Category Archives: Instrumetal

The Devil’s Due- Dec-4th Equipoise- “Birthing Homunculi” album review 7/10 \m/

Today’s Band of the day for our Devil’s Due segment is Equipoise, with their E.P. “Birthing Homunculi” released August 5th 2016 and we couldn’t let this one not make the list.


Equipoise

 Birthing Homunculi

Released August 5th 2016

Stevie Boiser- Lyrics, Vocals
Nick Padovani- Song composition, Rhythm/lead guitars, drum programming, Keyboard/piano, Lyrical concept, percussion
Zach Hohn- Song composition, Rhythm/lead guitars
Hugo Karout- Fretless bass
Jimmy Pitts- Keyboard arrangements, Keyboards/synths

 

 

  1. Alchemic Web of Deceit

This track begins with acoustic guitars playing a cool melody for just shy of thirty seconds until drums and guitar distortion joins in. and then right at the :45 mark the song picks up in tempo and power.  I really enjoy being able to hear the bass being played, when you have a talented bassist it is really rewarding for the listener to be able to hear that talent. I really dig Steve’s vocals on this one. At a few moments in the song it maintained a solid tech death feel to it, but bring sounds reminiscent of old man’s child. The 1:25 mark is an example of this, it totally reminded me of a section you would get from pagan prosperity.  The fact that the beginning of this track has acoustic guitars with a specific feel to them, and then this section. There are so many aspects of this song that display a great foundation of influences. Now add in the lyrical content and you have something more than just a song off an E.P.  I’d say the only downside is the production sound seems a bit fuzzy. But music wise this song is a killer track to kick off the e.p. with.

  1. A Suit Of My Flesh

This song has a slowed down tempo, and that bass is still very pleasing to hear.  The song maintains the beginning melody and tempo for about fifty seconds before going through its first tempo change. Which is also the same time when vocals kick in, and they are more ferocious on this track than the previous one.  Steve, expands on his range for this song. Not to mention the fact that around the 1:38 mark besides Steve there are guest vocals that add to the uniqueness of this track.  While I do love the bass lines I will say, drum programming is a bit of a turnoff for me.  The guitar work is great, but having programmed drums has an element that a human drummer has. And for that I have a hard time with the drums.  On the other hand the drums programmed for this song sounds solid.

  1. Birthing Homunculi Part 1: Shrouded

This song begins with acoustic guitars playing and fading in, with the rhythm being tapped on the side of the guitar like a drum.  It’s a nice little filler/ instrumental track.

  1. Birthing Homunculi Part 2: Sigil Insidious

This track is a faster track certainly heavier than the previous song. It basically grabs you right from the get go.  It has a groove about it that you can adhere to. This is hands down my favorite track on this E.P.  as it satisfies my need for songs that are rapidly fast, soul crushingly heavy, and has ample amounts of technicality and groove.  The very beginning reminds me of Anticosmic Overload, by Obscura. I love it, it’s fast, its heavy, it pulls you in.  Right around the :33 second mark, Steve hits us with that classic, guttural, blurted vocalization.  I just want to go on record by saying I love it when a vocalist does this, (just as long as it is at the right moment in the song) he pulls it off perfect here.  For me that just makes a song more enjoyable, call me crazy but when I am rocking out to a song, I am going along with the words, and then they drop a “blech” before a section change to me it sounds badass. I love it, it makes the song fun to listen to. It’s a signal that lets the listener know something is about to change, maybe shit is about to get fucked up, and most importantly it’s fun to make noises, especially an offensive sounding noise.  So, Steve ups the points for bringing that bad ass split second blurt to the table. Now let’s talk about the solos, yes the two solos on this track.  Both are awesome, and both come at a great point in the song. The first happens right around the 1:55 mark in the song and playing till the 2:26 mark. Coming out of that is a hell of a sinister section where Steve is laying down some evil vocals, and the rest of the band are whipping us with the precision technicality and high tempo. The second guitar solo comes at the 3:44 mark and is straight up shredding for fifteen seconds roughly. They come out of that solo and really give us everything they have got left in them for this song.

 

  1. Birthing Homunculi Part 3: Reincarnation

This track is like an instrumental outro track. It does progress a bit more than Shrouded, however it is still really an instrumental track. I dig the guitars and the rhythm being played on what sounds like hand drums and also the side of an acoustic guitar.

 

 

All in all this was a pleasantly surprising E.P. it came out back on and slipped right below the radar.  It’s a solid effort, and while the sounds quality isn’t the best, the musicianship is what I am focusing on most.  The bass is awesome, the fact that you can hear the bass gets points, because they have a talented bassist on this, and it’s good to be able to hear that talent.  Often times I find that the bass is masked by all the other instruments and vocals, but with Equipoise, Hugo shines.  I do have to point out the programmed drums. While I get it, its flawless, as you can “program” them, it lacks a human element.  Drummers that have tech death talent are, hard to find. However, there are still a handful of drummers out there that are session drummers.  Drummers for hire if you will, like Kevin Talley, pretty sure you can throw any tech death sounding project at him, and he can pull it off.  That’s what Equipoise needs, either a drummer, or to get someone like Kevin Talley or Hannes Grossman to do the drums.  You will get the quality of programmed drums, but it adds the human element, and that gives the music more power.  The E.P. has a few instrumental tracks and while they are enjoyable, I’d prefer there was more tech death to go along in this E.P.  Maybe the next release will have more, I will certainly be looking forward to any other music coming from Equipoise, and I also would like to point out that Equipoise has been donating all proceeds to Jason Becker’s Foundation. Not sure who Jason Becker is, google him.  If you are a guitarist and don’t know him, you should do some homework, but for all others if you don’t know him, check him out.  He has influenced many guitarists you are a fan of. So all in all I have to give this E.P. a 7/10 \m/ it’s an E.P. which don’t get me wrong I love E.P.’s but there was a lot of instrumental. The sound quality could have been better, but this is the first release by Equipoise. Nick is a killer guitarist and we feel they will  hit us with something far heavier, far more complex, and raise the bar in the process in the near future. Not to mention the rest of the talent in the band/ on this E.P. you can tell when their is a lot of talent and the members have a strong appreciation for the music.  Also its worth mentioning that they recently joined the Artisan Era family.  So yeah shits going to get real soon.

 

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-Badger \m/

 

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Infectology- Innards Of Misanthropic Embodiment 7/10

Infectology

Innards Of Misanthropic Embodiment

Jose Erazo: Bass
Luis Quintana: Guitar
Ivan Fuentes: Drums
Jhenry Guerrero: Vocals

Released August 12th, 2016

 

 infectology

 

  1. Absolute Disembodiment

As quickly as the song begins the blasts crash over you and sweep you off your feet. The whole time that perpetuating guitar riff has the listener head banging.  Vocals come in only seconds after the song begins and those low guttural vocals are killing it for me right now.  Also want to point out the sound of the snare drum, it has that ping to it.  While it may not fit all bands style and sound.  It just works for a brutal death metal band, and sounds great coming from Ivan’s kit. The change that happens around the :50 second mark is a classic tell-tale sign that something is going to get heavier, faster, or brutal.  They go back into the same rhythm but it’s been taken to the next level. 1:37 they slow things down for a moment and then hit us with a period of gravity blasts around the 2:17 mark.  A simple gravity blast  filled section lasting only maybe eight seconds but giving you enough time to cause bodily harm to those around you.

