the bass, and by the time the vocals come in, the song has kept the tempo, but evolved subtly and has a Meshuggah-esque feel about it. But then you have tracks like The Ruin that blow the doors off their hinges with the very first note. And then The Traveler, that is my favorite track off of the album.  I mean I have caught myself playing the last 3 minutes of traveler on a loop because of the unique and heavy progressive feel. Thanatopsis, is an album that I could easily see fans of almost any metal genre, finding something that they like about it and Dischordia. But I’d be willing to go as far to say, that if I had to play one song off this album to entice you to listen to the whole thing. It would be The Traveler.  If the word unorthodox was used to describe these guys  I would hope they embrace it.  For every bit unorthodox they are, the music is every bit as heavy and surprising.  This album right here, is an album you put on and just listen. You cant just pop it in and skip through the tracks. I encourage anyone who wants something different, or something that fits into many metal sub genres and has plenty of character, I highly recommend checking out Dischordia’s  Thanatopsis.

8/10 \m/

 

Want to give it a listen,  click play and check out the tracks streaming below the album drops this Friday!

Then do yourself a favor and give them a LIKE on Facebook to stay up to date on any Dischordia news

Also check them out on BANDCAMP where you can order this album, as well as check out their previous releases.

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Of Tyrants -Confessor – Lyric Video ahead of their next album ” A Step Into Darkness” due out in the spring of 2017

It is with great pleasure to come across this lyric video from the guys in Of Tyrants.  This band just keeps grinding  and working and getting music out there.  One word comes to mind “Persistence”   it applies to O.T’s because they are persistent when it comes to playing shows, promoting the bands playing shows, and getting music written and recorded.  Persistence is what makes a river cut through a rock.  Persistence is what will make Of Tyrants a big name in the scene and have the potential to become a juggernaut from their efforts.

 

This video is exciting because  if this is what they are sounding like right now, then they have made a lot of headway into their next album. this already sounds like they are raising the bar again from their E.P they released last winter. Well enough of all this talk here’s the video, check it out, and then go check Of Tyrants out. \m/

 

 

Find Of Tyrants on FACEBOOK Here

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Burial In The Sky- Persistence Of Thought- Album Review 8/10 \m/

Burial in the Sky

Persistence of thought

William Okronglis – vocals, rhythm guitar, bass

James Tomedi –  lead guitar, bass, keys, mandolin,

Sam Stewart – Drums

Samus Paulicelli – session drums

Out November 4th 2016

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  1. Entry I

This song begins with about a full minute of some really atmospheric sounds, they build up slowly before the band comes in hard at the 1: 09 mark where you have the drums setting the pace of this song. Vocals come in about ten seconds after.  They fall under a tech death sub-genre, but they are more than that based on the sounds of this first track. They would be more like a progressive melodic technical death metal.  The song really starts this album off well, it’s a subtle track,  do not confuse subtle for short and monotonous. Nope that is not the case.  It’s a subtle track by simply getting the listener acclimated to the sounds and stylings of Burial in the Sky.  They have guitar tones and sounds that remind me of bands ranging from the Tony Danza tap dance extravaganza to Pink Floyd. A truly unique band, offering some thought provoking metal. its got that atmospheric feel like Fallujah, I am really digging this album so far.

 

  1. Entry II

This song begins with a slow start, but it’s a cool soulful melody that’s played for the first thirty eight seconds, before the drums come in heavier, and the rest of the instruments join in.  The guitar riff at the one minute mark is a great way to progress into the first verse.  I’m having a hard time placing who the vocals remind me of. But they have a sound that brings me back to my high school days and going to the small shows.  Damn the guitars at the 2:02 mark have that cool feel again. They bring that prog sound and style to the table, that’s something I do like about these guys. It’s not just tech death, it’s a really smooth blend of atmospheric technical progressive death metal.  Or “pretty fucking cool” as I have been describing them these past few weeks.  Right around the 3:25 mark when the vocals come in those thirty seconds are great. The tone of the vocals, and then coming out to the blast beats on the drums and the way they are delivered make this a worthwhile track.  But it’s also worth mentioning about the guitar work from the 4:40 mark and lasting about 15 seconds that reminds me of Chris Letchford. so that adds another flavor to the mix,  they have a sound that can appeal to fans of  instrumental bands like Scale The Summit, to metal bands from all the various sub-genres connecting prog metal to technical metal.

