Category Archives: Review

Odyessey- Voids Album Review 8/10 @OdysseySpokane




Out February 5th, 2016

Guitar – Jerrick Crites
Bass – Jordan Hilker
Drums – Lukas Hilker




  1. Emerge. Evolve. Adapt

The song begins with some muffled guitar tones playing and fading in, becoming clearer until they start playing a steady rhythm. I am enjoying this, it has a feel good groove about it, and then walks along the lines of something heavy. It’s not one hundred percent metal, these guys are blending several styles from metal, to fusion, some classic rock stylings. This is a solid track to start the album out with, and I get the first impression, that this is their simple song, the song that gives you a good first impression to get your attention. The hold down the groove, and really lay it on thick so you can be nodding your head, tapping your foot, rocking out in general, and really enjoy their unique intrumetal delivery.


  1. Negate The Infinite

I called it, this is a bit more complex than the previous track, this band is not only playing some killer music in the form of instrumental metal, and they are bringing their talents for different music styles, and technical abilities to the table as well. Jerrick can definitely hold his own on the guitar. This has spawned the sudden urge to break out the air guitar. You know what I’m talking about, that moment you hear a sick riff, and you just want to rock out on the air guitar trying to follow the whirlwind shredding riff and all of its finger placements along the fret board. I always enjoy when I can hear the bass in most music because so often they get buried underneath, and some bassists can really deliver so sick bass lines. Jordan holds things down very well.


  1. Like Moths To a Flame

It is way too early to say that this is my favorite track, but I have listened to this one a few times already. I am really digging the way they start this song off, that rhythm, and how they take it, play it for a few bars,   add more dynamics to it, and progress with that foundation. The guitar hits us with some solo action around the 1:52 mark, and while it not a dizzying shredfest, it’s a soulful solo. The tempo is quick enough to keep your energy levels up there and your head nodding. This is a fun song to listen to, and what I really like is that Lukas is not trying to play over the guitar or bass. He is not trying to take the spotlight, and he is not hiding in the shadows either. He keeps the beat, keeps it interesting and does so by balancing his talents all across the boards, knowing when to play something with panache, and when to just keep the time.


  1. Motives

The song starts with a heavier feel to it for the first ten seconds and then goes to a more fluid style. The guitar is playing out to some extent, without getting to flashy. I like the change around the 1:30 mark because it sets up the next section and you can see how they progress throughout the song. At the 2:25 mark, the drums and bass set things up for a very cool sequence of the drums keeping the beat and the guitar is playing a cool riff while it may be simple what he is doing,   all three of them doing it together blends well and sounds awesome. The last minute of this song is badass, the guitar solo, how it starts out simple and then shreds for a few bars, the drums playing on the toms with the accents on the crash, while the guitar is also accenting on the same notes. This song ends in such a manner that it leaves you hoping that the next thing you hear is going to blow you away.


  1. Echoes

The guitar riff with all of its echo and the bass doing what sounds like volume swells, playing like this for a bar or two and the drums come in with a rhythm to follow along, then progresses to what is like a 4:4 time signature. Evolving into something more but keeping that guitar pattern going. This song is a killer track, I love it, this will be making it to my playlists, as it has that badass beginning, but then when they bring it down a few notches. The guitar is playing with some soul, it reminds me of Clapton, and some Gilmour fused together. This song is one that leaves you reaching for the back button, you know if you haven’t hit that “repeat 1” button yet (which I have and l can’t stop listening to).


  1. Before There Were Eyes To See

This song starts out with a thrash feel to it, and they get right down to the energy boosting rhythms with this song. I really like the old school vibe about it, the guitar solo starting around the 1: 30 mark is great. Jerrick plays a soulful solo and then ends with some shredding licks, only to take a quick breather and hit us with a dizzying riff, it’s a straight up hand cramping riff that lasts almost thirty seconds. They break the time down a bit and give it some accented points to only bring it down some more with the bass all alone setting up the next rhythm.


  1. The Plot thickens

The song begins with a riff and a bit of mystery behind it, which really leads you to wonder which way they will be going. They don’t leave that amount of mystery in question long and dive right into a quick tempo pace with steady drums for the first section. The next change brings things down a slight amount with the drums being played on the toms, and then going into a jazzy feel for a bar, popping right back into a heavy feel again. WE haven’t even cleared two minutes in yet and they are jumping from style to style and giving the listener a brief moment to get acclimated to the change. All the while they do have a solid groove, that while they change tempo a few times that groove follows the entire time. The guitar solo though, Jerrick will be a more known name after this album I am sure of it. You don’t play the way he is on this and not get attention from it.


