Category: Brutal Death Metal

Mastication Of Brutality Uncontrolled Preemptive Space Warfare Album Review 7/10

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MASTICATION OF BRUTALITY UNCONTROLLED

Preemptive Space Warfare

2015

Manuel – Vocals
Bastian – Bass
Flo – Guitars/Vocals
Basti – Drums

  1. Preemptive Space Warfare

This song begins with a little sound clip for the first twenty seconds and then the bands starts playing a low and slow sludgy rhythm that builds up to another section of rhythm and sound sample. Some chugging riffs and double bass, for a few bars then a few bars of blast beats. This seems to be strictly and introductory track.

  1. Mother Earth Abortion

Guttural vocals blast beats, rapid guitar scaling, and pig squeals. This is some slamming squealing and rapid vocal delivery of the verse lines. It has a solid beat and you can follow along to it, it sounds like Dying Fetus may be an influence for these guys with the guitar pinch squeals.

  1. Brutal Laser Devastation

Some guttural vocals and a solid groove integrated with rapid blasting and a driving guitar riff set things up for a killer verse section with malicious guitars and brutal drums. This song has a great groove about it especially around the one minute mark. Pig squeals and guttural tunnel vocals are the main lyrical style for the next minute and then the song goes back into a sinister riff and rapid blasts. It is a solid song that has a great groove, this song is contagious, almost too short because I have hit the repeat button a few times you just cant get enough.

  1. Milkstreet Mass Collision

Blast beats and growls layered over a diabolical riff kick things off, this has a great tempo and a solid groove. IT is a high energy introduction that rocks you for just under one minute where it slows down to deliver slower heavier blows for a verse and lasts about thirty seconds and goes right back into some high energy brutal blasting and squeals. This song is a pit destroyer, from the high intensity sections to the slower heavier brutal sections, at two minutes four seconds in length, it could be a little longer but maybe they felt it was the right length for the listener’s safety.

  1. Life-Form Adoption

Growls, and blast beats, guitar riffs that pull off that death metal squeal similar to Dying Fetus. This song has a solid pace, and a great rhythm, you will find yourself head banging, and taking moments to enjoy the lead in from the guitars at the 1:22 minute mark, it has that solid death metal guitar riff lead in. and then the song takes a dismembering turn at the 1:38 minute mark, the blasts the vocals the guitars. The only thing that can be said is that it was a great surprise and brutal as hell. I am really enjoying the guitars and drums for this track, the guitars are playing some great riffs that have classic death metal sound, and the drums are executing perfect blasts.

  1. Human Resources

The song begins with a cool riff and groove you are instantly head banging to and you don’t even know what is about to happen after the first twenty seconds but you are going to dig it. Rapid verse delivery following the rhythm. When the song slows down, it does not sacrifice its groove for a moment, you can follow along head bang tap your foot throw some hay makers. This is a solid brutal death metal track that fans across the death metal scene most likely will find pleasure in listening to it. Then the breakdown detonates and things get real slow and brutal to finish the song off.

  1. Prophecy Of The Apocalypse

This song begins with a low and slow introduction that builds up into some blast beats following the same riff, it has a concrete groove about it and it is the interlude which in terms of this song is the moment when all hell breaks loose at a show the pit is blowing up and limbs are thrashing and bodies convulsing.

  1. Orbital Corpses

Blast beats tear things up right out of the gate with a death metal guitar riff similar to that of Dying Fetus again. The verse is filled with mean and decimating percussion, that leads up to the 1:04 minute mark of lone blasting opening up for a mean guitar riff and then a sickening groove chugging along and recycles into a low and slow brutal death punishment that lasts for the rest of the song just slightly building itself up more and more while continuing that beat and groove.

  1. Infrastructure Destruction

I am digging the guitar riff that starts this song off, it has a real dark death metal tone, and the drums really hit it off for this section. It has a good pace and delivers a steady string of brutal lines where it stops to get heavier around the 1:15 minute mark where the slow and punchy groove hits you with the rapid pig squeals followed by guttural tunneling vocals. The guitar riff right around the 2:00 minute mark sets this song up for wave after wave of death and brutality.

