The World wide premier of Belial Within by God Enslavement + interview with Björn Köppler

Metal Heads every where, have you been looking for some serious, heavy, blast filled anger fueled death-grind done right? I’m talking an allstar lineup consisting of the precision power house human drum machine Adam Jarvis, the brilliant guitar and song writing skills of Björn Köppler, the vicious raw vocal delivery of Vince Mathews, laying down the bass is  Julien Roos, and then  on top of that you have, Deha, and Kevin Olazs also on guitars giving this band the added edge to absolutely blow your mind. Together they create  some of the heaviest hitting artillery and making death grind like we haven’t heard in ages, unfiltered, and with meticulous yet brute force. I introduce to you, God Enslavement, the band that has come to do exactly what so few have been able to pull off. I had a chance to catch up with Björn Köppler and talk to him about God Enslavement, from the song writing, to the killer line up, and  what we can expect from God Enslavement he was even kind enough to reply in both English, and German for all metal heads reading this. Check out this short interview and then get the first listen to GOD ENSLAVEMENT \m/

 

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So Björn, what influenced you to create God Enslavement? You play for Maladie also, and just released a new album in 2015, so was the time just right, and is this something you have wanted to do for a while?

 

Hey Brian,

well, actually I had been writing this record for my old band Tombthroat. But after I had gotten very sick, we just couldn’t keep the band as alive as my past band mates had wished to. After much back and forth and with a heavy heart we eventually decided to bury the band after almost twenty years since its foundation. But we parted ways as friends and the guys have founded a very cool new Crust band named Hellknife. It really rocks as hell and you should definitely give it a listen!

Anyway, the songs have already been composed that way and I didn’t want to throw them in the garbage. so there had to be a new beginning. As personal and, above all, as important Maladie is for me, Death Metal and Grindcore were, are and will be a matter close to my heart and an important part of my life, so I thought about who would be most suitable to make this record real with me. The line-up as it is set up right now is of course a dream and the result in form of our debut album speaks for itself. And it won’t be the last album for sure.

 

You wrote all of the music and lyrics for this album, when you were coming up with the music, did you have people in mind as the ideas were flowing? Were you thinking “Drums need someone like Adam Jarvis, or I need Julien on Bass for this album?”

 
Yes, the lyrics and the biggest part of the music were made by me. One song was contributed by Déhà and one was written by me and Mark from Spheron. I also made the lyrics for those songs. That’s how it went with Tombthroat and it’s the same with Maladie. So this is really nothing new for me and just the way I’m used to do it. Of course, I was thinking of Tombthroat when I was writing the songs. But now that I was aiming for a new beginning, my favorite candidates were chosen quickly and I am very happy and proud to be able to work with such exceptional artists.

 

Where was the album recorded, and where did you guys mix and master?

 

Oh, it was many different studios. Adam was recording in the USA. So was Vincent. Most of the guitars were recorded here in my little project studio, the guitar solos in Bonn (a German city 250km away from here), the bass guitar in a different German place and Déhà was recording the guitars for his song in Bulgaria in his project studio. But regarding the mixing and mastering I was sure to hire Stefano Morabito from the 16th Cellar Studios in Rome/Italy from the very beginning. When it comes to hard Death Metal he is the spearhead of album production. And again he was doing a perfect job here. The record sounds just the way it’s supposed to. Also we were getting along great and it was as if he knew exactly what I wanted and imagined.

 

How long did it take to go from having written the music and having the idea, to acquiring all the members and getting them in studio?

 

Hm, to be honest, I can’t really remember, haha. After I was finally allowed to leave the hospital my life went haywire. In many respects it was a new beginning, also with reference to writing music. The whole thing seems to have influenced me, as I’ve been composing not only the new album of God Enslavement, but also one and a half albums for Maladie and one 45 minutes long EP in a few weeks. When the line-up was ready, things went real quick in the recording progress. Just a few weeks and everything was in the can.

 

I know Vince Mathews has gone on record to say this is one of his proudest achievements in death metal, Adam has gone on to say that if he is going to play in a band that it’s going to fulfil his personal interest and legacy and why he was blown away when he heard the rough material.  What does this album mean to you? 

 

Yeah, that really makes me very proud. Adam has always impressed me. He has that certain something, that many drummers in metal lack: a very own style which can easily be identified among many others. But still his playing is very direct and brutal. As you can hear on our debut album we fit together very, very well musically. With his ideas and his playing he improved my riffs several times over. And the same is for Vincent. Many fans will curse me for this, but for me „Stop at Nothing“ from Dying Fetus is one of their best albums. And what Vince is doing on this record is one of the best things I could ever listen to in Deathgrind. But again he absolutely went one better for God Enslavement and all of us are very, very content and happy with his performance in „Consuming the Divine“! That much anger and aggression just suited our songs perfectly. I’m looking forward to the next albums with these guys!