 

  1. Entry III

Ahhh yes this song, it begins much like the previous tracks in a slower and almost smokey way.  They aren’t coming right out and playing, they are adding the tiny details to the sound to give you that type of imagery. It gives you this spacey feeling, like you are just floating in air.  You know the more I am getting this vibe, the more they remind me of bands like Fallujah who have a similar style.  Following that beginning sequence, they come in hard around the :53 mark but in a slow tempo. It’s more of a dramatic feel than trying to blow everyone away with speed. I love the progression of their music so far in this album, it’s subtle, wonderfully crafted and emotional in the delivery.  I will say that Entry I, Entry II, and Entry III are best listened back to back.  But all three can hold their own ground as far as how good they are individually.

 

  1. Anchors

This song also begins with that slower, spacey feel like the previous tracks had.  One thing worth mentioning before the song takes off, is that this song is 7:27 minutes/seconds long. All the tracks have a considerable amount of time, and it’s not spent playing the fastest blasts or shred fest solos.  They fill the time with sounds that buildup to make the songs just that much more enjoyable for the listener.  Don’t get me wrong, I love blistering fast blast beats and sick guitar solos. But it’s the proggy tech death bands like this one here that gives you music that is going to encourage the thought process.  This is a thought provoking album, it gets the listeners to think. I like when an album has that characteristic.  Right around the :55 mark  we get some more percussion, shakers, I think I hear a Guiro,   either way I like that they are adding some non-conventional in the mix and then  only about twenty seconds later the  heavy vocals  barrel in with brute force.  This song has plenty of ups and downs that the listener experiences. And I enjoy that about this album, the songs are keeping your attention, they are bringing you on a ride.  A wild and beautiful ride.

 

  1. Galaxy of Ghosts

This song does not start out the way the previous tracks did, nope this one is an instant 0-100 in a split second right out of the gate heavy track.  This is the odd ball track, 4 songs back to back start out cool and smooth, and then this one track begins at full speed right from the first note. This song is a solid track, and unique in its own way.  It’s different from the previous tracks but it holds its ground for being a solid track. The section at the 2:46 mark and playing through is a highlight for this track, the vocals sound layered. Then coming out of that is a mellow segment before we get some cool guitar work.  Get to the 3:37 mark and you will begin to hear the guitars setting up a killer riff, and getting the listener amped up for when the vocals come back in only about thirty or so seconds after. The rest of this track basically lifts the listener up all the way and then the last forty seconds or so  gently bring the listener back to the ground.

 

  1. Dimensions Divide

So in the first few seconds of play on this track you observe the following.  They come in hard from the very beginning, and this has a good feel to it, like this is the track to end the album with. It has that vibe like everything comes together, and is the conclusion of the album. They hit us with a short guitar solo only about a quarter of the way into this track. There truly is a lot going on in this song.  And some will take away that this is a three piece band, but they have that spacey atmospheric sound in the background, they are delivering forceful vocals, the drums are locked in with keeping the pace of the songs, and the guitars keep hitting us with cool riffs here and there as well as a satisfying solo a few times throughout the track. Ultimately with a minute and a half left of the song, the track drops down dramatically to a somber spacey melodic tune.  Just lifting you weightlessly, taking you away giving you the image that you are doing just that floating away after listening to a powerful set of songs.

 

 

This is a solid album, it is only six tracks but each track is between 5-8 minutes long.  And each song has a lot packed in as well. This album is intriguing, I can’t explain it well. But when you listen to it, it’s hard to just focus on one track being the best on the album.   I find that I enjoy listening to this album start to finish.  Some albums have that vibe to them. Where you can just as easily play any track in random order if you wanted.  But playing at least the first three tracks back to back offers a more in depth experience when listening to the album.  They have that spacey atmospheric style like Fallujah, and it has a prog metal feel to it in other areas, but the whole time they are rocking the tech death line. I think we live in a world where you have to prove yourself in 30 seconds or less on whether or not your band or your album is the next best thing. I encourage anyone who wants to and will listen to this album. To give yourself the time to listen to it.  Don’t listen to one track and make up your mind, or listen to 30 seconds of one track skipping to the next. Give this a full play through upon listening to it for the first time.  Every song brings you up and down, but really delivers the goods.  This album is a solid 8/10 \m/ and definitely deserves to be heard.  Give it a listen,  check out the links below and  take a listen to the fifth track off this album titled Galaxy Of Ghosts.

