Apotheon- Mechanically Consumed-E.P. Review- 9.3/10 \m/


Mechanically Consumed

1 - Front Cover.jpg

Andrew Morris – Drums
Fernando del Valle III – Guitar
Ibrahim Jimenez – Bass
Reece Deeter – Vocals

Ian Burnside – Guitars

Releases on June 22nd, 2017



This song begins in an epic sounding way. This is something you put on right before you are ready to start something big, whether it be weight lifting, sparring for boxing or another martial art, to just getting yourself in an amped up mood and ready to attack all obstacles that life will throw at you. If there was going to be entrance music for someone and they wanted to be able to effortlessly project their attitude without a single word expressed. This track gets this E.P. set up very well and based on what Apotheon have delivered in the past. I can say that without a doubt the songs that follow are going to be erupting with some tasty riffs, and killer blasts.


Tyken’s Rift

This song is the song that will make any gamer past or future feel some connection to the music and also vivid scenery. Just wait until the one-minute mark where you will understand the last statement and then you will be immersed in a world of metal, and video game like imagery.  Now come back to the track titled Premonition, it really jives with this song. Again you get that uplifting and melodic style form the music and also creates a perception of imagery, scenery, and a different dimension or world. I feel as though Reece is hitting a lower range than on the previous songs but then again. I keep getting wrapped up in what sort of imagery you get while listening to this song and having the dialogue at the 1:09 that sounds straight out of a game.  Apotheon are taking the metal making game to some new levels as they are creating music that is not only heavy and addicting but also energizing and spawn images from words and musical notes. However as great as this song is, I know that my favorite track is about to follow.



Mechanically Consumed

This song begins quietly with a really a subtle amount of notes being played almost at random, before a stringed instrument like a cello lays down what one might expect from an old movie, a horror or thriller to be exact. But then the drums and the distortion begins and the pace of the song goes into high speed.  This song is my favorite off the E.P. in my opinion this is the heaviest track, it has the most jarring riffs, and the vocals are on point.  The hardest part for me is to narrow down what section I like the most, which part of the song gets me the most amped up and excited to listen.  The whole song has that effect on me. For example, right around the 1:43 mark the guitars and drums set up a badass section that is contagious. And it hits right before a solo, the vocals give way for the guitar solo, but only for so long before they are layered over the solo and really add to the reasons why I love it.  Now if that was it I’d say you have a solid track, but it’s not. Because right around the 2:50 mark they slow things down to an almost sideshow or circus sounding section.  Under most circumstances I would have heard this and thought “gimmicks” or “ yea why did they do that, it doesn’t even sound right with the song” but I can’t say that in this situation. It works, it sounds odd, and if they started or ended the song with it, it would have been a flop. But its smack dab in the middle of the most badass song on this E.P. and you haven’t even gotten to the second solo of the song. And this song is minutes less than the previous two tracks.  Apotheon have again packed so much into the song it’s almost unbelievable that they managed to make another killer E.P.


The Flesh Machine

All you need to know about this song, is that  some things should be left to mystery,  I typically will not breakdown the last song on an E.P. only because there aren’t that many songs and I want at least one song to be a little bit of a mystery. I just can’t find it in me to do that for this one. It is just too damn good.

The song begins with a subtle progression of the guitar playing a riff that’s panned from left to right while the drums are playing a jazzed up beat to go along with the guitars, while the bass is holding things down. A keyboard strikes a note at the :18 second mark and continues playing with the other instruments. leading up right at the :44 second mark Reece slices through all that buildup with a growl that sets up his next few lines perfectly.  Right around the 1:14 mark they have a section of solid riffing before the next verse. I’m beginning to have conflicting thoughts on which song I like more “Mechanically Consumed” or this one. Right at the 2:43 mark the song takes a deep dive into an uplifting and euphoric section that lasts just shy of a minute and then the vocals attack again. At what is roughly the 3:50 mark, the listener begins to become activated by the music.  Whatever you may be doing at this moment in time, whether it be driving, walking down the street, rocking out in your room, or getting your jam on at the office. This is where you lose all of your collective shit and fucking throw some haymakers, air guitar or air drums and rock the fuck out. I dare anyone who listens to this E.P. to not get ready to take on the world when this song reaches this point. As they come out of one of the most badass moments on this, Ian pulls off a whirlwind of a guitar solo. There is no better way to put it, this song wraps everything up brilliantly.




