Spectrum Of Delusion- Esoteric Entity – Album review- 9.2/10 \m/

Spectrum of Delusion

a0175080640_10

Esoteric Entity

Released 08/18/2017

 


Tracklist:
Intro     
Beyond Affliction
Dead Weight
Illuminate Eradicate
Reverie
Ruler of Cruel
Unborn Tragedy
Mixotrophy
Timelines

 

Grouppicture_RGB_no_Logo.jpg

Lineup

Douwe Negenman – Vocals
Nathan Bonkerk – Lead Guitar
Frank van Rijswijk – Rhythm Guitar
Jerry Kamer – Bass Guitar
Jeroen Mostert – Drums

Hey there everyone,  today I bring you the Netherland based technical death metal team Spectrum of Delusion and their recently released album Esoteric Entity.

Forged in 2013 by drummer Jeroen  and Nathan they built the band up from performing covers until Frank joined and then they began their journey into creating killer music. Now the interesting part of all this is they actually had another album written and ready back in 2014 however after reviewing everything they scrapped it because it didn’t adhere to their level of acceptable standards and their sound. A whole album with seven string guitars and a five string bass, scrapped because it wasn’t true to their core.  They set off to create something more pure to their sound and decided to put a fretless in the hands of Jerry and upon that brilliant idea, Douwe joined and everything came together to  get Esoteric Entity finished. This is the debut Album of Dutch Technical Deathmetal band Spectrum of Delusion.

The intro will take you for a melodic stroll into the music with very slight progression, and the only hint they give you is the bass only seconds before the intro ends and “Beyond Affliction” begins.  I am really digging the levels of all the instruments especially the bass.  It is right there and not hiding behind anyone; they deliver a nice simple guitar solo around the thirty-second mark before jumping into the verse with a blasting rhythm from the drums.  Damn this track is awesome, melodic, technical and has a great mix to it, what a great song to start the album with.  It really hooks the listener, especially with the bass, these guys did a killer job on this album.

Dead Weight

This track has a nice build up period lasting just shy of sixty seconds, but I really get hooked by their melodic and captivating sections with the instruments before the first verse begins.  The verse seems to sink the hooks in further.  They keep the song length around four and a half minutes long but I would say about two minutes of that is music without vocals. Nothing wrong with that though, showcasing the talent of all the musicians in the band is a great way to flex their muscles and give listeners like myself a solid idea of what we are working with here.

Illuminate, Eradicate

It has a much quicker set up, not much build up or progression before the first verse however they simply get right down to business this is one of my favorite tracks off the album, and yet it has some of the least instrumental sections of the album.  The song as a whole is very catchy, and the ability to really hear the bass is what draws me in the most.  Spectrum of Delusion is not one of those bands that has a killer guitarist, a drummer that can keep up and then the rest of the guys just fill in the blanks. No, each and every member of this band has talent worth the attention they get.  This song clocks in less than three minutes in length, but damn does it pack a mean punch.  I do wish it had a little more instrumental time however this is such an efficient track I respect the fact that they are able to hook me without the same tools as the previous tracks.  This is a track that has no filler, catchy with some tasty riffs, and still has a bit of a wow factor.

 

Reverie

This one seems to pick up almost the way Illuminate ends, it’s almost like “Reverie” should be a part of illuminate, it just follows up Illuminate so well. Tempo is nearly the same unit the first vocals are heard.  They slow the speed down for dramatic effect, and I find it to be effective right around the 1:36 mark Douwe adds another layer to that slowed down section, really emphasizing the vocals being held long.  This song is one of those songs where typically I hear it’s not as fast as the previous track. My mind begins to wander thinking that the song will just not keep my attention for long. That isn’t the case with this song, I did need to listen to it for a few spins. But the slowed down section grew on me, and it was all because of the vocals.  I went into this track not enjoying it as much, and then let it grow on me, and now I enjoy this song in a different light.

 

Ruler of Cruel

This song has a bit of an ominous buildup, but right around the :09 mark you can hear the bass hit a high note. And delivers two bars of that bass note, a few vocals and then back to that bass note. Jerry Kamer has taken my expectations of this album to a new level, but it’s the saxophone that has piqued my interest now.  Not many bands can pull off a cool album or a cool song and then also incorporate a saxophone into it and maintain the same level of heaviness. Cephalic Carnage, and WRVTH have been able to pull it off. But Spectrum takes things to a different level with the sound of the bass, then the saxophone and a jazzed up section in the middle of a heavy track.  Damn kudos to the guys for pulling it off and then also to Erwin Van Wieringen for playing the saxophone.  Which brings me to another item, session musicians don’t have to be guitarists or drummers they can be saxophonists that add another spicy level to some badass music.