 

  1. Gorging on Misanthropy

There is about a split second between the end of the last track and then they explode with sound before one second has passed. Before ten seconds have passed I find myself head banging and getting into this song.  They have a great sound going on, its dirty, its brutal, and they keep things simple.  This is what a death metal track is supposed to sound like. I like the driving rhythm the guitar riff is forcing.  The guitar is maintaining that driving force behind the song. Listen to the guitars at the 1:17 mark and you will see what I mean. It’s not a sweeping, it’s not tapping, this is an old school death metal riff that really makes the song.  For me it’s not the vocals or the drums, but I really am enjoying the guitars.

 

  1. Deification of Insanity

They give you a hell of a welcome with a brief intro with a short riff and then into the verse.  It has a grimy brutal death metal feel to it. It’s good but right at the :50 second mark is when they begin to kick things into high gear with a mean riff coming at the 1:04 mark. I love that driving guitar riff, and they leave you wanting more of that because as quickly as you get acclimated to it, they change out and into the next verse.  This song has very little filler, and just plugs right along like a well-oiled machine. Right at the 2:45 mark we get that great guitar riff we heard earlier.

 

  1. Forced Unnatural Carnal Knowledge

Damn those drums and the guitars right at the beginning of this track really set the tone. I am digging this track and they throw down a short solo to go into the next section. Right around the :50 second mark they revisit the beginning rhythm again. But only for shorter period of time as they get to a slower but heavier rhythm. It has a grimy, brutal death feel to it, and they rock the shit out of that and right at the 2:54 mark they go right back to the rapid blasts at a higher back to high speed.  This song does not disappoint, I love the section right around the 3:34 mark with the guitar squeals. Great track

 

  1. Inhuman Conception (instrumental)

This is simply an instrumental track, but what I really enjoy is the fact that it is still a brutal death metal instrumental track. It’s not a melodic “lets tone things down a moment” song.  The blast beats, the buzz saw guitar tones, the filthy riffs, they are still very prevalent throughout this instrumental track.

 

  1. Ritualistic Embodiment

Zero buildup, and one hundred percent ambush style song beginnings seem to be infectology’s modus operandi on this album.   Because you are hit with rapid blasting, grinding guitar riffs, and guttural vocals all within the first five seconds of the song. They are relentless with the brutality they wield.  The song has a solid tempo, and drive. This song can get you going pretty easily, and the song maintains that drive all the way up to the last few seconds of play. At three minutes and fourteen seconds they pack a lot into this track.

 

  1. Dying On Cauldron

This song has the classic death metal feel right from the first seconds of the song.  It has a rock solid rhythm and I dig the guitar squeals. Out of all the songs on this album, this song reminds me of late nineties death metal. Bands like deeds of flesh, or even before that dying fetus.   After the first verse, the pick up the tempo, increase the intensity, and assault us with a hail of blast beats, gritty guitars, and those damned guitar squeals.  This song really embraces the brutal death metal vibe, and they cut right to the bone with this track. There is no fluff, there are no tangents or little intricate guitar solos.  This song is laser focused brutal death metal, played straight up the way it was meant to be played.

 

  1. Inducing Excruciating Pain

This is my favorite song off the album, I just love it.  The beginning is cool and all but I like the change they go through around thirty seconds in to the song.  That bridge going between verses.  The rhythm from the very beginning ends up being amplified to a more brutal and punishing rhythm. Head banging will be happening, but even more so only 20 seconds later where the same rhythm is being played, but has more strength behind the music. I can listen to this track over and over again. It is a heavy hitting, and takes no prisoners and shows no mercy. This song rips and it seals the deal for me.  This is my personal favorite track off this album.

 

 

When all is said and done, this band set out on a mission to make an album, with unwavering brutality, heavy riffs, blasting drums, and soulless vocals.  Causing the listener to get that “fuck yeah” attitude, and to move to the beat. Mission accomplished, I like that they didn’t try reinventing the wheel. They had a goal, and went to achieve that goal, with nothing and no one getting in their way, and leaving nothing left in their wake. This album  is  a solid 7/10  \m/ and find myself spinning Inducing Excruciating Pain many times as it is my favorite track on the album. while the album is straight up brutal death metal, i feel that some of the songs would begin to sound repetitive and for that it did lose me at some points. At any rate, all songs are a solid effort, merciless, and I simply find that out of all the songs, the song I have played the most is track 8.  I will be looking forward to hearing more from Infectology in the future, and will be rocking this album for the unforeseeable future.

 

 

 

 

 

 

 

If you like what you hear,

Show them some support by giving them a like on FACEBOOK

 

 

Go on and order the album by going to their Gorehouse Productions BANDCAMP PAGE

 

 

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

http://www.badgersmetalbreakdown.com

The Badger’s Metal Breakdown Odyssey-Voids Bundle Giveaway

Badger’s Metal Breakdown and Mind Eraser PR  present  February’s Metal Bundle Giveaway this month Featuring a  CD bundle by Odyssey including a Physical copy of the  Voids CD, and T-shirt bundle.

Odyssey mysteryGrabBag-Tee-Main_2048x2048

 

The Rules are Simple

ON FACEBOOK- Like our Page, Share this post , Comment “ Odyssey Bundle”

ON TWITTER – follow our page @Bmetalbreakdown, follow @OdysseySpokane  and retweet (#RT) this post

 

Contest begins Monday February 8th, 2016 at 6:30 P.M. EST and will run until Tuesday March 1st 2016 at 6:30 P.M. EST. A winner will be announced Friday March 4th,2016 so stay tuned as we will  message the winner to get shirt size and valid shipping information.

After you have completed the instructions  make sure you   take a listen to Odysseys’s latest release ” Voids” Released on  02/05/2016 by clicking below

 

 

 

Odyssey on Twitter

Mind Eraser PR Official FACEBOOK   

Mind Eraser PR Official Twitter

 

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Visit our FACEBOOK page \m/_(><)_\m/
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Divine Realm- Tectum Argenti 10/10

Divine Realm

Tectum Argenti

02/23/2016

Leo Diensthuber
Marc Roy
Tyler Brayton
Josh Ingram

  1. Tritos

The song begins with the sound of falling water, dripping and splashing on a surface, some electronic sounds fade in, with little pops and then a heavy electronic sounds setting things up for the guitars and drums to join in with an n explosive technical metal style. The guitar riff around the 1:10 mark is on point to what you would expect to hear, it is a classic guitar solo in the vein of Dream Theaters John Petrucci. This song is a killer track to start the album off with. The best way to explain this song, is that you are getting ready to listen to something much like if you took Dream Theater, Animals as Leaders, and The Algorithm put them all in a blender, and   then take that mix for something out of the ordinary realm of what you think progressive technical instrumental metal would sound like. This is an awesome track, and I can only expect that the rest of this album is just as good if not progressively better.

 

  1. Cloak and Dagger

And it looks like my high hopes have panned out, this song has really taken that DT, AAL, The Algorithm, and Ennio Morricone and put it into perspective, wondering what the hell I am talking about. Well just play the song and you will hear the electronic sounds, and then the guitar riff, the crisp technical drums, and it is simply badass. Now wait until the: 45 second mark where the Ennio Morricone reference sinks in. Absolutely brilliant, this is a progressive technical death metal instrumental masterpiece! No one would have thought to put that section in a song, and I don’t think anyone could have pulled it off the way this band does it. Hot damn the 2:15 mark is equally as bad ass, and you will want to play this song again, and again, each time you will find yourself actually enjoying the song more and more, all the while appreciating every little note and section more and more. Right around the 3: 02 mark you will hear one of the simplest rhythms being played, and you will then acknowledge the fact that you can’t help but like it. It is outside the norm for progressive metal, technical metal, or any subgenre in between and it works so well.