For me personally the album means a new beginning and I am really very proud of it.

 

Are you able to give us an idea of a release date, and how you will be releasing it? Whether its digital only, if you guys will do vinyl, pre-order bundles other merchandise etc?

 

Right now we don’t have a fix date yet, I’m afraid. We’re aiming at the end of spring. Earlier hopefully. We’ll see. But I hope we can show the album to everyone very soon. We’re all very excited about it, haha. Suddenly you feel young again, almost like with the first record you made so many years ago…

 

If there was one thing you wanted to say to someone before they are about to listen to the album for the first time, what would you say to them.

 

Oh, I would say: Brace yourself; we’re playing Deathgrind like it is being played far too long far too rarely. It brings tears to my eyes looking at what is being called Death Metal nowadays.

 

Thank you Björn for taking the time to answer my questions, I really look forward to the release of this album, and after listening to this album, I will be looking forward to anything God Enslavement puts out.

 

It’s me who has to thank you! It’s people like you who still make me believe in the scene away from the commercial tourism that is much too present in Metal nowadays! I am still a fan of the music and always happy to meet the same. Support the Underground!

 

With that we would like to welcome you to the world wide premier or God Enslavement and their killer track “Belial Within”

 


German Interview

So Björn, what influenced you to create God Enslavement? You play for Maladie also, and just released a new album in 2015, so was the time just right, and is this something you have wanted to do for a while?

 Hey Brian,

nun, ich habe diese Platte eigentlich für meine alte band Tombthroat geschrieben. Aber nachdem ich 2014 sehr krank wurde, haben wir es einfach nicht mehr geschafft, die Band so am Leben zu halten, wie sich das meine ehemaligen Bandmitglieder wünschten. Nach langem Hin und Her, haben wir uns schweren Herzens dazu entschieden, nach fast 20 Jahren, die Band zu Grabe zu tragen. Wir sind aber als Freunde auseinander gegangen und die Jungs haben eine sehr coole neue Crust Band names Hellknife gegründet. Das rockt wie Hölle und ihr solltet da unbedingt mal reinhören!
Die Lieder waren aber nun mal komponiert und ich wollte sie nicht in den Müll werfen. Also musste ein Neuanfang her. So persönlich und vorallem wichtig Maladie für mich ist, war, ist und bleibt der Death Metal und Grindcore aber eine Herzenssache und ein wichtiger Teil meines Lebens und ich habe mir dann Gedanken gemacht, wer sich am besten dazu eignen würde, diese Platte doch noch mit mir zu realisieren. Das Line Up, wie es jetzt steht, ist natürlich ein Traum und das Resultat in Form unseres Debütalbums spricht für sich. Und es wird sicher nicht das letzte Album sein.

 

You wrote all of the music and lyrics for this album, when you were coming up with the music, did you have people in mind as the ideas were flowing? Were you thinking “Drums need someone like Adam Jarvis, or I need Julien on Bass for this album?”

 Ja, die Texte und der Großteil der Musik ist von mir. Ein Lied hat Déhà beigesteuert und eins habe ich mit Mark von Spheron zusammen geschrieben. Die Texte habe ich ebenfalls verfasst. So war das auch bei Tombthroat und so ist es bei Maladie. Das ist also nichts wirklich neues für mich und ich bin es nicht anders gewöhnt. Als ich die Lieder schrieb, hatte ich natürlich Tombthroat im Sinn. Als es aber an den Neuanfang ging, waren meine Wunschkandidaten sehr schnell gewählt und ich bin sehr froh und stolz. Nun mit solchen Ausnahmekünstlern zusammenarbeiten zu können.

 

Where was the album recorded, and where did you guys mix and master?

 Oh, das waren viele unterschiedliche Studios. Adam hat in den USA aufgenommen. Vincent auch. Die meisten Gitarren sind hier in meinem kleinen Projektstudio aufgenommen worden. Die Gitarren-Soli in Bonn (deutsche Stadt etwa 250km entfernt von hier), der Bass wiederum woanders in Deutschland und Déhà hat die Gitarren für seinen Song in Bulgarien, in seinem Projektstudio aufgenommen. Für den Mix und das Mastering war für mich aber von Vornherein klar, dass wir Stefano Morabito und seine 16th Cellar Studios in Rom/Italien verpflichten. Wenn es um harten Death Metal geht, ist er die Speerspitze, was die Produktion eines Albums angeht. Und er hat auch hier wieder einen perfekten Job abgeliefert. Die Platte klingt genau so, wie sie es muss. Wir haben uns auch direkt verstanden und es war, als ob er genau wusste, was ich möchte und mir vorstelle.