 

Unborn Tragedy

This song really unearthed similarities to bands like Beyond Creation, and Necrophagist and I find myself really impressed by this album.  This song starts out slower than the others, and it has a bass filled melodic introduction that sets up the base layer of the song, and when that bass fades out the next section is up tempo and builds up that next layer in which the vocals are going to start, with a faster energy and a heavier attack.  The tempo changes several times in the song, and yet each transition is very fluid.  There is one section of the song I am not 100% sure I dig it or not.  But halfway through the song they have a section that is a bit repetitive and while it’s not sloppy, it’s not hooking me either. The saving grace for this track  is the drums and the bass.

 

Mixotrophy

The song begins with a quick set of blasts, and then a heavy bass line with a guitar over that making some sweet melodic build up. When the vocals start in, shit has gotten real at this point. The song heads into a fast paced tech death barrage of blasts and just when you have succumbed to that catchy section, they change time and direction slightly.  I am not sure what impresses me the most about this album, there are too many things to list. But I find with some bands too many changes can ruin it for the listener.  We want to be pulled in and stay with the song the whole time.  But with this track the changes are so subtle that they just flow into each other with very little set up for each transition.  They just flow right through the song.  from 3:10 to about 3:49 there are no vocals but a killer instrumental section. I love these instrumental sections Spectrum have added to some of the songs.  I find I enjoy these moments so much because the instruments all blend in well, there is no overshadowing, every instrument is clear, and it adds to the quality of the music.

 

Timelines

This is a great follow-up to Mixotrophy, because of the seamless transition from one track to the next.  This is really the only track I can say has some chugging coming from the guitars, the tone is a bit darker sounding to me, but the actual pace of the song and intensity is right around the same level. But I really absolutely dig the part at the :52 mark, where the vocals have an old school style to their delivery for just a few lines before the blast beats begin. The head movement starts to kick in and you are already hooked by the 1:10 mark. And the song has really only just gotten started. This track is the longest running track on the album but only by a second. The reason I bring that up is because there is so much packed into this song, and it really could have gone on longer. But Spectrum takes the last forty seconds of the song to finish the song out, but at the 5:15 mark they kick off a guitar solo and then fade out. Really leaving me wanting more to come out of my speakers.

 

 

All in all, this album kicks ass, this was my first time hearing Spectrum of Delusion, and I am glad I did. They remind me of a mix between Beyond Creation, Virvum, and Necrophagist.  A truly nice blend of melodic, yet technical/progressive death metal.

This album is great, the production, the balance of instruments to each other as well as the vocals. These guys don’t make up a band, they make up a team. A team that come together and don’t have any one member pulling the most weight through sound and musicianship. The intro track does a solid job getting the listener warmed up and then everything after flows perfectly.  This is an album you can hit play and leave all the controls alone.  Push play, listen, rock out, repeat.  The production of this album is well beyond expectations considering what these guys are asking for in price. Because who doesn’t have two dollars to spare for nine tracks ( eight and an introduction track)? I am digging this album, and I will be keeping my eye out for more from this badass bunch.  9.2/10 \m/

 

Check out the links below

https://www.instagram.com/spectrumofdelusion

https://spectrumofdelusion.bandcamp.com

https://www.youtube.com/user/SpectrumofDelusion

https://www.facebook.com/SpectrumofDelusion

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

Inanimate Existance- Underneath a Melting Sky- Album Review – 9.9/10 \m/

Hey guys, got an early album review for you! One we are all super  stoked for ,and that I have already pre ordered…
That’s right, the brand new Inanimate Existence album ‘Underneath A Melting Sky’ which comes out this Friday, August 25th!

 

a3042378467_10.jpg

Inanimate Existence line up:

Cameron Porras – Guitar & Vocals,

Scott Bradley – Bass & Vocals,

Ron Casey – Drums

Barely a year after Inanimate Existence’s 3rd album ‘Calling From A Dream’ was released, they unleash their The Artisan Era debut. This is also their first release as a 3 piece and damn, Inanimate Existence is not fucking around. They explore new horizons with each release and they seem to absolutely master each new direction they take. This album combines the dark brutality of ‘Liberation Through Hearing‘ as well as the fantastical soundscapes and atmosphere of ‘A Never-Ending Cycle Of Atonement‘. This is a very different album from its predecessor (I personally really enjoyed ‘Calling From A Dream‘).

There is plenty of apparent keyboards and synth that is mixed in perfectly. The synth is done very different than ‘Calling From A Dream‘. Here there are several different tones used throughout and some really fantastic melodies as well. The vibe created this time is entirely different and rather epic. The guitar leads are immaculately written and just soar with the music, and if you thought you liked the bass tone and work in ANECOA, wait until you hear this! Tracks like Forever To Burn, The Old Man in the Meadow, and The Djinn will blow you away! The riffs and overall songwriting is phenomenal here though. The riffs are some of the catchiest in the Death Metal subgenres that I’ve ever heard, and the quality doesn’t drop for a second. There is no lame filler riffs and it all flows really damn well.
There are also some deadly grooves in this album. The title track, In Moonlight I Am Reborn, Blood Of the Beggar & Formula Of Spores all have outstanding groovy parts that will have you keep coming back and will be irresistibly stuck in your head. They leave you no choice but to get right into the music.