 

  1. Inherit The Earth

This song begins with the sound of nature, birds flying away and chirping. An electronic melody begins to fade in and then what sounds like a growl, and then the band jumps in with a real cool guitar riff and some really intricate drums laying down the base. The moment you get to the 1:28 mark you will experience one of the best musical sections for a metal release of 2016, (
I would also put 2015 also, it’s absolutely badass) this guitar riff right here is something you would hear from Marty Friedman from his solo work. I have found many uses for this specific section of song. I without a doubt could create hundreds of scenarios and descriptions/references to illustrate just how great it is. I have also used that riff as entrance music when coming home from work because why not. It works with anything. Ringtone, alarm clock entrance music, holding music, elevator music, driving music, music to get you amped up to play, music to chill out to. Shoot I could easily hear this song being a song in a video game also. This song is amazing, and I just don’t know how to explain it but this song alone is worth the cost of the whole album. It is without a doubt my favorite song on this album. You will be head banging, you will be tapping your foot, you will be playing air guitar, and air drums, and you will remember the name Divine Realm after this song.

 

  1. Tectum Argenti

This song begins with some electronic sounds fading in, until the guitar dives head first with a soulful guitar riff, to set things up and then transitions into the technical metal sound. Throw in some quick precise drumming, and a few menacing guitar riffs, (you will know what I mean once you hear them) and lay down a killer groove that you can’t ignore. Right around the 1:55 mark the song goes into a cool section trading off bars, and then a quick little riff bringing the song down to almost nothing. Then after a few seconds the song picks back up with a cool groovy beat until they change again, raising the bar with more intricate guitar solos and drum patterns.

 

  1. Glass Empire

The sound of electronics, and glass shattering can be heard then what sounds like a clock ticking, with some electronic sounds fading in until a short 1.2.3.4. pattern and the band jumps in with a guitar playing a solid rhythm, and the lead playing a cool riff,   they keep it up for a few seconds and then they raise the bar, attacking the more technical and intricate guitar riffs and fast technical drumming with laser focus precision execution. At 3:14 you will see what they are capable off and how they can seamlessly transition from breakneck guitar riffs and blistering fast drums to a more relaxed instrumental groove. I like the way the end the song, it seems to fade out, and become muffled sounding and then the only sounds you hear are some electronic noises and something that sounds like a heart monitor beeping.

 

  1. Ab Aeterno

This song begins also with the electronic sounds, and has more of a mellow feel to it, similar to Scale The Summit’s delivery. It is a very relaxing, song with all guitar riffs and drum patterns moving with fluid motion. They really did their homework trying to determine the track order, and this is exactly where it should be. The whole album shreds, and it blows your mind with some of the sick guitar riffs, and the technicality of the song structures, but they use this song to really take you to a relaxed feeling, as if you are enjoying a cosmic oasis just floating along and taking in all the sights without a worry in the world. This is what I mean about how the music sets up scenery for the listener.

 

  1. Metaphor of the Sun

This song has an interesting beginning, you can hear crackling fire, something that sounds like a clock ticking, a piano joins in playing a light melody, some electronic sounds start to join in. then BOOM the band gets right down to some really impressive guitar shredding, and technical drumming. This has such a damn solid groove it’s great, these guys can shred too, the guitar solos being played are incredible. They seem to have scrutinized every note to sheer perfection of timing and placement along with the rhythm of the song. We hear the piano again when the song takes on a jazzy style transition and the guitar is laying a soul filled riff. They come out of that with a heavy progressive metal feel, and the delivery is spot on. This is exactly the right song to end the album with, my only gripe, is now I wish the album had more tracks because I want more Divine Realm playing through my speakers.

 


 

 

This E.P. is awesome, this is one of those albums that when you hear it, it blows you away. It’s not a new genre, hell Animals as Leaders have been doing the instrumental thing since 2007. Plenty of bands are involved in the Instrumental or instrumental genre. Divine Realm don’t sound like they are trying to be the fastest or anything. They are playing some genre bending progressive technical instrumental metal with some impressive elements blended in. From the electronic programmed sounds and rhythms, to the sections like in Cloak and Dagger where it takes you to a different scene altogether. This album is mind blowing, I have no regrets giving this album 10/10 it blew me away, and these guys are very impressive.   Every song has a specific detail that when that change happens and you hear it, you are surprised. You aren’t expecting it, and they have this method where they are playing technical metal, the song doesn’t just change, it almost evolves into a new section, and really gives you some images of a scene. When you listen to this album you will find yourself almost imagining a scene, or image that this album really generates flawlessly. For the many of you that will actually listen to this, if you have not heard Diving Realm before, well after you listen to this album, you will know their name and remember what you felt when you listened to this great release.

 

 

 

 

 

 

 

 

https://www.facebook.com/DIVINEREALM/timeline

https://twitter.com/DivineRealmBand

https://divinerealm.bandcamp.com/

 

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
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Odyessey- Voids Album Review 8/10 @OdysseySpokane

Odyssey

Voids

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Out February 5th, 2016

Guitar – Jerrick Crites
Bass – Jordan Hilker
Drums – Lukas Hilker

 

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  1. Emerge. Evolve. Adapt

The song begins with some muffled guitar tones playing and fading in, becoming clearer until they start playing a steady rhythm. I am enjoying this, it has a feel good groove about it, and then walks along the lines of something heavy. It’s not one hundred percent metal, these guys are blending several styles from metal, to fusion, some classic rock stylings. This is a solid track to start the album out with, and I get the first impression, that this is their simple song, the song that gives you a good first impression to get your attention. The hold down the groove, and really lay it on thick so you can be nodding your head, tapping your foot, rocking out in general, and really enjoy their unique intrumetal delivery.

 

  1. Negate The Infinite

I called it, this is a bit more complex than the previous track, this band is not only playing some killer music in the form of instrumental metal, and they are bringing their talents for different music styles, and technical abilities to the table as well. Jerrick can definitely hold his own on the guitar. This has spawned the sudden urge to break out the air guitar. You know what I’m talking about, that moment you hear a sick riff, and you just want to rock out on the air guitar trying to follow the whirlwind shredding riff and all of its finger placements along the fret board. I always enjoy when I can hear the bass in most music because so often they get buried underneath, and some bassists can really deliver so sick bass lines. Jordan holds things down very well.

 

  1. Like Moths To a Flame

It is way too early to say that this is my favorite track, but I have listened to this one a few times already. I am really digging the way they start this song off, that rhythm, and how they take it, play it for a few bars,   add more dynamics to it, and progress with that foundation. The guitar hits us with some solo action around the 1:52 mark, and while it not a dizzying shredfest, it’s a soulful solo. The tempo is quick enough to keep your energy levels up there and your head nodding. This is a fun song to listen to, and what I really like is that Lukas is not trying to play over the guitar or bass. He is not trying to take the spotlight, and he is not hiding in the shadows either. He keeps the beat, keeps it interesting and does so by balancing his talents all across the boards, knowing when to play something with panache, and when to just keep the time.