 

 

 

 

Check Burial In The Sky out on Facebook

Order up “Persistence Of Thought” by heading HERE to their BANDCAMP Page

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Dehumanized- “Beyond The Mind” album review 10/10 \m/

Dehumanized

Beyond The Mind

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Vocals – Michael Centrone

Guitar – Rich Nagasawa

Bass – Anthony Cossu

Drums – George Torres

 

 

 

  1. Worthless Prosperity

Kicking off the album is this first track that begins with some shuddersome tones and arbitrary cymbal rolls to transition the song from this introduction. To the molten death metal that I know Dehumanized bring to the table. And surely at eh thirty second mark, a short and sweet guitar riff sets up the song nicely. Mikes vocals are spot on, this is death metal the way I grew up listening to it.  This album is going to have the same affect that Internal Bleeding’s “Driven To Conquer” had.  This is a slower pace song than some but this has all the elements you look for.  From the opening riff, to the groove of the song. And not the “whatever” the fucking new slang groove means for some emo death core band out of So Cal. No I’m talking the groove, meaning you lock in to the tempo, you are head banging with everyone else in the crowd and the band. You are savoring this song and are singing along. Its catchy it’s awesome, and it’s a groove you can adhere to.  If this is how the album is going to start out, I know that Dehumanized have big things in store for the listener.  And looking at the rest of the track names these guys definitely have something up their sleeves.

 

2. P. C.C.R

This song starts out with a flowing groove made up of the chugging riff and double bass. The drums rolling right along, and guitars giving us a solid riff to get acclimated to. This goes on for about thirty seconds and then shifts tempo at the :33 mark with some blast beats.  Continue on another thirty seconds and then they kick things into high gear.  For me this is when the song gets rowdy, they lay into with this infectious groove.  These guys hit you again and again with rock solid   death metal retribution in the form of killer guitar riffs, classic death metal vocals coming from Mike, and then of course my favorite member is always the drummer. George is responsible for the sick drum beats and he doesn’t reinvent the wheel.  He doesn’t get selfish with fills he plays death metal straight up and sounds great doing it.

 

3. Beyond The Mind

This song starts out with a short but simple introduction lasting about twenty five seconds before the vocals join in on the fun and continue before the :47 mark where the song transitions into an accelerated pace.   With the beginning of the verse having a faster tempo and blast beats, where the second half of the verses are a slowed down death metal groove.  This song actually satisfies the fast paced cravings as well as the slower groove filled death metal moments.   This is a song that you will be head banging right along to from the first beat.  This is a solid track and really the introduction was a solid beginning.  Right at the : 20 second mark I was really getting into the song.

 

 

4. Black Market 2099

This song starts out with a sound clip from Total Recall and then following that a classic death metal guitar riff is played. And from the moment that riff begins you know that this song is going to kick ass.  Right at the :33 second mark when vocals join in, you know there is no turning back now.  This is the death metal I have been looking for. This song right here. This is a perfect representation of a band killing it.  No over the top fancy frills and thrills. They do it old school.  My favorite part of this song comes at the 1:35 mark. Listen to that riff, and the set up for the vocals at the 1:44 mark. If you don’t find yourself following his every word and head banging right along to the groove.  I unquestionably love this stellar song, and have been listening to this album for about a month now.  This is the one song that seals the deal for me. I love this album and this song is an instant classic.

 

5. Abyss Ambassador

Now I know what some of you are thinking, if Black market kicked so much ass, than how does Dehumanized follow up a track like that? Well they do it with Abyss Ambassador. This song will have the feeble minded shaking like a leaf by the end of it.  That opening riff is another example of a perfect set up. I know in the first ten seconds of listening to this song, that it is not going to disappoint.  Just for a moment listen to the groove they have going between the blast beats and the guitars. Listen to the vocals and try not to get pulled in. This song is awesome, has some killer guitar riffs, but man you can really get into the vocals, and the lyrics.  This is what death metal sounds like when it’s done right.

 

6. One North

The song opens with a sample track from the Halloween remake with Danny Trejo’s character talking to Mike Myers.  Then right around the :23 second mark the band  gets things started with  a slowly approaching, yet  menacing rhythm and then vocals coming in. “ One North….. One North”   the song cultivates a slower feel  until they get to the two minute mark where they kick things into double time, picking that pace up and  hitting us with killer riff after killer riff, and infectious  lines.  Go to the 2:24 mark where they really take things to the next level.  For just shy of a minute they pull off this diabolical arrangement of heavy death metal punishment.  The kind you want to raise a beer to, yell “fuck yeah” and start head banging again.  This track is such a solid addition to the album.