Ron’s drumming is completely insane as per usual. I particularly like the grooves he lays out on this album. Super creative with excellent cymbal work. It fits the guitar amazingly and the listener can easily got lost in his sick tightness and creativity. His cymbal and ride and hi hat work in particular just mesmerize me.

Every song is simply outstanding and completely unique. Not only this, but the album flows song to song absolutely perfectly. This album is an absolute masterpiece. Add the amazingly well thought out story behind the albums lyrics and the quite possibly best art I have ever seen to coincide with them, Inanimate Existence has the full package right now. This album is everything they need to solidify their name on some of the sickest tours and get the respect a hard working band like them deserves. Absolute album of the year contender!
There’s still time to pre-order the album!

For fans of The Zenith Passage, Decrepit Birth, Soreption, Virvum, Arkaik

9.9/10 \m/

Music and Lyrics by Cameron Porras
Engineered, Mixed and Masted by Zack Ohren at
Shark Bite Studios in Oakland, CA
Artwork by Justin Abraham

Formula Of Spores

Forever To Burn

LINKS

https://theartisanera.bandcamp.com/album/underneath-a-melting-sky
https://www.facebook.com/TheInanimateExistence/
http://www.theartisanera.com/products
https://www.youtube.com/user/InanimateExistenceUS 

Check out their new singles here

https://www.youtube.com/user/TheArtisanEra

-Brett /,,/(°o°)/,,/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Godeater- Outerstellar- E.P. review 9.3/10 \m/

Godeater

Outerstellar

a3665160051_10.jpg
Released: May 31st, 2017

Godeater line up:

Josh Graham – Vocals

Ross Beagan – Guitar, engineering, composing

Andrew Macdonald – Guitar

Will Keogh – Bass

Allan MacDonald – Drums, engineering

The EP begins with an ominous build up. A drum fill begins the music in “The Silent Prophecy” and takes us into the high paced and catchy riffage with powerful and heavy vocals. Not too brutal, but deep for sure. They beat us apart for the first fifty seconds until we get our first taste of real melody, (besides the touches used in the riffing). Then really nice soaring lead. We get brought back into the catchy fast paced riffage. About a third of the way through the song we get some more really nice melodic touches over the riffs. The vocals seem to go along with the music really well. As this lead part with vocals ends, we get somewhat of an interlude like section, that is spacey and ambient. Slowly they build back up starting with the bass and then a pick scrape into the slower heavy riff. This section is quite dark. It feels brooding, and it flows into the next, brief faster section really well. As that section ends we get another interlude section similar to the one in the middle of the song but it begins with an acoustic guitar. It is a nice way to end the song and also flows perfectly into track 2.

“Ethereal Majesty” begins with an almost white noise building up type ambiance with some more sounds that really remind me of Nomatic era Fallujah. Just after a minute they begin this riffage. It also begins brooding and slower, there is a doomy vibe almost. The vocals are killer and heavy as fuck here, then a nice pause into a sick good paced riff. The drums are constantly switching it up and really keep this section’s pulse. They briefly pause and transition with what sounds like some sitar and go into a slammy riff/ tremolo back and forth riff and the drums continue to switch it up and keep us on our toes. They slightly simplify it near the middle, but not for the worse, its pretty groovy and catchy, right before they pick it up to full force briefly again. This is indeed brief as they fade down to a drawn out chordy part with a really lovely lead, into an almost blackened chordy part with equally almost blackened vocals into – WOAH –  definitely a breakdown. They just morphe so many genres and totally killed it. The breakdown does do the classic ‘more dirty’ part and then they nicely flow into a prefectly head bobbing riff to end the song. They slow it ever so naturally and open fade into the last song ending perfectly.
The Nebulon Abhorrency” begins a lot sooner than the others. The open fade soon brings some synth and eerie screams. They make us know some change is coming and begin the high paced and catchy verses. There is some sick melodic double picking riffage going on! I absolutely love it. This song seems to have the most notable synth though it is in every song. This one has almost synth leads at times. After one synth lead part over a cool riff we have a sweet groove! They then slowly let it breath with more synth and then totally melt our faces with fast technical ridding and powerful in your face vocals. The drums have some wicked blasts and are coming at a good pace with the blasts and thrash beats. There is also some really killer guitar fills in that section. They then slow it down to a more doomy vibe once more before the end. Fast double kick and powerful slow riffing which fades into synth that takes us to a close.

Godeater has made a strong impact with these three songs. They are catchy and well structured and have enjoyable production. I can tell there is room to grow but I have no quarrels with this EP whatsoever.