  1. New Space Order

Mean, menacing and devastating growls, with a killer guitar riff and blast beats open this track up and the band unleashes everything they have in their arsenal for this song. The main riff is very catchy, almost infectious. The song has the death metal guitar riff squeals, and is brutal and punishing. The song isn’t even that far in and the rhythm at the 1:52 mark is awesome, coming out of it is long drawn out vocals with great percussion layered with the guitar riff. This song will have you head banging the entire time, I have to say they ended on a great note, and this is my favorite song of the album.

This album gets a 7/10 it is absolutely brutal, and the drums are perfect for what they are trying to deliver for sound. The guitar riffs are just dark and menacing, while the vocals are nothing but that soulless guttural lows and pig squeals thrown in at precise moments. This is a damn good album and I look forward to hearing more of them in the future.

For fans of Brutal Death Metal/Slam

Check them out on FACEBOOK \m/

Get the Album from their BANDCAMP PAGE \m/

-Badger \m/
http://www.badgersmetalbreakdown.com

The Anthropocene Extincion Review @cattledecap @EarsplitPR

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This is a little album review I have done for the folks over at The Metal Syndicate

check it out

1: Manufactured extinct

This song starts out with waves crashing on a beach, giving you the refreshing feeling. Then the absolutely sinister guitar riffs kick in. David is delivering a slow creeping pace on the drums. A bloodthirsty growl is dispatched by Travis as the tempo picks it up a notch. “In the beginning, of this!”  The verse is a solid vocal track as the guitar riff is utterly faultless.  David administers a barrage of blast beats that will melt your face. David McGraw may not be the world’s best drummer, but man he can grind the hell out of those blasts. He can make a song like this sound brutal, bad ass, and remarkable. This song has that filthy yet satisfactory feel. The chorus is first class and catchy, which is why I love it.  This song is badass, with a groove you can move to.

2: Prophets of loss

Without delay Travis hits us with a banshee-like scream, while blast beats pummel at our senses. All this is going on and the guitar gives us a great driving riff.  This is a solid quick tempo song without a single blemish. Even during the spoken dialogue the guitars and drums are strategically bad-ass. David McGraw is incredible on the drums, absolutely impressive. This song is brutal and fast all the while maintaining a groove regardless of changes. At 1:30 in, this song has gone from a grim, brutal song to an even more impressive gut wrenching brutal metal track. The chorus is great as Travis is using his unorthodox high pitch guttural vocals to enhance the feel. This song is awesome, I love it.

3: Plagueborne

This song starts out with a sound clip; just a trashy sounding, fuzzy drum beat. With a 1.2.3.4 on the floor tom and the snare to bring the song into its brutal beginning. A quick drum roll transitions into the first verse. The first verse is a supersonic gravity blast filled section that is pleasing to the listener. The second verse is the same as the first.  The song has a pre chorus that has a rapid fire double bass roll and drum beat. This section exposes a brutal grinding blasting assault. Just when you think the song didn’t get any more brutal, the chorus begins. Travis is rocking those high pitched vocals that could not work for anyone.  For cattle Decapitation, nothing is off limits.  The breakdown has a killer punchy feel to it. Thus begins the double bass rolling and gravity blasting to pick the tempo up. As the song peaks it drops back into the chorus, a slower feel to the song but man those vocals just make it.  After the chorus, Travis is just letting out a low guttural and high pitched vocal mixture. That blends like you wouldn’t expect it to. The conclusion of the song has those high pitched vocals. This is a great song I have found myself listening to over and over again.

4: Clandestine ways (Krokodil Rot)

The song starts out with David blasting away for a few bars with a fill, and then more blasting. A very brief pause sets up the first verse. The verse has a nice up tempo feel, with mid-range vocals. The verse doesn’t seem to last long before it goes into a pre chorus for a few bars. It sets up for a high pitched banshee scream that rings out, while high pitched vocals are laying down some thought provoking lines. There is a short lived setup here and the song slows down to a punchy feel with low guttural vocals. This song has quite a few changes but they are not going overboard with the amount of changes. This song has a cool feel to it. Like a relentless gravity blast serenade of guttural vocals and filth.  This is a cool song, it might not be everyone’s favorite but it has all the characteristics of a great tune.

5: Circo Inhumanitas.