 

7. The First Immortal

This song comes right out of the gate with Mike’s punishing vocals and a killer death roll from the guitars and drums.   This song is great from start to finish, I must have played this track a hundred times and it satisfies my ravenous death metal cravings every time.  This whole album does, but each song has its own little distinguishable moment in making this album an instant classic among death metal fans.  Not to mention this song is less than three minutes long, the guys have packed so much into this song, there is zero fluff factor.  They are blunt, straight to the point, and sacrifice nothing at all in order to make this song hit you where they want it to.

 

8. Last Words

This song starts out with drums and bass just doing their thing for about eight seconds until the guitar fades in and then vocals join in.  With a tempo of around 130 BPM it’s not a rapid fast blistering speed song. It’s a solid and steady death metal track, just listen to the bass in the beginning.  This song starts out with so much stability that it has a more brutal attack.  I mean just adding the bell around the : 35 second mark add emphasis on the beat.  I love the simplicity of this track, it holds down that well recognized death metal sound.  When listening to this song right when you get to the 3:05 mark they hit you with these blast beats and a cool riff that amps you up.  There is no enigma, or mystery behind this song, they made a killer, solid, simple and effective song that please the ears.

 

9. Drawn By Blood

They don’t waste any time getting the ball rolling here.  From the moment the song begins you have been pummeled with a chugging guitar riff, and battered by  the drums for a few bars. The drums begin to progress tactfully, before the tempo increases slightly, but man the vocals on this song are great. Guest vocal spot on this track really adds dimensionality to the vocals.  Right around the :37 mark you can hear the guest vocals come in, and then around :50 they start trading bars with Mike.   I love way they slow things down to take you out and pummel you relentlessly at the 3:27 mark.  Then they end up coming out of that but admittedly only for a short period of time and then go back in to the low and slow audio beat down of the listener.  With less than thirty seconds left of the song they escalate that tempo right back up with some menacing riffs and blast beats to finish it off.

 

 

10.Telepathics

Love the drum roll out to start the song, and then the melodic guitar riff comes in with another drum roll fill.  When the first verse begins, I gotta say I really dig this song, it’s not my favorite but it has so much to offer, just like all the rest of the songs on this album. The song is so damn catchy, just listen until you get to the 1:41 mark and you see them pick the tempo up and the intensity.  But just like most of the other songs, when you get to a point in a song that you are impressed by. They hit you with another element within the same song that makes you appreciate the song more and more, and then you just find that you keep spinning this album more and more.

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This album right here, is the album that everyone needs to check out. If you say you like death metal, than this is what you need to listen to, because these guys nail it. Probably the most underrated death metal band, but this album should change that. Beyond the Mind is an example of death metal done right.  I have been listening to this album for a month and I cannot get enough of it. They hit it out of the park with Beyond The Mind. Tracks I personally recommend is Black Market 2099, Abyss Ambassador, and The First Immortal.  If you want to listen to a few songs to gauge the album. These three tracks are solid, and the ones I have played the most. This album is a must have for anyone who calls themselves a fan of death metal. I love it, and this album has only made me enjoy Dehumanized more, and made me become more of a fan of their music. Dehumanized made this an instant classic in my opinion. This album is absolutely no fluff, straight up death metal, no Bullshit.

They earn a 10/10 \m/ and I stand by that. This is one of the most underrated death metal bands out there.  This album is hit after hit a solid album that continues to grow on you the more you listen to it.  They put a lot into this album, and I am confident enough to say that “Beyond the Mind” should be on your playlist.  The sound quality is great, the song writing is on point, and I was never bored listening to this, if anything I got amped up and have no plans on taking this out of rotation for the rest of 2016   For fans of Internal Bleeding,  Suffocation, Pyrexia, Skinless, and Dying Fetus.

 

 

 

 

For up to date news and events follow Dehumanized on Facebook

looking for the album, or other merch check out Dehumanized’s webstore

Follow Dehumanized on Instagram

Pre- order Beyond The Mind at the Comatose music store  HERE

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

 

Abigail Williams announce East Coast North American tour with Wolvhammer, and Amiensus

Abigail Williams, one of the great American black Metal bands is hitting the road again. Now some of you are probably think ” wait Abigail Williams are on tour again?” yes thats right, you read it corrrectly. They have already been touring in support for their last album “The Accuser” that came out last year.