  1. Delineation

This song starts a bit muffled with the introductory riff, yet you can hear the hi hat being hit, this is a very soothing beginning, I like that it is about to change and it does, the drum pattern on the hi hat accent the rhythm, the perpetual guitar riff and the bass hitting the groove in that low tone. This song seems like it could tell a story, it could leave you thinking about things in a different perspective, and will keep you hanging on every note for the entire 7:17 of song length.


  1. Left Unspoken

This song starts out very smooth and melodic, this is a very relaxing tune so far, and I am certainly enjoying the vibe it gives off. This is like once of those intermission tracks, it’s not very long, it doesn’t have many changes, it’s just a cool soothing track to get you brought down from the last song and get you mentally prepared for the last track of the album, the title track.


  1. Voids

This has a rock solid groove right out of the gate, this is actually a fun song by the sounds of it so far. I am betting they like to end on this song because it sounds like as much fun as it is to listen and enjoy this song, it’s a fun song to play. Jerrick though, he likes those hand cramping riffs I can tell. The song picks up the pace right around the 1:20 mark and delivers some energy inducing drums to get you going into the next change. This is a killer track, I mean that groove alone is highly enjoyable but right around the halfway point they mix things up and then those toms rolling out and setting up that slower more dramatic section. They throw down some funk right around the 3:40 mark where they just start to set it up, but yea you get to that point and they just brought the funk. And to answer your question, no they did not end the album without Jerrick delivering a face melting shredfest of a guitar solo.




This album is awesome, the amount of sound they pack in with only three members is impressive. The styles that can be heard throughout this album range from jazz and funk, to thrash and progressive metal. I couldnt pick just one song to be a favorite, but I will tell you that “Echoes” has been played a few dozen times, it is now my alarm clock sound,  and a  ringtone, as it is such a killer track. The album really is a an example of variety, not every song sounds the same,  yet every song has its own style.  Call me crazy but  if this was to be paired the way people pair wine or beer with food. This album could be paired with ” The Algorithm”  I would love to see maybe a split, where you have The Algorithm  doing their thing, and Odyssey doing theirs because they would compliment each other so well. This album can be played any where, from the office to  driving. With instrumental metal bands coming out more and more, I will say that this album would rank high in a list of instrumental metal album lists for 2016,  if compared to the releases from 2015,  I would put this higher than quite a few albums released last year.  My only hope is that they eventually release it on vinyl, for my collection. Hands down a solid 8/10 rating is what Voids deserves, and you should pre order today! \m/



Check out this Album promo video they put up New Year’s Eve Check it out below.






Make sure to click HERE \m/ if you want to pre order either the physical or digital album.

After you do that you can stream their last release while you wait for “Voids” album to be released.


Check them out on Facebook: Odyssey spokane \m/

Also make sure to follow them on TWITTER for the latest news

-Badger \m/


Parius release the single Confined ahead of the release date for the album Saturnine

Philadelphia, Pennsylvania band Parius have recently released Confined, a single off of their debut album Saturnine.

Parius is:
Louis Thierry – Vocals
Ryan Rauch – Guitar
George Fenton – Guitar
Ian Staab – Drums

Confined is a great track that starts things off with a great driving rhythm and a short disgorging growl, the first verse is great, the rhythm behind the vocals in on point.  The song transitions nicely into the chorus section that is catchy as hell, the song does another round of verse and chorus, this second chorus lasts longer than the first. The second chorus  plays out  normal speed once and then repeats but at a slower pace and brutal as it will get you moving.  right around the 1:44 mark  we get a nice guitar solo that lasts about forty five seconds and delivers  with succession from a simple solo beginning to some fast shredding to transition in the next verse. The last verse is have the bars and goes into the last chorus, then ends with the same driving rhythm from the guitars and drums.

This is the first time I am hearing Parius, and I have to say I really enjoyed this track, looking forward to hearing the rest of the album in the near future as the album is set to be released November 18th, 2015

Check them out on Facebook HERE

Check out their bandcamp page and pre order Here \m/

-Badger \m/

Born of Osiris Soul Sphere album review

 Born Of Osiris

Soul Sphere – Release date October 23, 2015

Ronnie Canizaro- Vocals

Lee Mckinney- Guitar

Joe Buras – Keys

David DaRocha- Bass

Cameron Losch- Drums

Sumerian records


  1. Free Fall

The song begins with a poly-rhythmic guitar riffs and heavy hitting drums, while the vocals bring precise delivery and brutal attack. This song starts out great, and keeps the listener moving with the rhythm and the orchestral keyboards add a nice touch to the song. This song is a great song to kick the album off with. The breakdown is brutal very enjoyable, and the outro is great, the bands abruptly stops with the electronics finishing the song up. I am not always a fan but if done correctly they add a nice touch, and they did just that here.