David gives us a quick drum fill which is then followed by blast beats. Immediately after, Travis hits us with the cut-throat mid-range vocals. Every track has a brutal and menacing driving guitar riff.  Those punchy guitar riffs for those moments when bodies are going to be moving hard and heavy are also present. The chorus to this song has those unyielding high pitched vocals that cut deep. With rapid fire double bass and blast beats I’d say David takes home a trophy for his work on this album. At 2:10 this song takes on a change that is just absolutely brutal, a slower feel for a few bars. At the same time Travis is giving us low and mid-range vocals for a few bars and then the high pitched for a bar or two. This is a great song. This album so far has 5 out of 5 songs that are very impressive.

6: The Burden Of Seven Billion

This is a very gloomy, sinister and chilling instrumental track. It has the feel of a murder scene in a horror movie giving you time to contemplate the song title. This is one of those instrumental tracks that is just the right length. Not too short, not too long or drawn out. Without a doubt a great addition to the album.

7: Mammals In Babylon

The way this song starts it has that driving forceful rhythm for a few bars. The verse is a solid tempo that you can move and the second verse is the same as the first in the way that it is solid and on point. By the time the pre chorus hits, it is set up well to the beginnings of a banshee scream, and some blast beats. Following that, Travis hits us with high pitches… guttural high. They are different sounding then the usual high pitched vocals. The chorus is very enjoyable as it is a solid catchy chorus. This song possesses that groove you can really rock out to.  This song is great; an unwavering brutal metal masterpiece.

8: Mutual Assured Destruction

A quick drum introduces us to the feel of the song. Cattle Decapitation does not ease the listener into the blast filled assault they are about to fall victim to. Travis is giving it all with his mid-range vocals all the while as a driving guitar riff engineers to keep the bodies moving. While the pre chorus feels like it is holding something back, the chorus delivers unforgiving brutality.

9: Not Suitable For Life

Travis explodes with growls while vicious drums and a heavy guitar riff hit hard. That seems to be the pattern so far with this album. They get right into the brutality without any fluff. The verse is solid with an even more evil sounding chorus. The lyrical content of the chorus has a villainous feel. The second time the chorus hits we experience a few more bars of this slow, and brutal onslaught. This is definitely a solid and brutal track that I am enjoying.

10: Apex Blasphemy

This song punches its way in with mind numbing guitar riffs and blast beats. The vocals that you hear first are the consistent mid-range vocals.  With the first change I am really enjoying the guitar riff, and then Travis gives us one of those vomitus vocal bursts. The uncompromised high vocals hit us hard and fast. I am personally really enjoying the drums on this song. With how rapid fire this song is, you can still move to it. I am trying to refrain from head banging right now. This song is appropriately titled as it is the apex of blasphemous reverberation.

11: Axe Exitium

The sound of waves are crashing again however this has a depressing feel to it. The dismal and somber melody on the guitar lulls you into feelings of hopelessness. Everything about this song is cool except the vocals. I just don’t care for them. I understand the reasoning behind them but I just feel that this song could have been a cool instrumental album ender. It’s definitely not one of those songs you skip past though.

12: Pacific Grim

Just like most of the other tracks it kicks into high gear right out of the gate. By no means do they attempt to hold back. This song has a very solid verse, and the pre chorus is equally as satisfactory.  This song has an unsurpassable groove, which matches the guttural brutality of it. David McGraw handles the drums with surgical precision and grace.

    After all is said and done, this album is a masterpiece. This is one of those few albums that you can listen from start to finish without skipping.  The vocal range that Travis possesses is incredible. He nails the highs, the lows, the guttural deep lows, and the banshee like screeches. David is relentless on the drums, a well executing drum machine. This is one of my top albums of 2015 hands down. This album has all the right qualities that blend perfectly.  This album is damn near perfect. If you haven’t gotten this album yet and are looking for a great album to buy, make this be the one.

-Badger \m/
http://www.badgersmetalbreakdown.com

Hate Eternal : Infernus album review

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This is a little album review I have done for the folks over at The Metal Syndicate

check it out

1: Locust Swarm

This track starts out with a solid death metal riff and blast beats. Great verse that has a good tempo, something you can move to.  A short guitar solo back in to the verse with lots of blast beats during the majority of the song. Vocals are on point, precise and clear. I am enjoying this track up to the chorus, a great track to listen to. Now the break down begins, it slows down; and has a punchy feel with some drum rollouts. The song continuously slows down in tempo giving it a brutal effect.  The song ends with a note ringing out from the guitar.