 

  1. Motives

The song starts with a heavier feel to it for the first ten seconds and then goes to a more fluid style. The guitar is playing out to some extent, without getting to flashy. I like the change around the 1:30 mark because it sets up the next section and you can see how they progress throughout the song. At the 2:25 mark, the drums and bass set things up for a very cool sequence of the drums keeping the beat and the guitar is playing a cool riff while it may be simple what he is doing,   all three of them doing it together blends well and sounds awesome. The last minute of this song is badass, the guitar solo, how it starts out simple and then shreds for a few bars, the drums playing on the toms with the accents on the crash, while the guitar is also accenting on the same notes. This song ends in such a manner that it leaves you hoping that the next thing you hear is going to blow you away.

 

  1. Echoes

The guitar riff with all of its echo and the bass doing what sounds like volume swells, playing like this for a bar or two and the drums come in with a rhythm to follow along, then progresses to what is like a 4:4 time signature. Evolving into something more but keeping that guitar pattern going. This song is a killer track, I love it, this will be making it to my playlists, as it has that badass beginning, but then when they bring it down a few notches. The guitar is playing with some soul, it reminds me of Clapton, and some Gilmour fused together. This song is one that leaves you reaching for the back button, you know if you haven’t hit that “repeat 1” button yet (which I have and l can’t stop listening to).

 

  1. Before There Were Eyes To See

This song starts out with a thrash feel to it, and they get right down to the energy boosting rhythms with this song. I really like the old school vibe about it, the guitar solo starting around the 1: 30 mark is great. Jerrick plays a soulful solo and then ends with some shredding licks, only to take a quick breather and hit us with a dizzying riff, it’s a straight up hand cramping riff that lasts almost thirty seconds. They break the time down a bit and give it some accented points to only bring it down some more with the bass all alone setting up the next rhythm.

 

  1. The Plot thickens

The song begins with a riff and a bit of mystery behind it, which really leads you to wonder which way they will be going. They don’t leave that amount of mystery in question long and dive right into a quick tempo pace with steady drums for the first section. The next change brings things down a slight amount with the drums being played on the toms, and then going into a jazzy feel for a bar, popping right back into a heavy feel again. WE haven’t even cleared two minutes in yet and they are jumping from style to style and giving the listener a brief moment to get acclimated to the change. All the while they do have a solid groove, that while they change tempo a few times that groove follows the entire time. The guitar solo though, Jerrick will be a more known name after this album I am sure of it. You don’t play the way he is on this and not get attention from it.

 

  1. Delineation

This song starts a bit muffled with the introductory riff, yet you can hear the hi hat being hit, this is a very soothing beginning, I like that it is about to change and it does, the drum pattern on the hi hat accent the rhythm, the perpetual guitar riff and the bass hitting the groove in that low tone. This song seems like it could tell a story, it could leave you thinking about things in a different perspective, and will keep you hanging on every note for the entire 7:17 of song length.

 

  1. Left Unspoken

This song starts out very smooth and melodic, this is a very relaxing tune so far, and I am certainly enjoying the vibe it gives off. This is like once of those intermission tracks, it’s not very long, it doesn’t have many changes, it’s just a cool soothing track to get you brought down from the last song and get you mentally prepared for the last track of the album, the title track.

 

  1. Voids

This has a rock solid groove right out of the gate, this is actually a fun song by the sounds of it so far. I am betting they like to end on this song because it sounds like as much fun as it is to listen and enjoy this song, it’s a fun song to play. Jerrick though, he likes those hand cramping riffs I can tell. The song picks up the pace right around the 1:20 mark and delivers some energy inducing drums to get you going into the next change. This is a killer track, I mean that groove alone is highly enjoyable but right around the halfway point they mix things up and then those toms rolling out and setting up that slower more dramatic section. They throw down some funk right around the 3:40 mark where they just start to set it up, but yea you get to that point and they just brought the funk. And to answer your question, no they did not end the album without Jerrick delivering a face melting shredfest of a guitar solo.

 


 

 

This album is awesome, the amount of sound they pack in with only three members is impressive. The styles that can be heard throughout this album range from jazz and funk, to thrash and progressive metal. I couldnt pick just one song to be a favorite, but I will tell you that “Echoes” has been played a few dozen times, it is now my alarm clock sound,  and a  ringtone, as it is such a killer track. The album really is a an example of variety, not every song sounds the same,  yet every song has its own style.  Call me crazy but  if this was to be paired the way people pair wine or beer with food. This album could be paired with ” The Algorithm”  I would love to see maybe a split, where you have The Algorithm  doing their thing, and Odyssey doing theirs because they would compliment each other so well. This album can be played any where, from the office to  driving. With instrumental metal bands coming out more and more, I will say that this album would rank high in a list of instrumental metal album lists for 2016,  if compared to the releases from 2015,  I would put this higher than quite a few albums released last year.  My only hope is that they eventually release it on vinyl, for my collection. Hands down a solid 8/10 rating is what Voids deserves, and you should pre order today! \m/

 

 

Check out this Album promo video they put up New Year’s Eve Check it out below.

 

 

 

 

 

Make sure to click HERE \m/ if you want to pre order either the physical or digital album.

After you do that you can stream their last release while you wait for “Voids” album to be released.

 

Check them out on Facebook: Odyssey spokane \m/

Also make sure to follow them on TWITTER for the latest news

-Badger \m/
http://www.badgersmetalbreakdown.com

Hammer Horde – Fed To The Wolves 9/10 review

Hammer Horde

Feds to the Wolves

Brock Bickelhaupt – Vocals

Derik Smith – Guitars/Vocals

Jayson Cessna – Drums

Ryan Mininger – Guitars

Jason Reynolds – Bass

Storm Surge Records
Pagan Metal / Melodic Death Metal

 

  1. Starborn

The song begins with a foreboding tone lingering for about ten seconds and then some melodic sounds start playing from the guitars and the percussion adding a dramatic feel to the song. This little intro plays out for just about a full minute, then they unleash upon you some serious speed, and blackened melodic metal. The blast beats and the guitars are tight, I am really enjoying the vocals as they come in. This is a solid track to start and album with. The even throw some falsetto vocals in the mix also which is a pleasant surprise. This is lie taking several different styles of metal and putting them into a centrifuge and pulling out only specific elements and utilizing them precisely. This is a six and a quarter minute long song filled with stellar guitar playing, solid drumming, and the vocals both main, and backing really pull it off.

 

  1. Tale Of The Wayward Voyager

This song starts out with fast guitars and drums right away with a melodic guitar riff being played over a driving rhythm guitar. This has a solid groove right out of the gate and this song you can really get into easily. It’s too early to call this a favorite, but it has all the makings of the album favorite. I hate to say it, but listening to this song, is like listening to what it would sound like if Cradle of Filth was actually good still. These guys are delivering that symphonic / melodic blackened metal without the theatrics.   This is such a good song, they even know when to play a simple and melodic guitar solo.

 

  1. Fed to the Wolves

The title track begins with some ominous sounds fading in and then the drums and guitars start in. The drums play a marching style cadence for a few bars and then the entire band joins in with a slower but really rock solid metal sound. I really like the section at the 1:45 mark, there is something about it that fits just right. I really dig the harmonizing guitars, the song as a whole has a tempo of around 110 BPM and is about 6:21 minutes in length every section is enjoyable for fans of heavy melodic metal.