  1. Goddess Of The Dawn

With a short little drum intro the song kicks into a really cool feel with blast beats and mean riffs also adding the squeals on the guitars. The beginning is a killer start to the song while keeping the heavy hitting during the verse, then transitions into a really contagious chorus with vocals you can sing along to head bang throw your fists in the air and move to. This song grabs you and takes you on a wild ride you will surely enjoy.

  1. Illuminate

While the beginning leaves you wondering what it will lead up to, the bands fades in with an explosion of brutal Metalcore and the low beastly vocals with the orchestral keyboards and smashing drum beats taking your body to the limits. This song goes 0-100 in an instant and has no qualms going from 100 down to 50 for a brief moment to allow you to regain your composure as you get ready to jump right back in to the pit again. The verses are great, the choruses or downright awesome, and the background to this song that really gives it imagery is astounding. I have now played this song a few times because it is just that good, if the band put out a single for the album to demonstrate what this album brings to the table, this would be a solid candidate.

  1. Resilience

I really like how this song starts out, and the band just jumps right in to get the pit going. The vocals are great, the guitars are absolutely relentless and the rhythm of this song is a whirlwind of nothing but Metalcore madness. The menacing guitar riffs, the blast beats and the high vocals. This song goes through several changes but each one is brutal in its own design, and does not disappoint, they keep your ass locked into your chair while you struggle to catch your breath.

  1. River Of Time

Orchestral organs lay down the scenery as an electronic beat begins to fade in and then the band joins in full force with an assault of sonic aggression hitting you from all angles. When the electronics make their presence known it opens the doors to a different atmosphere but slams that door quick and continues to fulfil the listener’s appetite.

  1. The Composer

This track begins with a heavy electronic rhythm then blanketed by heavy guitar riffs, and hard hitting drums to bring the intensity to another level. The song has brutal verse, and catchy chorus, and pulls the listener into many different directions all brutal and then lulls with an electronic rhythm to round the song out.

  1. The Louder The Sound, The More We All Believe

The song begins with an electronic rhythm and has anthem style vocals to engage the listener into joining in vocally. This track is a solid anthem filled with heavy guitars, drums and infectious choruses.

  1. The Other Half Of Me

The track begins with a haunting ambience about it, and dives right into a heavy and punchy feel to it, with the electronics adding another layer to the song altogether. The verses are great, nothing short of gratifying. With the choruses being absolutely engaging. The last minute of the song is cool with the keyboards laying down some cool organ sounds, and then a nice little guitar solo to add to this splendid song.

  1. The Sleeping And The Dead

This song hits hard with so much being brought to the table. The drums, the guitars, the vocals are well thought out and dance around the mid-range, as well as a higher range chorus section but the breakdown hooks you with deeper growling vocals.

  1. Throw Me In The Jungle

This song has a cool feel to it with the sounds from the keyboards and the rhythm, it transitions into a punchier feel to it, and then goes back to the chorus that also has an anthem feel to it. This is a very catchy song, especially around the 1:20 minute mark where it gets brutal. I enjoyed this song, but feel as though the song was teetering on the edge of being an anthem for the masses, and then a brutal pit massacre of a song. I especially liked the heavier side of the song.

  1. Tidebinder

With a little radio static, this song starts off on the right foot by fading out of that and into something heavy. The opening line from the vocals is enough to get the show started with a menacing orchestral feel from the keyboards in the back ground and the guitar riffs layered over the drums, it’s a great beginning. The chorus is also very catchy, and the verses mean business. I am enjoying this songs diversity from the heaviness to the electronic sounds, especially the guitar solo at the 3:35 minute mark and the way it just ends.

  1. Warlords

A piano/ keyboard starts things off building up to the boiling point when the vocals join in and the band is playing some seriously heavy rhythms. The verse has a certain amount of an infectious feel to it especially with the keyboards in the background. This song has gone through a few changes already and each is surprising all on its own to how the band hasn’t lost sight of what they have come to do. This song is an absolute great song to end the album with, the verses are catchy, the choruses are catchy, the instruments are great and the work done to establish everything going on at the same time and working as a fine blend and not just a mess. This song is like a wild ride through galaxies and untapped areas of the human mind.

This album is a clear indication that Born of Osiris have been honing their craft and engineering superb soundscapes. They didn’t come to just “one up” their last album, they took the time to improve themselves as individuals, and train to deliver their best album to date. They have come a long way since “The New Reign”. This is an album that validates the notion that Born of Osiris just keep getting better with every album they put out.

Pre order the new album HERE \m/

Check them out on FACEBOOK

Follow them on TWITTER

Sumerian Records

-Badger \m/