2: The Stygian Deep

As the song fades in it has a slower feel to it but only for about 30 seconds. That’s when things pick up, with the verse and the blast beats kick in hard. I do enjoy when the bass of a metal band can be heard and not drowned out. When we reach the chorus the vocal pattern mixes with the guitar riffs. Think of it here as a complimenting symbiosis if you will as they are not trying to experiment with anything. They seem to want to make death metal the way they want to do it with no outside influences. Straight up death metal…no chaser.

3: Pathogenic Apathy

This one has a nice little drum intro to start the song off, no fading in, no guitar riff; just a one bar drum intro. As the guitars come in, the song takes on a mid tempo feel.  Even when the verse begins, vocals come in and blast beats begin. Same feel to it and it maintains that same tempo; the few changes they make don’t seem to change the tempo so far. This is another song you can move to, be it head-banging or moshing. Pretty much whatever turns your crank… or wrecks it. The chorus has a loving feel to it as it has a menacing experience to it, I love that guitar riff. Three songs in and this album has yet to lose my interest. They don’t seem to be stepping out of their comfort zone by focusing on keeping the pace and the brutal feel to it.  This is a solid track, I like it.

4: La Tempestad

Instant blast beats with mean riffing to start off. When the vocals come in they are relentless. This is a song that will be cool to hear live. This is a driving, no holds barred death metal song that willing to cut down everything in its path. I like it; no frills, nothing flashy. This is just a killer track that cuts to the bone. This is one of those songs containing 100% intensity till the very end.

5: Infernus

The title track starts out with a guitar riff as well as some spoken dialogue. It actually reminds me of Johan Hegg from Amon Amarth. However the beginning is a bit drawn out for my liking. When the metal vocals do come in; they are joined by a heavier riff from the guitar and a slower paced vibe that somehow still remains brutal.  Right around the half-way point we witness a change of direction. We have nice little section of guitar riffing paired with drumming adding fills on every other bar.  As if this song wasn’t already a decent tune it then reaches a whole other level during the second half. This song is so bad-ass I find myself being violated by the repeat button. I wish the whole song was like this… brutal and more brutal.

6: The Chosen One

The addition of Chason on drums was a great choice. The way this song starts out has so much intensity, energetic and yet it is precise with no hint of any sloppiness. This may be the only track I don’t care for the vocals as much. This song really brings back that old school Florida death metal feel. But I just don’t care for the vocals on this track.

7: Zealot, Crusader of War

   The song starts out with some double bass rolling and a guitar riff; mid-tempo but not too fast or slow and chuggy. By the time the vocals come in the blast beats begin. The song is not bad, it just doesn’t really keep my attention. The chorus is rather enjoyable with mid section guitar riff at the half way mark is a nice classic solo. The change at the 2:50 minute mark takes on a different feel that I do not really care for. From that point on the song goes downhill.

8: Order of The Arcane Scripture

   This has a riff I can get into right away. The drums I can get in to also. The vocals are better on this track (so far). This album really brings back that Florida death metal feel, in many ways this album is enjoyable because of that. Hate Eternal was not conforming to the industry standards for this albums sound and style. They seem to be just doing what they know how to do. Make relentless metal for sport.

 9: Chaos Theory

  A quite unexpected start to this track as it doesn’t have that typical death metal feel, the groove is different. One minute into the song and no vocals; quick tempo for this song keeps it interesting. This seems to be an instrumental track and an impressive one at that. This is not a melodic “let’s mellow out for a moment” track. What we call a solid fast paced metal instrumental bliss. I am still tremendously enjoying this song as it ends well. The last hit on the bell of a cymbal was the icing on the cake if you will.

 10: O’Majestic Being, Hear My Call

  This song starts out with a cool effect. A talk box for the guitars or a pedal effect, either way they start this song off oddly for the first thirty seconds… that is until the drums come in with a short fill to hit us with a blast beats. The guitar riff that is playing is nothing intricate as it just flows well to a not so mind blowing capacity. When the guitar solo happens I feel as though the song changes for the better. It seems like it will finish up strong. Maybe not as strong as I expected but the second half of the song is still pretty solid and makes up for it.

   After listening to the cd, I can honestly say I have never been a huge fan of theirs nor have owned anything by them. I never thought they were that bad, just Hate Eternal is not my style of preference. I expected to listen to this and feel un-moved. From the day they released a track to stream, I wasn’t blown away. But, I must admit this album grew on me a little and for the better now that I’ve had the chance to get in a few more listens.
Mind blowing? No, but a solid no frills death metal album yes.