 

  1. Unholy Harbingers Of War

A cool melodic guitar solo with some echo starts the song off luring you into a sense of a slower, calm and collected atmosphere. The drums roll right into a much faster tempo, delivering a whirlwind of guitars and blast beats, the vocals are great especially during the chorus sections when the darker lower vocals have a line, and then the backing vocals do clean gang vocals. This is very much a battle anthem, right around the 3:00 mark you will know what I am talking about. These guys do not let up on this one, this is a song that marches along and doesn’t not falter, or lose any of its momentum. Around the 4:20 section we get a great guitar solo, some serious shredding is happening here. This is an all-around rock solid song.

 

  1. Hail and Kill

This has a mysterious beginning, it goes from guitars and drums playing only on certain notes for accent. Then clean vocals singing with acoustic guitars playing a very melodic for the first 1:22 minutes of the song. Then the band comes in hard and fast with an explosion, blending clean and heavy vocals at times and trading off bars for other times. This is a very anthem sounding song, even going back to the blistering fast moments filled with blast beats and low growling vocals. This song is very enjoyable, with a great guitar solo, these guys are having fun, and playing a great metal tune. They do a great job with this Manowar cover, because of this cover, I could honestly see them pulling off other Manowar covers perfectly.

 

  1. Ortum Aurorae

For the first five seconds you can’t hear much except for an ominous tone, and then more and more the melodic key boards and orchestral sounding percussion and instruments fade in. The chugging guitar riff that follows adds some dimension before a melodic guitar and piano segment. This is really just a cool 1:31 minute long instrumental track.

 

  1. The Scourge Of Man

Ortum basically fades right into this fast paced metal masterpiece here. This song, sounds absolutely bad ass in the first thirty seconds played. This song has an insatiable rhythm and the groove is great, you will involuntarily fall into by head banging at the moment the first note plays through your headphones or speakers. This is my favorite song off of this album. The song really keeps you amped up until the very end where it slowly brings you down with the sound of a piano playing.

 

  1. As Embers Fade

Heavy guitar distortion and pounding drums being played in a way where certain notes are really being accented be it on the toms and bass and then the cymbals. This is like an instrumental track where it’s almost like a victory march in the way it sounds. This is not just an instrumental track to get you to enjoy the sounds of the instruments without vocals and lyrics. This is almost meant to give you a sense of satisfaction that you leave the battlefield alive and well being victorious in your conquests.

This was a great album, I had never heard this band before so I was really unsure of what I was getting into. They just gained a fan that’s for sure, they play some really fast, and infectious blackened melodic metal. This album really surprised me, I was expecting something along the lines of a Viking/folk metal sound, and that is not what came out of my speakers when I put the CD in. This album is easily rated at a 9/10 as every instrument, every moment is great its enjoyable, and powerful. I guarantee that popping this album in for a listen will blow your expectations away.

 

 

 

Check out the Hammer Horde Website

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To download a digital copy or order a physical copy click here

Hammer Horde on soundcloud

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-Badger \m/
http://www.badgersmetalbreakdown.com

Talking with Sevenday Curse! New Music! New Album! @sevendaycurse

I recently had the chance to go down and hang out with the guys from Sevenday Curse, and hear what they have to say about the past the present and the future. I got a chance to hear some of the new material, and see them playing songs like ” Revelations”.  I am pumped after hearing the rough mixes of the new material. They have not lost their touch, they are bringing it back, hard. Like they just finished with After The Storm and are picking right back up where they left off. Playing some bad ass metal. So with that said, lets get  down to the interview.

Badger – So I am here with the guys from Sevenday Curse  welcome back and couple things I wanted to talk to you guys about.

Badger-So how does it feel to be back together, and playing shows?

 John- It feels great, this is something that a few of us wanted to do for a long time and we’ve finally all separately felt the need to try to get back together and we started talking to each other and found out that we were all kinda thinking the same thing so we did it. That was the first hurdle, getting back together back in the same room and seeing what transpires. Where this band is actually is at a point right now, where things are starting to be fun again. There was some heavy lifting we had to do re learning our songs and getting somewhat tight. Playing some shows, and things like that. Kinda starting from scratch, but now with the new material that we are working on, you know that whole fun its enjoyable again the aspect of it. Playing together, and playing new shit you know its pretty exciting. Especially after 15 years.

 Badger: Does it make you feel kinda like you guys are young again?

 Sevenday Curse – No hahaha.

 Pat – I wouldn’t say that nope.

 

John – We definitely aren’t young. I mean you saw us downstairs practising and we played 1 song and 10 seconds into it I’m sweating like a pig.

 John – I wouldn’t say ,

 Pat – Getting up for work the next morning after our jungle rot show was hell.

 John – Chasing your kids around after, band practices before (having kids) playing shows we would just go our separate ways, some of us would go out, or go to bars. Now in between practices my kids are running around.

 Pat – Usually my kids are running around,

 John – Pats kids are running around my wife helps out a lot, but its like you know  we fit it in and we do the best we can with the time and energy but, yea that’s about it.

 

Badger-So what was that first show back like for you guys, what was it May 2014 right?

 

Scott – Kinda of nerve-racking.

 Pat –  Nerve-racking, yeah haven’t been on a stage in a long time.

 John – Yea I think were all a little spooked out a little (bit) because after 15 years.

 Pat – that was a fun show lot of people lot of people a lot of old friends it was a great feeling that was a good show, people  coming from far away.

 Scott – A lot of familiar faces,

 John – it was definitely, fun and definitely we came out on stage it was a ruckus crowd we welcomed pretty well that was something that stood out to me was the applause from the people who were like, “fuck yea!” you know this is after 15 years it’s about to happen and you know it’s finally happening but yea.

 

Badger – When you guys first started bands like At the Gates were one of those very  influential bands and I picked up that was an influence on you guys as well at the time. Slaughter of the soul was a killer album you know what I mean.

 

John – One of my top 3 favorite albums of all time

 Badger-So you know as far as your influences then, what are your influences now? Do you have new artists, are you guys stoked to see At the gates back together and playing shows?   So do you have any new influences?

 

Scott – I guess in the time in between we weren’t a band um I got into film scores a lot, I really like listening to soundtracks, pretty much everything Hans Zimmer has  ever done its amazing, a lot of other really good composers, I’m not even remotely close to being anywhere near their level but I like to dabble, into arranging strings and stuff like that so that’s become I guess an influence for me kinda the dramatic side the music I guess . Bringing a little piece of that into the band it feels good I like it. It adds a different flavor to our music that’s different from what a lot of other bands are doing.

Badger – A whole different dimension being added to it.

 

Scott – Other influences I don’t know I think we are across the board I think that’s one of the really good things about the band we don’t, were just not all into the same music, and it’s always been that way Dan was always into the more brutal death metal stuff I was into the Swedish stuff Pat brought in a lot of hardcore influence John just straight up metal stuff. I think it’s still kinda that way, just more of it.