This E.P. is an awesome little banger to be dropping at the beginning of this summer like this. There is soooo much killer music coming out in 2017, but summertime is the time of year where I look forward to killer tunes and having speakers blasting  with the windows rolled down. This E.P. follows their 2016 E.P. titled The Acension (which gathered attention among Facebook groups following the Technical metal and deathcore scene) and then also the single Tyken’s Rift from January. Apotheon are making a name for themselves, and in a very short amount of time I might add. I am very pleased with this E.P. and has been some solid music to listen to while working on projects. While the E.P. is great I must admit, I have been listening to the advance copy, including instrumental tracks.  Whether or not the guys decide to release this with the instrumental versions or not, my recommendation would be to do it. The music is so damn good. An amalgamated blend of equal parts technical, melodic, and and heavy.  I strongly suggest anyone and everyone who is looking for something new to jam to this summer. Get yourselves over to their bandcamp page and get your copy ordered up because this drops on Friday. 9.3/10 \m/

I had to find out about the instrumental versions and I cant tell you how happy I was to hear from Fernando that they will be releasing an instrumental version of this E.P. as well.

“On streaming sites (Spotify being one of them) will have the ep + the instrumental tracks. Bandcamp will be vocal and instrumental versions sold separate.”  “Going forward we will always be offering instrumental mixes. We love the offering, and while we love our vocalist and what he brings to table, we also write this music without vocals considered! And as fans of instrumental music ourselves, it’s always cool to hear A different version of a song!”

So there you have it, there will be instrumental versions available. Now imagine how many,  videos can be made by people doing vocal or other instrument playthrough covers over the instrumental copies. I think Apotheons view on instrumental versions is a brilliant idea.  Metal fans, and metal bands, lets make that a thing shall we?


Check out these links for Apotheon:

Apotheon’s Website- https://apotheonband.wixsite.com/apotheon Click it, you know you want to see what happens


Apotheon on Facebookhttps://www.facebook.com/ApotheonBand/ Go on show them some love, and like their Facebook page


-Badger \m/


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The Devil’s Due- December 14th- Man Made God- “Prima Materia” Review 7/10 \m/

Man Made God

Prima Materia


Released April 8, 2016

Man Made God is:
Niles Rodriguez – Drums
Izzy Rodriguez – Guitar
Isaac Fowler – Guitar
Christian Waiau – Bass
Adrian Clark – Keyboards/Backing Vocals
Roderick Spenner – Vocals



Today the Devil has brought us a solid seven track E.P. full of atmospheric progressive death by the Las Vegas NV outfit known as Man Made God.  Prima Materia is a killer E.P. that bursts at the seams with heavy hitting drums and some really gnarly guttural vocals.  They have virtually minimal fluff on this disc.  I mean the very first track titled “Source” starts out with what sounds like a Didgeridoo and the song fades in after about thirty seconds, but I hardly call that filler.  This was a thirty second welcoming period to introduce the listener to the atmospheric style they bring to the table. I love it, this E.P. has been in my rotation since it dropped, and has yet to disappoint me.  They have that atmospheric style similar to Fallujah, but the vocals are right in line with death/ death core styles and the drums and guitars are more death metal driven in areas. It really makes this E.P. a great listen because you can hear all the different elements that make up their style.  The sound quality of this E.P. is great also, it’s one of the things I really liked about this when it came out. Not only does it come with a “Name Your Own Price” tag (for digital copies) but the sound quality is top notch.  The Keyboardist really adds a lot of flavor to this, I wouldn’t say that garnish a melo death delivery just because there are keyboards. But man they really add to this E.P., every time you come to a point in any song where you would think there could be empty space, they fill it with keyboards. And not a flashy fast fingers Freddie slamming keys at blistering speeds. No they add the atmospheric sounds. They add imagery to the music, and I believe that’s something that needs to be mentioned with bands that have an atmospheric style to their music. When listening to this E.P. there are point in which you begin to visualize things, and I find that it is always when the keys are setting things up. While some will argue what song is the best off of this E.P. we did play “Goliath” and “The Martyr” both of those tracks were played often and loud. We love this E.P. and the only gripe we have is that it’s just not long enough. When this E.P. came out it was the first time we heard Man Made God and it was quite a surprise. This E.P. will not be the last time we mention these guys that much is certain, and they aren’t walking away with anything less than a 7/10 \m/


 If you want to get a taste for yourself check it out below and hit play.




Like what you are hearing check out their BANDCAMP page and get the digital copy at any cost


Also head over to their FACEBOOK page and give them a like to stay current with their news feeds.




-Badger \m/


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After The Burial- Dig Deep album Review 9/10

After The Burial

Dig Deep

Sumerian Records


Justin Lowe – Guitar R.I.P. 12/17/1982-07/21/2015

Dan Carle – Drums

Anthony Notarmaso – Vocals

Lee Foral – Bass

Trent Hafdahl – Guitar





  1. Collapse

This song begins in the standard After The Burial format, a muffled guitar riff can be heard fading in, and then it reaches its moment of clarity, and the rest of the band joins in hard and fast, laying down the first groove of the album. Such a great introduction to the album. The vocals are intense, it sounds like there is more emotion put into the vocals this time around than previous albums. The 1:32 mark you get some gang vocals and then right into that groove again. This song is explosive, it’s got the energy, and the classic After The Burial sound. Having this be the first time really listening to these guys in a few months, the song is giving me chills. The breakdown though, right around the 3:30 mark now that is a moment of brutality, ending the song on a strong note.