 

How long did it take to go from having written the music and having the idea, to acquiring all the members and getting them in studio?

 Hm, Ich kann mich ehrlich gesagt gar nicht wirklich dran erinnern, haha. Nachdem ich das Krankenhaus endlich wieder verlassen durfte, ging es in meinem Leben drunter und drüber. In vielerlei Hinsicht war es ein Neuanfang. Auch was das Schreiben von Musik anging. Das Ganze scheint mich sehr beeinflusst zu haben, denn neben dem God Enslavement Album, habe ich auch anderthalb Maladie Alben und eine 45 Minuten lange EP in wenigen Wochen komponiert. Nachdem das Line Up stand, ging es auch ziemlich schnell mit den Aufnahmen. Wenige Wochen, und alles war im Kasten.

 

I know Vince Mathews has gone on record to say this is one of his proudest achievements in death metal, Adam has gone on to say that if he is going to play in a band that it’s going to fulfill his personal interest and legacy and why he was blown away when he heard the rough material.  What does this album mean to you?

 

Yeah, das macht mich wirklich sehr stolz. Adam hat mich schon immer beeindruckt. Er hat genau das, was vielen Drummern im Metal mittlerweile fehlt: Einen sehr eigenen Stil, den man auch unter vielen sehr schnell heraushören kann. Und trotzdem ist sein Spiel sehr direkt und brutal. Wie man auf unserem Debüt hören kann, passen wir musikalisch auch sehr sehr gut zusammen. Er hat mit seinen Ideen und seinem Spiel meine Riffs um das vielfache verbessert. Und dasselbe gilt für Vincent. Viele Fans werden mich dafür verfluchen, aber für mich ist „Stop at Nothing“ von Dying Fetus auch eins ihrer besten Alben. Und was Vince auf dieser Platte macht, ist mit das beste, was ich im Deathgrind bisher hören durfte. Aber er hat für God Enslavement nochmal ordentlich einen draufgelegt und wir alle sind sehr sehr zufrieden und glücklich mit seiner Leistung auf „Consuming the Divine“! Soviel Wut und Aggression passte einfach perfekt zu den Songs. Ich freue mich schon auf die nächsten Alben mit den Jungs!
Für mich persönlich bedeutet das Album einen Neuanfang und ich bin wirklich sehr stolz darauf.

 

Are you able to give us an idea of a release date, and how you will be releasing it? Whether its digital only, if you guys will do vinyl, pre-order bundles other merchandise etc?

Leider haben wir im Moment noch kein fixes Datum. Geplant ist Ende des Frühlings. Hoffentlich früher. Wir werden sehen. Aber ich hoffe, dass wir den leuten das Album sehr bald zeigen können. Wir sind alle sehr aufgeregt deshalb, haha. Man fühlt sich plötzlich wieder jung, fast wie bei der ersten Platte, die man vor so vielen Jahren gemacht hat…

 

If there was one thing you wanted to say to someone before they are about to listen to the album for the first time, what would you say to them.

 Oh, ich würde sagen: Mach dich auf was gefasst; wir spielen Deathgrind, wie er schon viel zu lange viel zu wenig gespielt wird. Was heutzutage so alles Death Metal genannt wird, da kommen mir die Tränen…

 

Thank you Björn for taking the time to answer my questions, I really look forward to the release of this album, and after listening to this album, I will be looking forward to anything God Enslavement puts out.

 Ich habe dir zu danken! Leute wie du sind es, die mich noch an die Szene, weitab vom Kommerztourismus den es im Metal heutzutage viel zu viel gibt, glauben lassen! Ich bin immer noch Fan der Musik und freue mich immer, wenn ich ebensolche kennenlernen darf.
Support the Underground!

There you have it folks,  you have just been the first group of people collectively to hear God Enslavement. So do yourself a favor and check out the links I have below for not only God Enslavement, but the bands that the guys are also a part of.

God Enslavement on FACEBOOK

Bret Hard Records on FACEBOOK

Bret Hard Records website

Maladie  Shattered   Pig Destroyer   Fulgora   Misery Index   Asthma Castle   Effloresce Deadborn  Kaotoxin   Sources of I   Lebenssucht  Yhdarl 

 

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

 

 

 

 

New Video up for ” Scorn” by Oracles featuring members of Aborted and System Divide

Oracles  just put up a video for “Scorn” for their upcoming release of Miserycorde due out this July.