Pat – How am I the hardcore kid? ( laughing)

 Dan – Well you were like, I learned about hardcore bands from you, Sheer terror Black flag, and you were in Close Call I think a mistake bands make is that you’re not going to be original from listening to other metal bands especially,  newer bands or local bands you either got to dig back to the roots where this all came from or understand its OK to be influenced by music that’s not metal. I’m into everything I love even those early 90’s dance groups like The Real McCoy I like stuff like that I like seventies rock anything, Doo Wop classical music film scores anything dude, I can take that and channel it into metal it doesn’t just have to be metal I can take it from all the other places and when it does come to metal I think my biggest influence is I dig back I’m not going to reference a band like Trivium. They are a great band, but they are never going to be an influence (for me). To me an influence, is going to be Iron Maiden that’s an influence Entombed is an influence.

 

Badger yea the left hand path

 

Dan –  Right any of them, that’s where metal influences come from. The newest band I’d call an influence would be from the early 90’s you know that’s how I think of an influence should be.

 

Badger – So what have you guys been listening to lately Scott mentioned film scores, for the rest of you what are you guys listening to lately , you got some old stuff, some newer stuff what are you listening to?

 

Scott – the newest Dark Tranquillity record

 Pat – Nursery rhymes, The Frozen Soundtrack

 

Badger – But you have kids so that’s what you would be listening to most of the time anyway.

 

Pat – that’s all I listen to. ( laughing)

 Scott – the newest Dark Tranquillity record

 John –  Scott and I have been , you know like I said I think we were the bigger Dark Tranquillity fans so we were looking forward to the new album and although I’d say Scott is maybe listening to a lot more than me. Its one of their darker albums so sometime its just not in the mood for it, but other times you know I can’t stop playing it.

 Scott – Its pretty depressing music.

 John – The album is really dark but so yea Dark Tranquillity I also listen to everything and with kids you know your choices change. I have Maroon five on my iPhone because my two kids love that  I have to rock that a lot of the time but other than that. I have some old shit I have some new shit I’m actually way into Parkway Drive lately for the past 2-3 years, which is different for me I wasn’t really into that genre of hardcore. When I found Parkway it was something I never heard before and their breakdowns are just so brutal it has a metal aspect their guitarist is a metal guy so it was good that’s pretty much what I’m rocking that new Lamb of God, Dark Tranquillity and Maroon 5 (laughing)

 Scott – that’s an eclectic mix (laughing)

 Pat – Mostly folk music like the Clancy brothers, Schooner Fare from Maine,I dig them, talk about harmonies you would appreciate their harmonies

 

Badger – They definitely have their place there something for everyone out there. There is something for everyone out there, and that’s one of the things is that a lot of people think that if you’re in a metal band you have to listen to metal. That’s what what people generally think,  that’s one of those things. You (Scott)  listen to film scores, Maroon 5 has its place on your iPhone. You know everything you have to get that blend or you have tunnel vision and you’re not focusing on what else musically is out there. You are kinda broadening your horizons.

 

Pat – Dallas Green I listen to a lot of Dallas Green, check out Dallas Green City and Colour amazing!

 John – so yea that stereotype that metal guys only listen to metal, rap only listens to rap punk only listens to punk but that’s not true and that’s proven by any artist you talk to they have several influences. You and I talked about this the other day Scott, Brent Hinds from Mastodon is way into that southern 70’s blues rock, and that comes through in their music.

 Pat –  I think everyone likes southern rock. You can’t say, the Allman Brothers are not good I dont care who you are. ( laughing)

 Dan – I said in an interview years ago, the acoustic folk James Taylor stuff the Carol Cole, Cat Stevens, it all made it into our music. That’s an influence. People were saying it at the Jungle Rot show, that’s part of the gig “no one else is doing what you’re doing” that’s part of the game, doing something that not everybody is doing.

 

Badger – Back in 1999 when you guys were kinda of doing this there was no Facebook, there was no Myspace I mean there was really, there wasn’t much of anything. So you guys came from a time when it was like putting up flyers at shows handing out flyers at shows you didn’t have Facebook Myspace or anything like that so how has it changed for you guys now getting back into it and there’s just like everything is digital? Has it been an easy transition or…

 

Dan – I want to say something about this, just to show the difference, you asked if its different now. Just as a point of reference me and Scott were seniors in high school, and I played in a band called Adversary one of the many pre cursors for this band and dude I remember a kid made up a website for my band in 1995 somewhere around there dude I laughed at it,  he’s like “this is your website”, he gave me a paper with the address, and when I went to the website it took about five minutes for the thing to load up.  I thought “this is never going to take off.” Boy was I wrong. The exact opposite happened. You have to have it (the internet) now.

 

Badger – So has it been a whole learning lesson for you guys or did you guys transition into it pretty easy.

 

John – Fortunately for us Scotty and I are both in the IT industry. And it was pretty easy we’re very technology savvy so it comes easy to us like the other two guys not so much, but….

 Scott- I think there’s still a  lot of room for improvement, and how were using those tools, is part of what were working on now.

 John – The whole social media thing were going to try to step up our game but with the internet now a days of course its one thousand percent better you know the whole heavy lifting thing getting in your car driving around putting up flyers, making calls.  Just one example Facebook and the events page. You know you can make an event age and invite as many people as you want, as many people your friends with. And now a days everyone has at least 4-500 friends. Especially if you know you have an objective. You’re in a band or something like that. We share different mixes of our songs via social media. We have immediate access to each other via a text message or a face book message. We have been since day one, we have this one Facebook message, that is probably, fourteen thousand pages long now.

 Scott – A thread

 John – A thread of constant back and forth of what time are we meeting for practice, just wanted to check in what’s going on with the shows hows the new song coming? Here’s a new mix listen to it tell me what you think, maybe some making fun of each-other.

 Scott – A lot of those last two. (laughing)

 John – The purpose of my statement is just showing just how much of course it is a different age and its much easier to get.

 

Badger – You guys are embracing it.

 

John – Yea getting our music out there and getting our name out there.

 

Badger- so you guys recently put up After The Storm up on bandcamp, are we going to see the new material on there as well?

 

John-YES!

 

Badger-  Bandcamp so far you have only had it up for about seven days today I think.  How’s that turned out for you guys, in one week what would you say. Have you had positive results?

 

John – its been positive actually after about three days I went on and checked the statistics and  our first song was streamed 54 times and second track was 43 times and I think that’s good for 3 days.

 

Badger- I’d say so definitely.

 

Pat – I haven’t seen it

John – We know you and I.T.  (laughing)   

John – After The Storm the goal is to have it available, but have it at a drastic price cut because its our old stuff. I actually have anxiety about it, but we have to make some money you know.

 

Badger- I think it would be something if it was one of the earlier demo’s or and E.P but it is a full length album.

 

Scott – It is a legit record.

 John – I’m not denying that.

 

Badger – It was on Tortuga recordings you know what I mean so I definitely think its something that you have priced accordingly, I mean you can’t even find this album in most areas either. If I didn’t still have my disk I would buy it on here

 

 

Badger – when did you guys decide it was in fact time to get back at it?

 

Scott – That would have been November, December 2013 that’s when Pat started  organizing everybody and at first you (Pat) contacted me about just playing guitar in a new band.

 Pat – That was way before that

 Scott – I’m talking about this time around.

 Pat – Well I called a lot of you guys cause I just wanted to play, and I didn’t think you guys wanted to play Sevenday Curse stuff, I thought you guys were way beyond that at first it was hey you guys want to just jam and then it was I was getting like, “like Sevenday Curse? Or jam?” And I said let’s get together and see what happens.