For fans of Fallujah, Bleak Flesh, The Odious Construct, TETHYS, Vale of Pnath

9.3/10 \m/

LINKS:

CLICK THEM \m/
https://www.facebook.com/godeateruk
https://godeateruk.bandcamp.com/album/outerstellar  

 

 -Brett /,,/(°o°)/,,/

Apotheon- Mechanically Consumed-E.P. Review- 9.3/10 \m/

Apotheon

Mechanically Consumed

1 - Front Cover.jpg

Andrew Morris – Drums
Fernando del Valle III – Guitar
Ibrahim Jimenez – Bass
Reece Deeter – Vocals

Ian Burnside – Guitars

Releases on June 22nd, 2017

 

Premonition

This song begins in an epic sounding way. This is something you put on right before you are ready to start something big, whether it be weight lifting, sparring for boxing or another martial art, to just getting yourself in an amped up mood and ready to attack all obstacles that life will throw at you. If there was going to be entrance music for someone and they wanted to be able to effortlessly project their attitude without a single word expressed. This track gets this E.P. set up very well and based on what Apotheon have delivered in the past. I can say that without a doubt the songs that follow are going to be erupting with some tasty riffs, and killer blasts.

 

Tyken’s Rift

This song is the song that will make any gamer past or future feel some connection to the music and also vivid scenery. Just wait until the one-minute mark where you will understand the last statement and then you will be immersed in a world of metal, and video game like imagery.  Now come back to the track titled Premonition, it really jives with this song. Again you get that uplifting and melodic style form the music and also creates a perception of imagery, scenery, and a different dimension or world. I feel as though Reece is hitting a lower range than on the previous songs but then again. I keep getting wrapped up in what sort of imagery you get while listening to this song and having the dialogue at the 1:09 that sounds straight out of a game.  Apotheon are taking the metal making game to some new levels as they are creating music that is not only heavy and addicting but also energizing and spawn images from words and musical notes. However as great as this song is, I know that my favorite track is about to follow.


 


 

Mechanically Consumed

This song begins quietly with a really a subtle amount of notes being played almost at random, before a stringed instrument like a cello lays down what one might expect from an old movie, a horror or thriller to be exact. But then the drums and the distortion begins and the pace of the song goes into high speed.  This song is my favorite off the E.P. in my opinion this is the heaviest track, it has the most jarring riffs, and the vocals are on point.  The hardest part for me is to narrow down what section I like the most, which part of the song gets me the most amped up and excited to listen.  The whole song has that effect on me. For example, right around the 1:43 mark the guitars and drums set up a badass section that is contagious. And it hits right before a solo, the vocals give way for the guitar solo, but only for so long before they are layered over the solo and really add to the reasons why I love it.  Now if that was it I’d say you have a solid track, but it’s not. Because right around the 2:50 mark they slow things down to an almost sideshow or circus sounding section.  Under most circumstances I would have heard this and thought “gimmicks” or “ yea why did they do that, it doesn’t even sound right with the song” but I can’t say that in this situation. It works, it sounds odd, and if they started or ended the song with it, it would have been a flop. But its smack dab in the middle of the most badass song on this E.P. and you haven’t even gotten to the second solo of the song. And this song is minutes less than the previous two tracks.  Apotheon have again packed so much into the song it’s almost unbelievable that they managed to make another killer E.P.

 

The Flesh Machine

All you need to know about this song, is that  some things should be left to mystery,  I typically will not breakdown the last song on an E.P. only because there aren’t that many songs and I want at least one song to be a little bit of a mystery. I just can’t find it in me to do that for this one. It is just too damn good.

The song begins with a subtle progression of the guitar playing a riff that’s panned from left to right while the drums are playing a jazzed up beat to go along with the guitars, while the bass is holding things down. A keyboard strikes a note at the :18 second mark and continues playing with the other instruments. leading up right at the :44 second mark Reece slices through all that buildup with a growl that sets up his next few lines perfectly.  Right around the 1:14 mark they have a section of solid riffing before the next verse. I’m beginning to have conflicting thoughts on which song I like more “Mechanically Consumed” or this one. Right at the 2:43 mark the song takes a deep dive into an uplifting and euphoric section that lasts just shy of a minute and then the vocals attack again. At what is roughly the 3:50 mark, the listener begins to become activated by the music.  Whatever you may be doing at this moment in time, whether it be driving, walking down the street, rocking out in your room, or getting your jam on at the office. This is where you lose all of your collective shit and fucking throw some haymakers, air guitar or air drums and rock the fuck out. I dare anyone who listens to this E.P. to not get ready to take on the world when this song reaches this point. As they come out of one of the most badass moments on this, Ian pulls off a whirlwind of a guitar solo. There is no better way to put it, this song wraps everything up brilliantly.