If you like what you see check out The Metal Syndicate online radio show, interviews, news and reviews \m/

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stay brutal friends

-Badger \m/
http://www.badgersmetalbreakdown.com

Interviewing Vehemence from Arizona. Pre order their new album! @vehemenceAZ

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Back when I was in college I went to a metal festival near where I live. Bands , promoters, labels they were handing out cd samplers left and right. I came across a 25 song sampler CD with a song by a band that would blow my mind. The Band was Vehemence and the song was ” I Must Not Live”. After listening to that song, I immediately bought their album ” God Was Created”, and it forever will be in my top ten best metal albums of all time. After that album they put out another titled “Helping The World To See” which was also a solid album. Then the unexpected happened, they split up. That was devastating news, one of my favorite metal bands breaking up.

Flash forward ten years later and they have gotten back together. They recently announced they are putting out a new album. With incredible news like that I made it a priority to get in touch with them and set up this interview.

Welcome back guys I first heard God was Created in college and it absolutely blew me away. That is one hell of a brutal metal album. And will always be in my top ten best metal albums. Every element about it, Andy on drums , the guitars were sick. I mean just the song writing for the guitars was incredible.  I would say textbook in the sense that wish other bands had taken notes. Mark doing backing vocals while playing bass. And of course Nathan’s sinister brutal vocals.  So, I am just pumped for the band to be back making new music.

  1. Since you guys split, years back it looks like now that you are back together you have a newer member to the group. Does he bring an element to the mix that was not there before?

Bjorn – Definitely! Kyle originally joined the band when we first regrouped, back in 2007. He left in 2009 but came back in 2012. He adds a new dimension for sure with his lead playing. He also wrote a track on the album called “It’s All My Fault”. He brings a more technical lead style to the fold. He is really a great player. Also was a major contributor the the recording process of this album.

  1.     What brought you guys back together in the first place?

Bjorn – Well, basically we are all really good friends. We all live in the same city, and enjoy just hanging out and jammin songs. Why not you know? It was difficult carrying on when Nathan originally quit to focus on family. We tried to continue on, but just weren’t feeling it. For a while, we started focusing our energy on different projects, but eventually we got that itch again to continue.

  1.   God was created always felt like (for lack of better words) a concept album, and it was just amazing. Is the new album going to have that same vibe/feel to it?

Bjorn – The new album is not a concept album, however it definitely has the Vehemence “vibe”, but I feel it just comes across as more refined this time. It has elements of all our albums I believe, with some new things brought to the table as well. It does not sound out of place in our catalog. Most of the material was written between 2007 and 2011, with the exception of 1 song, which was written during the Helping The World To See touring cycle.

  1.   Mark had been doing backing vocals before I mean  you can see that in the video for “ By your bedside”  will Mark still be doing backing vocals?

Bjorn – Mark doesn’t do vocals on this album. His voice has changed over the years, and it was decided that Nathan would handle all the vocal duties on this album.

  1.     I have to say his delivery and sound is just a perfect contrast between Nathans vocals, and his. It really adds another layer to the songs in my opinion.

Bjorn – I agree! But it wasn’t going to sound the same this time around. Age happens, and hitting those high screams aren’t easy!

  1.     You guys were on Metal blade records before, now you guys are on Battleground Records. In the ten years that has passed, do you feel that Battleground has really gotten you guys where you want to be as a band coming back?

Bjorn – Absolutely! We are really happy with what Battleground has shown us so far. They really are like a 6th member of the band. This is such a simpler deal, less middle-man, if that makes sense. And we still own the rights to our music, which was very important to us in signing a new deal.

  1.     What has the general (public/ fans) reaction been regarding the return of Vehemence?

Bjorn – So far, so good! We will see what they think of the new material! But overall, its amazing that we even still have fans after this much time off hah!

  1.     Will we see Vehemence do any touring in the near future?

Bjorn – Hard to say. Lengthy touring, no. We all have families and jobs to keep. I’d like to think we can do a short run of dates, and some one-off shows for festivals and things like that. Time will tell!