 John – In the back of our minds I know myself and Pat I told the story earlier, it was like the girl who got away we always wanted to try to resume and see what would happen and I think the other thing is I know like for myself I don’t know about anybody else. If I jammed with somebody else it was weird I always thought in my head that if I jammed again I just wanted to jam again with the same guys even if we didn’t do Sevenday Curse as long as if it was with them I thought the musicianship it would be on point we have an understanding of each other we worked together in the past and as far as musicianship these are the best that I know it’s why I wanted to put it together, it’s obviously one of the reasons we got together. Dan is one of the nastiest guitarists , Pat was nasty on the bass. And when Scott came in that day at practice we were like “ Dan you gotta get him in the band” the musicianship , I’m probably the worst drummer they’ve played with, but I don’t feel the same hahahahah.

 

Badger – So what musical direction are you guys going in?  Are you guys trying to be more modern with the sound, or almost like After The Storm got released you are picking up right back where you would have?

 

 Pat – That’s how I feel.

 Dan – Yea that’s how I feel.

 John – That’s the attempt; you know we feel like our music now, the new music were writing is a much more structured matured, engineered…. (form)

 

Badger – So you could say it’s the single barrel scotch of Sevenday Curse?

 

John – Yes!

 

Badger – It’s more refined you guys have had time to you know mature as adults.

 

Dan – It’s picking right back up but still relevant to what’s happening. Obviously we will be influenced by what’s going on around us in music, were up with the times but we’re still Sevenday Curse, and doing what we were doing back then.

 Scott – I don’t think anyone ever creates something artistic in a way that’s free of influences everyone is always influenced by things. With that said I feel like for my part of the song writing, right now; I feel like the connection between what I’m writing and what I feel and want to say is the strongest it’s ever been for any music I have ever written. It just feels like it’s coming straight from inside.

 

Badger – Yea.

 

Scott – Not really when I’m sitting down to write and arranging there’s very little thought in my head in terms of I want it to sound like this or I want it to impress this type of person anything like that it’s really just what feels right.

Scott – I feel like that’s something every band says, it hasn’t been that true for me in previous bands that I have been in, or other times, it’s true for me now.

 Dan –  Brian  there’s something we talked about this when we first got back together. There is a peanut butter and jelly thing that goes on with his guitar and my guitar. You know we played some of the stuff down here, and I was adamant that I wanted you  also to hear one song predominantly Scott and one song predominantly me. When you put those two together because  we acknowledged it, we build around the guitarists first,. That’s still there that’s what built the band  in the first place. There’s still that contrast of his guitar versus mine and that’s no matter what that’s Sevenday Curse’s vibe. It’s going to be there whether we like it or not, it’s all still there. That’s how we wrote stuff After The Storm, it’s a series of songs that we glued together as a band at the time.

 

 

Badger – That leads  up to my next question, is one member doing the primary writing, or do you guys jam and come up with the ideas and pick and choose? Or is it like I’ve got my idea, you’ve got your idea. Lets see if they both work or if they’re two individual songs.

 

Scott – I there’s been some of each of those things there’s been some parts where Dan brings in a riff and I listen to it and I come up with an idea for something to do in conjunction with the riff that he wrote. There’s a song that I wrote completely from start to finish before the band even got back together that’s the one you heard. That was written about three years ago and we re arranged it a little bit but it’s primarily still what I wrote. So its kind of all over the place

 Dan – That stuff that I was playing , those riffs I mean the other night we had this riff for a while that I had that we like a lot and Scott was like “ we need to build a new song” a fast song around that so right away I started doing riffs again and this morning I was playing them for him that you heard. That was just done last night, in my head you know, so I mean I might come with that whole idea, and like Scott said he may come up with a whole idea and I feel like as a band we review it and listen to it and go back. And with Scott’s got the recording equipment, so we are putting a lot in his hands just because of convenience. He’s got the recording equipment, were not going to fight it, he’s got it let Scott work on some of this stuff on his own and then shoot us back the demo’s he came up with for it.and say you know “what do you think”

 Scott – It’s a highly highly iterative process I put a raw collection of parts together and John will say why don’t you change this. Or why don’t you make that half time beat or whatever and a lot of stuff changes we have had about thirty different mixes of a song by the time we are done with it.

 John – This is something that the way  we wrote in the past (you know before the breakup) After The Storm would be a lot of it would be done. Either done in person or me and Scott over the phone or Scott would bring or Dan would bring something to practice but what’s different about this is a lot of this is done remotely its uh Scott putting his ideas in pro tools and getting Dan’s idea, putting that into pro tools and coming up with ideas and going back and forth on what’s good and what’s not.

 Dan – A large majority of band practicing now is done over the internet we have band practice through emails Facebook messenger and I have no problem with it were all cool with it, these three guys each have two kids a piece, and a wife, and a house all that. OK this is how were going to have to practice now times not through the week we’ve got busy schedules. Times not on our side. With scheduling , I mean we’re OK with all of this. This is how were going to have to practice now.

 Scott – And its working!

 Dan – And its working, its great!

 

Badger – Have you guys had some positive feedback since getting back together as a band. You had mentioned your first show you have a huge crowd, got a lot of and response on the Facebook page  that you guys are back at it?

 

Scott – Lot of excitement people commenting saying “ I can’t believe this is real!”

 Dan – Yea I cant either! (laughing)

 John – Pretty much what I said to myself.

  Dan – It’s very surreal.

 John – That one night after we got back together was “I cant believe this is happening I cant believe this is real” and we have people approach us and say that. Dan is still somewhat plugged in to the scene the metal and hardcore scene.

 Scott – I’d say very plugged in.

 John – Yea he doesn’t have kids and he is able to do that and he gets feedback every time that he goes to a show, any time he plays with his other band you know.

 Dan – I feel like I get interviewed like” so what are you doing you got stuff coming out when are you playing etc.  I tell them whatever they want to know. I can see from a fans view I would be asking the same questions.

 

Badger – What can the fans expect for the rest of 2015 ? Booking a few more shows?

 

Scott – Our main focus is getting this recording out I think we are hoping to do that by November that’s the goal that were at right now as soon as we’re done with the actual mixing and arranging and its moving to getting pressed we want to book some shows. So I’d say winter we want to play a lot.

 

Badger – So looking at beginning of 2016 you guys want to be playing some shows?

 

Pat – I want to do that metal night in Worcester.

 John – It’s three things, mainly finishing the record we have new merch ideas we want to get out a couple of shirts maybe After The Storm on vinyl maybe some pressing of After The Storm maybe vinyl for the new album I don’t know we just got a lot of ideas and three is just getting on a lot of good shows for the end of 2015 and promoting that record and getting that new music out there.

 

Badger – So something I had talked to you guys earlier is that you worked with Kurt Ballou on After The Storm when it comes to the mastering it sounds like you are going to do as much as you can independently as you can and then you are going to leave the mastering up to someone like a sound engineer someone who does mastering?

Scott – I think it’s an intelligent decision, none of us know about mastering so.

Badger is there anybody in particular that you are looking to work with or are you not at that place yet.

 

Scott – We have only vaguely begun to research that.

 Pat – Who did we use before.

 John – We went to nine west.

 Pat – When we went in there the guy was mastering Nuno Bettencourts new solo album.

 John – We were very taken care of by Tortuga it was great to have the backing because studio time we’re not paying for record pressing were not paying for cd distribution were not paying for. The only thing we needed to worry about was finding ourselves some shows. 