 

 

 

This E.P. is an awesome little banger to be dropping at the beginning of this summer like this. There is soooo much killer music coming out in 2017, but summertime is the time of year where I look forward to killer tunes and having speakers blasting  with the windows rolled down. This E.P. follows their 2016 E.P. titled The Acension (which gathered attention among Facebook groups following the Technical metal and deathcore scene) and then also the single Tyken’s Rift from January. Apotheon are making a name for themselves, and in a very short amount of time I might add. I am very pleased with this E.P. and has been some solid music to listen to while working on projects. While the E.P. is great I must admit, I have been listening to the advance copy, including instrumental tracks.  Whether or not the guys decide to release this with the instrumental versions or not, my recommendation would be to do it. The music is so damn good. An amalgamated blend of equal parts technical, melodic, and and heavy.  I strongly suggest anyone and everyone who is looking for something new to jam to this summer. Get yourselves over to their bandcamp page and get your copy ordered up because this drops on Friday. 9.3/10 \m/
****UPDATE****

I had to find out about the instrumental versions and I cant tell you how happy I was to hear from Fernando that they will be releasing an instrumental version of this E.P. as well.

“On streaming sites (Spotify being one of them) will have the ep + the instrumental tracks. Bandcamp will be vocal and instrumental versions sold separate.”  “Going forward we will always be offering instrumental mixes. We love the offering, and while we love our vocalist and what he brings to table, we also write this music without vocals considered! And as fans of instrumental music ourselves, it’s always cool to hear A different version of a song!”

So there you have it, there will be instrumental versions available. Now imagine how many,  videos can be made by people doing vocal or other instrument playthrough covers over the instrumental copies. I think Apotheons view on instrumental versions is a brilliant idea.  Metal fans, and metal bands, lets make that a thing shall we?

 

Check out these links for Apotheon:

Apotheon’s Website- https://apotheonband.wixsite.com/apotheon Click it, you know you want to see what happens

 

Apotheon on Facebookhttps://www.facebook.com/ApotheonBand/ Go on show them some love, and like their Facebook page

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

www.badgersmetalbreakdown.com

 

 

Tethys- Whispers Of Creation

Alright guys! The new Tethys EP “Whispers Of Creation” comes out tomorrow! Get hyped! This is some of the best tunes I have heard all year so far!

17626241_1616485585035780_2996190909957288848_n

Band line up –

Stevie Bosier – Vocals

Quinn Broderick – Guitar, Clean Vocals & Backing Screams (live)

Cory Medina – Guitar

Shea Broderick – Drums & Piano

Sev Rivera – Bass


Their songs are exciting and very upbeat. After an ominous but interesting sound clip about a supernova, ‘creation itself’, they go into an absolutely punishing series of melodic and technical riff mastery, with some killer groove throw in for good measure. The songs have an amazing flow to them as well. Some bands using groove riffing can get stale but these guys mix them with amazing and catchy technical riffing as well as excellent transitions and nice chordy parts and killer leads. Let me repeat that KILLLLER leads. With an amazing, heart piercing tone. Their grooves are catchy and not generic either. The guitars seem to weave between playing a completely different rhythm lead scheme in and out of excellent riffing with great harmonies as well and sweet grooves that can be accompanied by wicked leads as well. Both of the guitarists solo and both write some absolutely soul touching leads.

Quinn’s solos are the beautiful melodic, artsy ones and they hit RIGHT in the feels. Quinn definitely has a beautiful legato esque tapping technique that he likes to use in the middle of his solos. Fuck is it ever beautiful! Not to take away from Cory’s solos either. The dude absolutely shreds! And his solos are definitely really creative and have their totally epic moments too, the ending of his solo in “Etheral Cypher” has some killer feel, and the way they so fluently switch who is soloing mid-section, sounds amazing and flawless.

In “Progenitor Of Thought”, Quinn and Cory’s solos are separated by a brief and precise stop, powerfully welcomed into Cory’s face melting start along with a piercing scream by Stevie which compliments it perfectly, and builds up to a crazy sweet arpeggio section with a sick riff behind it too! That rhythm solo combination is so damn good! While Quinn’s solo prior to is just super melodic and perfectly written. Some killer ascending runs and arpeggios and then he blesses us with some more of that eargasmic tapping of his into a nice harmonic ending.
“Memoirs Of The Wanderor” is loaded with sweet grooves, they also give the bass the most time to shine in this song by toning down the ante in the middle section a bit. It is a nice moment for the song to breath and the music to diversify. This song also has some of the heaviest moments by far, and really cool alternating of back and forth lead playing over the grooves. Cory also gives us a super sick solo here which starts out really like a melodic lead and progresses nicely then finishing super epic with some nice slight whammy work.