  1. Lost In The Static

The first guitar riff you hear brings back memories of their first album, they stay true to their sound, and then the vocals come in with rapid vocal delivery. All I can say right now is wow, this is a phenomenal song, and I thought I had chills from the first song, this right here is an unbelievable contribution to the album. The production sounds like the best it’s ever been. The guys really went all out on this one, there is nothing held back.


  1. Mire

The first thing you hear is Anthony breath in, and then as he lets out a long winded growl, the band joins in at the same moment. I have always loved how they lay down a solid groove wrapped up in a really intricate guitar riff, and they have never strayed from that formula. Right around the 0:55 mark they pick up the pace a bit with a rhythm that will have you head banging and ready for some action in the pit. This song is heavy and hard hitting, it should come with its only disclaimer for the listener and anyone around them that haymakers will be thrown without prejudice within a 10 yard radius.


  1. Deluge

A short drum intro kicks things off with an infectious groove following right after and then a killer guitar riff. This has instant fan favorite written all over it, that first guitar rhythm they play is solid. Clocking in at around 160 BPM they keep that perpetuating rhythm guitar riff going and is it a mesmerizing riff.   Right at the 1:40 mark they slow things down to a low and slow punishing moment of sheer pit massacre chaos. They round this song out with more killer riffs and a really catchy groove.


  1. Laurentian Ghosts

The guitar riff that kicks the song off is a very melodic tranquil riff that plays for roughly thirty seconds and then they bring the heavy, they bring the groove, and they bring everything they have got into this song. I can personally guarantee you will be tapping your foot, you will be moving, grooving, and head banging to this song. This song has some power behind it. This is one of those songs that when you play it in your car, you could be in the middle of a parking lot just sitting in your car by yourself, and you will be rocking out HARD. Oh man the line right at 2:34 mark “when the siren sounds” and then boom the siren does sound and they go into full on circle pit erupting breakdown mode. I love this song, I can’t say anything more about it I love it. This song is packed with everything that fans of ATB have come to love about them. This song has so much emotion in it, you can feel it through the music, you don’t always get that, and with this you do.


  1. Heavy Lies The Ground

This song begins with a sound growing louder and then some randomly placed noises, everything growing louder until right around the :38 mark cymbals roll in for an explosive entrance by the vocals and the rest of the band. This is a heavy hitting delivery, absolutely brutal. The rhythm is a bit slower than previous songs, but it is punchy and throws down hard. However right at 2:14 mark they pick up the pace fast, they go from around 120 BPM to halftime to give it that faster fell, and the rapid vocal delivery is spot on. The last minute of this song is just a cool outro, it maintains the groove, and plays adding slight changes like the drums playing on the toms and changing things up but maintaining the same feel to give it a cool way to end the song.


  1. Catacombs

You hear a floor tom hit with an odd guitar tone, but the tom is hit hard, it really gives a punchy feel to it, but Dan is hitting his floor toms hard. You can tell when the song hits the: 32 mark they have a groove all ready to be laid out and what they do is give you a brief moment of some melodic guitar playing and then come right back in swinging with the groove in place. So far they aren’t straying from the vivace feel of the song, the guitar squeals add an interesting twist to the basic rhythm guitar riff. I dig the section the song hits the 3:38 mark coming right out of that little setup they come in swinging for the ropes.


  1. The Endless March

The song begins with one of those classic ATB guitar licks that got me hooked on them in the first place. This song has a lot of energy put into it, right at the 1: 05 mark we get some rapid blasts with the bass drum following the guitars. Coming out of that section they bring things down to a punchy segment filled with windmills and haymakers. Only to jump right back in the quick paced groove from before. Got to love the guitars in this song playing those intricate guitar riffs. When you hear someone mention After the Burial, you almost immediately think of the type of guitar riff I am talking about. This song really brings me back to Rareform and I like the fact that after four albums they stay true to their sound.


  1. Sway Of The break

This song lays it all out, their classic sound, and a rock solid groove that has you moving right along with the beat. I won’t say anything else about this song, you should just get the album and hear it for yourself.   This is the last thing Justin worked on as a musician that is mind blowing thought to take in.



This album is great, they hold true to their sound, style and Dig Deep to bring all the emotion  out in the music, to the point you can feel it from the moment you hit play. Those signature guitar riffs, the delivery and intensity of the music I’m not embellishing in anyway, but every time I have listened to these songs so far I get chills. Knowing this is the last thing Justin worked on as a musician. This must have been such a difficult album for the rest of the band to finish up, but it looks like they wanted to do the right thing. I believe they did the absolute best that could have been done. This album has soooo much energy, so much emotion, and there isn’t a single track you will think about skipping. This album should be played from start to finish without any interruptions for at least the first time you listen to it. They deserve that much. I love it and it is nothing short of 9/10.



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-Badger \m/

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