 Dan – Even mark helped us out with that he got us shows with Isis( the band) Soilent Green

 John – So then the mastering was great because the label paid for that and I feel like mark, when Tortuga was around mark had a lot of bands on his label but he had two that was his heavy hitters Scissorfight and then us. And I felt like he did extra work for the two of us and when it came to mastering I was taken back when he said that we were going to Nine West . Nine West is A+ for mastering, you look on the back of albums.

 Pat – You look on the back of Nuno bettencourt’s album and you see Nine West.

 John – Looking at that and then looking at our situation now its completely 180° were looking to do a lot of our stuff DIY. We’re trying to raise some money with that the mastering. We’re trying to take care of the recording the mixing ourselves and maybe, maybe were looking to try to get some help I don’t know but the mastering thing were just now starting to talk about it. We definitely want to do that we just want to see what depending on the funds, and  what the avenues are.

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Badger – So is Scott going to be doing the majority of the vocals just like After The Storm?

 

Scott – We haven’t arranged much of the vocals yet but I think its going to be the I’m not sure I’d agree that I did the majority of the vocals, I guess yea maybe I did two- thirds of the vocals but these guys.

 Pat – That’s the majority hahaha

 Scott – I think its probably going to be the same kind of mix, I’m the lead singer, but……

 

Badger – So you’re not labelling yourself the lead singer, just the guitarist and handling vocals as well while Pat and Dan are doing vocals too.

 

John – What you never heard my vocals?

 

Badger – (laughing) I have not heard your vocals no.

 

Scott – So I mean I guess I am the lead vocalist by default but I don’t think of myself as a singer.

 

Badger – You’re a guitarist that also handles vocal duties.

 

Scott – I am a guitarist that sings I think the mix is probably going to be the same (to address the original question) Pat and Dan are will still have some prominent vocals I guess the difference there is their not just doubling my parts they have lead parts they always did and that’s going to continue.

 John – They have individual parts/ assignments  

 

Badger – So are you guys planning on trying to get a label, get on a label rather?

 

 Scott – We haven’t strategized a lot on that, we have a little but that’s definitely a goal.

 Pat – That’s a main goal.

 John – He perfectly said it we haven’t really come up with a game plan on that yet but that’s a goal so we somehow would like to in a perfect world would have our new material and get it in front of record exec’s and hopefully we find someone who is willing to work with us. Were not looking for the world were just looking for a little help.

 Pat – Like I had said with these guys were not going to be a touring band.

 John – There are bands out there that don’t tour.

 

Badger – You know there are some labels that do, do that.

 

Scott – Also we might be a low investment band, if we’re self producing and mixing that its really just the mastering and pressing, promotion.

 

Badger – So you guys recently did crowd-funding on the www.gofundme.com site, hows that working out for you guys?

 

John – There’s been some good response by a lot of close friends and some of the older fans it’s not where we would like it to be. We’re not really near our goal.

 

Badger – Well this is all new for you anyway, doing a crowdfunding thing.

 

John – I think our game plan is to release a new track before the album comes out, planning on try to use that to drum up some money / attention to the page.


Badger – So are you guys holding off on new material at the shows until the new E.P. is released?

 

Pat – I think we would like to play some a new song but ..

 Scott – I think in general I am personally not a fan of playing stuff that is not released. However I am a fan of pre releasing a song or two before the E.P. or album is out.

 

 

Badger – So maybe not playing it at a show first , because you don’t want that dead crowd reaction. Actually releasing it (via Spotify, Bandcamp, blog, etc one of those avenues) just to get people to hear the new material, then playing it a show after.

 

Scott – Once its out for about a month we can play it at show.

 

Badger – You don’t want to be playing a show have a pit for the last three songs and then drop this and all the people are just staring at you.

 

Scott – I think in general, it works better when some people have actually heard the song before the show.

 John – I got a different opinion on that were a band that hasn’t put anything out in fifteen years. So I think we owe it to the little bit of a fan base that we have now especially at this Revocation (September 3rd )show where we would like to try to play a new song People know our other album, and maybe they are sick of it and what to hear a new song. So we’re hoping that we can début it Scott song the one that you heard at the Revocation show, because it’s a good show it will be a great crowd there, and it will be a great platform for us to get back at it.

 

Badger – It is a badass tune definitely!

 

Scott – I’m hoping to release the song before that show.

 

Badger – How many tracks is the E.P. shaping up to be so far?

 

Scott – So I think it might end up being six or seven realistically something like five full band new songs, one instrumental and then possibly one of the songs from After The Storm re-done.

 

Badger – Cool re-done like not just remastered I mean playing it fresh?

 

Scott – Playing it with the new sound completely redone playing it.

 

Badger – That’s great to hear!

 

Badger – I just want to say welcome back! I can’t wait to hear the new material! I’ve been a long time fan . So is there anything else you guys want to say to the fan let them know what Sevenday Curse has for them?

 

Scott – That’s a good damn question.

  Dan – I just want people to know that these little clips we’re releasing its one tiny piece of this big idea we have for these new songs.

 John – We have something for you, so stand by.

 Dan – It’s coming it’s going to have all the elements from the past those are going to  be there as well as the new stuff the teasers we’re putting out we’re glad people like it we’re getting a great response from it I am more than confident that any people who have liked us at any stage of our career past, present or even the future fans it’s all going to be there. Your going to dig it, whatever you liked about us in the past. You’re going to like it,  all those elements are going to be there.

 

Badger. So this is just something that I like to do, but with the new material just give me five words to describe it.

 

Sevenday Curse – Engineered, energetic, dramatic,brutal, melodic!

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So with that said I did get a chance to hear some new material. Seeing them play their old material was great.  If you have ever been a fan of these guys. Get ready to be blown away. Sevenday Curse is back, and they are ready to pick right back where they left off. Playing some killer metal, with some creative melodies, and having fun while delivering only finely crafted New England metal. Check them out their  last album on Spotify and Bandcamp. Then stay tuned because  they have new music coming and it’s sounding pretty bad ass. Just to get you into the swing of things check out a clip from their album After The Storm titled ” Revelations. this is a personal favorite of mine.

And check out a little teaser of the new material.

Sevenday Curse on Facebook

Sevenday Curse on Bandcamp

Sevenday Curse on Spotify

Sevenday Curse on iTunes

Sevenday Curse on Amazon, Amazon MP3

Sevenday Curse on Go Fund Me

-Badger \m/
http://www.badgersmetalbreakdown.com

Tempel the Artisinal Instrumetal Duo release The Moon Lit Our Path @tempelband

Ryan and Rich blow us away  with the release of The Moon Lit Our Path. the album is killer. a few weeks back i had posted about these guys and if you are a fan of instrumental metal, or instrumetal you need to check Tempel out. More and more we see bands doing the instrumental style sound, and while the genre itself is pretty vague on what you can find. From bands like Conquering Dystopia, to Animals As Leaders, there is so much room for creativity within the genre. These guys pull off their own sound. Not sure what their influences are but what they create and put out for us to listen to is a work of art. i find this album a worthwhile sit and think type of album. It not only is a great listen and is creative, but it also spawns creativity within your thinking process.  The whole album is great i am a big fan of ” Dawn breaks Over the Ruins”

Pick it up today

check them out at: https://tempelofficial.bandcamp.com/

-Badger \m/

http://www.badgersmetalbreakdown.com