“Astral Transcendence” is an amazing track. The riffs are exciting and there are lots of excellent little leads, with a beautiful tone. Quinn’s lead in Astral Transcendence, that he brings back (thankfully) later in the song, is just out of this world. He finishes the lead and goes into an incredibly catchy solo that hits in the feels hard. The second time he brings it back with a fucking amazing solo before it the second time and goes into vocals. Literally almost brought tears to my eyes. Definitely gave me fucking goose bumps. Only 2 other solos have ever done that to me, “Jealousy” by Death, my favorite solo ever and “Dedication To A Dead Cause” by Bloodshot Dawn, my second favorite solo of all time. Where does that put this sexy piece of magic? Congrats Quinn and Tethys I’m a huge fucking fanboy now. Fan for life. Like I mean really, it is soaring and just unreal feeling! One of the most epic leads I have heard in a long damn time! This goes into a really nice singing part by Quinn when the lead finishes. Oh, the beauty isn’t over, Cory comes in after with a super catchy and triumphant solo to end the EP with super strong momentum.

Sev’s bass totally adds to the punch too. At times the guitars will be harmonizing and the bass will hold down the riff or groove. It works really well. There are great moments of this in “Etheral Cypher” and “Memoirs Of The Wanderor” for sure. The bass has some nice distinct parts in “Etheral Cypher” just after a minute and a half in the song. He has really nice bass lines during the solo section. Again near the end he stands out quite a bit with the fills. At about 1:10 in “Progenitor Of Thought” they kind of soften it up for a brief bit, it flows so well and the bass has some really cool stand out parts during this section. Again after the first clean vocal section at about 2:35 they tone it down and let the bass shine.
There are other powerful moments as well as he just has a really good tone and fits the songs completely.
“Memoirs Of The Wanderor” is definitely the most stand out Bass track for sure. The whole song he just seems more distinct, and then middle section, it is loaded with cool bass lines that keep it very captivating.

This is one of my favorite vocal performances I have ever heard without a doubt. Stevie’s tone, range, delivery and articulation / enunciation of the words is beyond phenomenal. The way he matches the syllable rhythm of his words with the riffs is so excellent and clearly very well thought out. Not only that, but these lyrics are damn awesome to boot.

We enter the music of “Etheral Cypher” with a piercing scream and then he really shows what he can do for the first few verses. Sick timing, killer range and an amazing tone! He uses some really grizzly lows at times as well. The range displayed in this song is phenomenal. I love how he matches the vocal rhythms with the riffage too.
No beating around the bush. That whole song is just so deadly. Piercing highs, ridiculous enunciation. Super badass lows and a wicked range in this song. It just sounds amazing!
In “Memoirs Of The Wanderor” he uses a lot of powerful lows with wicked high accents and some cool layering. His delivery is timed perfectly with the music, especially in the groovy sections.

Quinn also offers up some excellent and fitting cleans in “Progenitor Of Thought” and “Astral Transcendence”. His vocals sound majestic and are smooth and powerful. And IN KEY! Overall they are great, they actually really add to the enjoyment of the songs, a lot.
While Stevie has some fantastic low mid vocals that are just bursting with power. He displays an amazing and tasteful use of range and tone on this EP but the vocals in “Astral Transcendence” are extremely powerful to me. The tone is just so awesome and passionate. I can feel it. But he switches the range a good amount in that song too. Some nice highs and lower lows used when needed. This guy has serious pipes. Watch the live set linked at the bottom to see for yourself. “WE ALL RETURN TO THE STARS FROM WHICH WE CAME”. Awesome.

The drums are killer. Some absolutely face-melting kick sections. The drums through the start of the album are consistently impressive and just punishing. Sweet blasting, and also good use of thrashy beats in a more tech Death setting. Killer groove and nuts kick all over. “Progenitor Of Thought” has some fairly brief but totally insane kick parts. When he isn’t melting our faces, he’s blowing our mind with creativity. He brings them back though, and also progresses with his beats a lot! “Memoirs Of The Wanderor” also has some really sweet kick patterns being used and great fills too. The performance is constantly interesting. Also some really excellent cymbal work on the album. He always keeps the flow of the songs perfect, and generally has a very upbeat and exciting pace to his playing. When it is less upbeat, he always makes it flow right. The third song “Memoirs Of The Wanderor” and the final song, “Astral Transcendence”, starts with a synth part, written by Shea I believe. In “Astral Transcendence”, it transitions smoothly into a great, kind of Thrashy section with really nice ride parts. Then into a sick groovy section. From here he generally keeps a good momentum for the majority of the song, keeping it uplifting and interesting, while going back to a deadly groovy while the sexy lead starts.

I am so excited about this EP, this band definitely has a bright future. They have the makings to be one of the best bands in all of Death Metal. Everything about them screams top quality. Their amazing tone. Their creativity and excellent songwriting. The fact that this is one of the best vocal performances I’ve ever heard. I mean, this can’t be just me? This guy is damn unreal! This band is unreal! And super sick live based on the set I watched about 10 times lol.