  1. What’s the metal scene like out in Arizona, are you guys getting some good shows in?

Bjorn – Metal scene is great out here! Lots of great bands, and super talented musicians. Bands like Lago, Through The Earth, Sorrower all of which are playing our album release show. Its been a couple years since we have last played a show. We took time off from shows so we could focus on this record. It was hard to focus on getting this album finished when we were always playing shows and concentrating on practicing a set list. But we’re excited to get back out there, and finally have a new product to share!

  1. Will you be playing any of the new material  at shows leading up to the release, or are you saving that until the album drops?

Bjorn – Nope, our next show is the album release on Oct 24th!

  1. What are the  musical influences you guys have ( does not need to be just metal)?

Bjorn – Hmm. Well that can go from Black Sabbath, to Propagandhi, to Carcass, to Sunny Day Real Estate hah. We all love a variety of different music. Not strictly just death metal 24/7 ha.

  1. What are you listening to these days?

Bjorn – Honestly, its been a while since I’ve been totally captivated by a record. It bums me out! I need some goddamn new music! The next 2 albums I’m getting though are the new Cattle Decapitation and the new Faith No More.

  1. How did it feel to be back in the studio again as a band?

Bjorn – It was really good to be productive again. This time we approached the recording process in a completely different way. Home recording has come a long way since the last album we put out. We did the drums in a real recording studio, but everything else we did in our homes. We took our time getting it done, and spent countless hours tweaking it. Its one of the great things about home recording, however having all this unlimited time makes it hard to finally stop fucking with it and call it a day ha.

  1. In the past it seemed like Bjorn did the majority of the writing and Nathan Did the lyrics. Has the formula changed or is it still that winning combination of Bjorn’s musical talents, and Nathans brutal vocals and grizzly vocabulary?

Bjorn – For the most part, that formula hasn’t changed. There is a song on the album called, “It’s All My Fault” that Kyle wrote, but his influences are heard throughout the album. There is also a song written by our old guitarist Jake, who was in the band from 2010 – 2012 called “In The Shadows We Dwell”

  1. Going from huge label like Metalblade to a more independent label like Battleground records. DO you feel like with the small roster, that Battlegrounds is a more involved with you guys?

Bjorn – Bigtime. Metalblade obviously is a huge name, and has great distribution. But at this point in our lives, the expectations a label like that would have would not fit with our needs, or theirs. Battleground has been such a pleasure to work with, and David and Ryan (the guys who run the label) are so up front, and honest. Its very refreshing. They want the best for you. Its not about money. They have passion behind their bands. And another thing going into this, we wanted to own the rights to our music. That was very important to us. We don’t have goals of being a huge band. We just want to get this record out to the people that appreciate what we do. And we are so grateful that Battleground believes in us and this album.

  1. It looks like you guys are putting out a video later on this month, are we going to see other videos for this album in the future?

Bjorn – Not sure. Its not impossible. I’d like to do another one, but we will see!

  1. The new album is a long awaited album, would you compare it to God was Created, or Helping the world to see? Or both?

Bjorn – Definitely both. It seems like the natural progression, having elements of both albums along with something new. Some parts and some melodies will definitely stand out and sound like GWC era, or HTWTS era for sure.

  1. With the time that has passed since Helping The World To See was released. Would you say the music for the new album is a more mature in how it will sound?

Bjorn – Yes it is definitely a more mature effort. We scrutinized the fuck out of these songs ha. This is really the best that we could do. Of our entire catalog, this is the album I am most proud of. It is us firing on all cylinders, delivering the best performance and the best songs that we possibly could.

  1.   something I like to ask all the bands I interview, especially with new music coming out. In five words ( if all members contribute I will take the top 5 used) describe the new album?

Bjorn – passionate, dark, diverse, evolved, melodic.

  1. And lastly is there anything you want to tell the fans, about the band, the album the future of Vehemence?

Bjorn – I just hope its well received by people that enjoy our previous efforts! We put a lot of hard work into getting this done. And it’s still hard to believe that we actually did it, because we talked about it forever hah. Hope you dig it! Out October 24th on Battleground Records!

It was great to talk to the Bjorn, I personally will be getting on that pre ordering asap. I can’t wait to hear the new album. It will be brutal.

So go on pre order it today by clicking here Vehemence pre orders

you can also pre order the digital album and get bonus tracks by purchasing it from Bandcamp \m/

Check out Vehemence on Facebook

Check them out on Twitter

Head on over to Battleground records here click here \m/

-Badger \m/

http://www.badgersmetalbreakdown.com

The Metal Syndicate