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Some of you are familiar with Abigail Williams, and I understand some may not be, so I will put it into perspective. Abigail Williams may be a black metal band,  an American black metal band at that. but I got into them in the days of Myspace and when bands would put up demo versions of songs up. I cant even begin to tell you how many times I played Legend when it came out.  I would have to look but I am pretty sure I still have those Demo versions of some of the songs from Myspace such as “Like Carrion Birds” which was my most played track.  Well when people are looking for the formula that works, and keeps trying to recreate that formula. Abigail Williams is a band that seems to grow with their music. Every album does not sound the same,  they all have their very own unique fingerprint, and they get better with each album release also.

BONUS  \m/

The word is that they are working on new material for a new L.P. that is planned for release in 2017. So you will definitely want to check their Facebook page in the coming months for more news on that.

So if you are even remotely into black metal,  or if you have ever listened to a black metal band and thought it was good.  first check out The Accuser which you can check out by clicking HERE. and then go show these guys some support.

 

Tour Dates:

11/29/2016 Montage Music Hall – Rochester, NY
11/30/2016 TBA – Portland, ME
12/01/2016 ONCE – Somerville, MA
12/02/2016 Katakombes – Montreal, QC
12/03/2016 The Vault – Syracuse, NY
12/04/2016 Jewel – Manchester, NH
12/05/2016 Saint Vitus Bar – Brooklyn, NY
12/06/2016 Dingbatz – Clifton, NJ
12/07/2016 Cafe 611 – Frederick, MD
12/08/2016 The Smiling Moose – Pittsburgh, PA
12/09/2016 Hank’s Pub – Dayton, OH
12/10/2016 Reggie’s – Chicago, IL
12/11/2016 The Cabooze – Minneapolis, MN

 

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For  up to date news and events follow Abigail Williams on FACEBOOK

And for taking the time to read this, here are some Abigail Williams tracks from The Accuser

 

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

Thoren post promo video for upcoming album and stream first track off it. CHECK IT OUT \m/

So remember yesterday’s post about the Chris Burrows “Mind Cemeteries” drum play-through video. You can see that post and video HERE .  I had mentioned that some new music would be coming out soon. Well if you are not familiar with the name already allow me to  introduce you to Thoren . They are  a  progressive dissonant death trio hailing from Michigan.

They are – Anthony Lipari on Guitar,  Joseph Paquette on Bass, and then of course  Chris Burrows on Drums.

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Brennenburg Tracklist:

  1. Timorsham
  2. Unnerved
  3. Muil
  4. Shadow
  5. Alexander
  6. Depraved Dreams
  7. Brennenburg
  8. Achas ( Performed by Xelmya)

 

So, with out any more talk about it, here is  the promo video for Brennenburg”

 

 

 

So there you have it,  Brennenburg is out on October 28th which is only three weeks away. So mark your calendars check Thoren out on FACEBOOK

But wait there’s more they have one track available for streaming so check out Muil

Pre-order your copy of Brennenburg by clicking HERE

If you like this check out their previous Self Titled album on BANDCAMP

 

You can also check out  Anthony’s  vocals for  Vihaan on FACEBOOK

Also check out Chris’ other band Coma Cluster Void on FACEBOOK

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

 

 

 

 

 

 

Gear Gods post Drum playthrough video of Chris Burrows playing Mind Cemeteries

Some of you are familiar with  one of the most thought provoking albums of the year Mindless Cemeteries by Coma Cluster Void.  all you need to know about Coma Cluster Void is this,  Its dark dissonant metal, with a few composers and  international talent making up their lineup.  Former Cryptopsy vocalist Mike Disalvo  is one of the two main vocalists, but  squares off on a track with  the original Cryptopsy vocalist.  If that is not getting you interested enough, well then  let me drop this on you. Poly-rhythms, lots and lots of poly-rhythms being played by almost every instrument. and holding it all together at the throne is Mr. Chris Burrows.

Well Gear Gods posted up a video of Chris playing through the title track of this incredible album. Check it out below

 

 

 

So there you have it,  if you like what Chris is playing check out Coma Cluster Void on FACEBOOK

Chris also has a page of his own that can be found here.

Chris  also has some other musical projects that we will be featuring later on so stick around for some new music that will be coming out soon.

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com