“I THINK; THEREFORE I AM”

For fans of Alustrium, Bleak Flesh, Vale Of Pnath, Black Crown Initiate, Equipoise

9.9/10 \m/

 

LINKS
https://www.facebook.com/Tethysband/
https://tethys1.bandcamp.com/releases
https://www.youtube.com/channel/UCHLMHOavPIUGai1UC3lN8pw

PROGENTOR OF THOUGHT LYRIC VIDEO

FULL LIVE SET (pretty qood quality)

 

-Brett /,,/(°o°)/,,/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Bleak Flesh- Overcoming Reality 9.5/10 \m/

Hi guys! I am honored and extremely stoked to bring you my review for the brand new release from my Chilean brothers in Bleak Flesh!

First, let’s look at a bio of the band…

14468343_1171799906210199_886494677457650113_o

Formed in 2004 in Santiago de Chile by Matias Quiroz under a different name. By 2009 the project had evolved to what is Bleak Flesh. Soon after, bassist Enrique Carvajal joined ranks. By 2012, talented drummer Sebastián Vidal had joined the ranks and they had recorded some demos which would later be released on a compilation in 2015 called “A Glimpse from the Past: The Unreleased Demo Collection”. In 2013 the band was complete with addition of Nicolas Martinez on guitar and Paulo Carcamo on lead vocals. The band would the release their 2013 debut EP, THE GATEWAY, presenting an interesting mix of genres like technical and melodic death metal with progressive touches and nice synth mixed in. In 2014 Bleak Flesh released their first full length album called TRANSCENDENCE. The album got great reviews from fans and critics alike and I even reviewed it a while back! The CD’s even sold out! This EP should be highly anticipated based on the great response Transcendence got, not to mention the brand new vocalist. On January 1st 2016 Radial Velocity came out as the first song recorded with Ngen Kerruff on vocals, being the first single for the new OVERCOMING REALITY EP. On December 19th 2016 they released the second single for the EP, The Spectral Path, along with a sweet music video.

Order or stream their new EP here:
https://bleakflesh.bandcamp.com/…/overcoming-reality-ep-2017

Their music is extremely well rounded within seamlessly molding different subgenres together. Not the same way Cyborg Octopus does, but these guys are still completely unique. They mix Progressive Metal with synths, Technical Death Metal, Djenty and other groovy and sometimes funky riffs, melodic Death Metal and more!

Line up for Overcoming Reality and current line up – Matías Quiroz – Lead Guitar, Enrique Carvajal – Bass, Sebastián Andrés Vidal Romero – Drums, Ngen Kerruff – Vocals

The vocals are powerful and have a great tone. His delivery isn’t quite as enunciated as their previous vocalist Paulo, however he makes up for it by having a really excellent tone and range. He does have enjoyable delivery as well and a wide range. He can go from gutturally low, which he only does on occasion, to a powerful, almost Polish DM sounding mid low and some soaring awesome highs which are also kind of dark and intense. They remind me of the blackened highs heard in Slugdge. Though overall, the bands are very different, they are both slightly experimental and incorporate similar vocal traits at times.
There is still clean vocals on this EP, like their previous work, but it is different and it isn’t coming off forced. That being said, no vocoder. Which I am OK with because I don’t really like vocoder and their previous work war the only use of vocoder I have ever managed to enjoy in any band. In fact the clean vocals in songs like Overcoming reality, where the cleans come in right away, before they even proceed to get brutal, and Sunshine, which has some great epic but totally add to the overall vibe and epic-ness of the songs. Sunshine by far has the most cleans and I think they are really fitting. It also has some great riffs and beats and grooves. The cleans remind me of the cleans that Cyborg Octopus lays out in their Neo-classical influenced song, Divine Right (In D Minor). I personally like them a lot.

The bass work sounds great! The opening and title track, Overcoming Reality has some sweet bass lines, especially during the parts with prominent synth. It sounds like there are some cool slapped bass licks and fills.
Expanding the Existence has an excellent bass solo when it mellows out and then goes in to a beautiful guitar solo section. They mellow it out the first time and he plays a great bass line and then they go to a nice upbeat riff for a bit and mellow it back down to the amazing solo sections.

The guitar is very enjoyable as well. Matiaz is an amazing player who can create beastly riffs and beautiful solos. The riffs are exciting and very upbeat. Expanding the Existence has some super catchy and quite intricate riffs and that absolutely lovely solo mentioned before after with wicked bass sections. Galactic Monolith is a great and varied song. Several awesome grooves and lots of really wicked fast parts too. I particularly love the little melodic lead near the end of the song!

The instrumental track, The Dawn of the Ancient Realms, is simply outstanding!

They soften it down at just before 2:00 and the bass has some totally awesome lines, then they go into a rather freely and super epic solo, into a sick groove with more awesome bass! This then leads into another fantastic solo! Love the tone too! The riffs are extremely exciting and quick with really blistering drums, though he has great feel when they need to let the song breathe too. The synth is pretty prominent through most of this song and it is used well. It fades out with a kind of tribal feel.

The guitar solo in Radial Velocity, which was one of the first singles for the album, released last year, is absolutely amazing. It is fairly lengthy and goes through several different ‘sections’ and is extremely well written. The solo section in the more recent single they released at the beginning of this year is out if this world as well. The Spectral Path has all sorts of incredibly catchy riffs, wicked intense drums and roaring and soaring vocals. But that solo is just absolutely fabulous!

The drums are killer. Great beats and mix. The cymbals sound great as is but when the synth is going, it is mixed really well too. The frequencies add a really nice angelic feel. He sometimes tastefully incorporates gravity blasts as well. Such as in Galactic Monolith, which also has some wicked groove at times and some excellent fast double pick and ride beats that I lust love. And also such as in Spectral Path, which has awesome blistering fast beats that are perfectly placed and not only speed, but excellent feel as they give this song room to breathe several times and every instrument totally plays into making it work, especially the guitar and drums in this song. All sorts of other enjoyable cymbal work as well. not only on that song. The EP is packed with awesome grooves, sweet super fast yet creative beats with lots of great cymbal and especially ride work, and seamless transitions.

It makes me proud to hear this EP. These guys are amazing people and musicians, creating truly unique and inspiring Death Metal. Fans of original and slightly experimental sounds with great melody and groove, this band is for you! The vocals are well ranged and have an exciting delivery and great tone. The drums have incredible speed and excellent beats and fantastic groove and feel when called for. The riffs are creative and very intriguing, with tons of stand out bass through this EP! I strongly urge you to give this a listen! I know this band can have a bright future in this genre if they reach the right amount of fans! It would be a dream come true to see these guys live or play with them some day!

For fans of Atlantis Chronicles, Between The Buried And Me, Dark Matter Secret, Cyborg Octopus, Slugdge, Flub, Black Crown Initiate

9.5/10 \m/

 

LINKS
https://www.facebook.com/bleak.flesh
http://www.bleakflesh.com/
https://bleakflesh.bandcamp.com/…/overcoming-reality-ep-2017
https://www.youtube.com/user/bleakfleshband
https://twitter.com/BleakFlesh

 

 

-Brett /,,/(°o°)/,,/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

The Devil’s Due December 9th, The Devils Of Loudun- “Enduring Creation” review 8/10\m/

The Devils Of Loudun

Enduring Creation

Released April 8, 2016

loudun

The Devils of Loudun is:
Scott Hermanns – Guitars
Drew Tuel – Guitars
Ben Velozo – Keyboards
Vance Bratcher – Vocals
Billy Keller – Drums
LJ Cline – Bass

 

 

Today the Devil has brought his pals The Devils of Loudun to the stage. And we will be checking out their E.P. released back in April.  This is such a surprising E.P.  From Seattle these guys don’t follow the typical Seattle music scene style. (Pearl jam and other 90’s grunge bands) nope these are delivering some seriously suppressed Seattle melo/tech death.  This cool E.P. really flew under many peoples radar, and I’m not entirely sure why that is.  I suppose possible they were overshadowed by a larger mainstream release. But one listen to this E.P. will have you wondering why you haven’t heard them until now.  But take the chorus of the song Thrown to the Void for example. That shit is catchy as hell, and while we are the subject of that song. I will admit this is actually my favorite song off the E.P.  Simply put, that song fucking rips.  The song really delivers the melo-death aspect of this band really putting a lot of emphasis on the keys.  There’s melodic metal bands, and melodic death metal bands, but I am really impressed by the blended styles because these guys really make this sound their own.  Bonus points to Vance because I am a sucker for guttural exclamations, blurts,   spewt( see Ryan Travis for explanation) that retching sound that some vocalists add and it’s like having a drummer who has a cowbell at his set.  It’s just another tool and I fucking dig it.  Adding the keyboards, and the really fucking contagious hooks, these guys have pulled off an amazing feat.  Everything is technically precise like tech death, its heavy as fuck like death metal and the melodic aspect does not soften the blow. If anything, it’s the one two punch these guys pack.  I’m hooked I don’t know about the rest of you, but if you haven’t heard this E.P. yet, get on that. Songs to def. check out are going to be Thrown to the void, Cast The Stone, and Until the night ends. But wait that’s three out of five songs. Well I just figured if I told you to check out those three you would end up checking out the rest, because let’s face it. This E.P. kicks ass, and it’s time to give it a listen. If technical melo-death is something you would be interested in, than this E.P. is for you, 8/10 \m/

 

 

There is also this video they put out for Cast The  Stone

 

Check out their BANDCAMP page to get your copy of this awesome E.P.

 

Also if you like what you hear check out their FACEBOOK page and give them the ol’ thumbs up and stay up to date.

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

http://www.badgersmetalbreakdown.com