Oracles is

Sven de caluwe: vocals
Sanna Salou: vocals
Mendel bij de Leij: guitars
Steve Miller: guitars
Andrei Aframov: bass
Ken bedene: drums

Check them out on FACEBOOK for  up to date news and other information

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Odyessey- Voids Album Review 8/10 @OdysseySpokane

Odyssey

Voids

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Out February 5th, 2016

Guitar – Jerrick Crites
Bass – Jordan Hilker
Drums – Lukas Hilker

 

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  1. Emerge. Evolve. Adapt

The song begins with some muffled guitar tones playing and fading in, becoming clearer until they start playing a steady rhythm. I am enjoying this, it has a feel good groove about it, and then walks along the lines of something heavy. It’s not one hundred percent metal, these guys are blending several styles from metal, to fusion, some classic rock stylings. This is a solid track to start the album out with, and I get the first impression, that this is their simple song, the song that gives you a good first impression to get your attention. The hold down the groove, and really lay it on thick so you can be nodding your head, tapping your foot, rocking out in general, and really enjoy their unique intrumetal delivery.

 

  1. Negate The Infinite

I called it, this is a bit more complex than the previous track, this band is not only playing some killer music in the form of instrumental metal, and they are bringing their talents for different music styles, and technical abilities to the table as well. Jerrick can definitely hold his own on the guitar. This has spawned the sudden urge to break out the air guitar. You know what I’m talking about, that moment you hear a sick riff, and you just want to rock out on the air guitar trying to follow the whirlwind shredding riff and all of its finger placements along the fret board. I always enjoy when I can hear the bass in most music because so often they get buried underneath, and some bassists can really deliver so sick bass lines. Jordan holds things down very well.

 

  1. Like Moths To a Flame

It is way too early to say that this is my favorite track, but I have listened to this one a few times already. I am really digging the way they start this song off, that rhythm, and how they take it, play it for a few bars,   add more dynamics to it, and progress with that foundation. The guitar hits us with some solo action around the 1:52 mark, and while it not a dizzying shredfest, it’s a soulful solo. The tempo is quick enough to keep your energy levels up there and your head nodding. This is a fun song to listen to, and what I really like is that Lukas is not trying to play over the guitar or bass. He is not trying to take the spotlight, and he is not hiding in the shadows either. He keeps the beat, keeps it interesting and does so by balancing his talents all across the boards, knowing when to play something with panache, and when to just keep the time.

 

  1. Motives

The song starts with a heavier feel to it for the first ten seconds and then goes to a more fluid style. The guitar is playing out to some extent, without getting to flashy. I like the change around the 1:30 mark because it sets up the next section and you can see how they progress throughout the song. At the 2:25 mark, the drums and bass set things up for a very cool sequence of the drums keeping the beat and the guitar is playing a cool riff while it may be simple what he is doing,   all three of them doing it together blends well and sounds awesome. The last minute of this song is badass, the guitar solo, how it starts out simple and then shreds for a few bars, the drums playing on the toms with the accents on the crash, while the guitar is also accenting on the same notes. This song ends in such a manner that it leaves you hoping that the next thing you hear is going to blow you away.

 

  1. Echoes

The guitar riff with all of its echo and the bass doing what sounds like volume swells, playing like this for a bar or two and the drums come in with a rhythm to follow along, then progresses to what is like a 4:4 time signature. Evolving into something more but keeping that guitar pattern going. This song is a killer track, I love it, this will be making it to my playlists, as it has that badass beginning, but then when they bring it down a few notches. The guitar is playing with some soul, it reminds me of Clapton, and some Gilmour fused together. This song is one that leaves you reaching for the back button, you know if you haven’t hit that “repeat 1” button yet (which I have and l can’t stop listening to).

 

  1. Before There Were Eyes To See

This song starts out with a thrash feel to it, and they get right down to the energy boosting rhythms with this song. I really like the old school vibe about it, the guitar solo starting around the 1: 30 mark is great. Jerrick plays a soulful solo and then ends with some shredding licks, only to take a quick breather and hit us with a dizzying riff, it’s a straight up hand cramping riff that lasts almost thirty seconds. They break the time down a bit and give it some accented points to only bring it down some more with the bass all alone setting up the next rhythm.

 

  1. The Plot thickens

The song begins with a riff and a bit of mystery behind it, which really leads you to wonder which way they will be going. They don’t leave that amount of mystery in question long and dive right into a quick tempo pace with steady drums for the first section. The next change brings things down a slight amount with the drums being played on the toms, and then going into a jazzy feel for a bar, popping right back into a heavy feel again. WE haven’t even cleared two minutes in yet and they are jumping from style to style and giving the listener a brief moment to get acclimated to the change. All the while they do have a solid groove, that while they change tempo a few times that groove follows the entire time. The guitar solo though, Jerrick will be a more known name after this album I am sure of it. You don’t play the way he is on this and not get attention from it.

 

  1. Delineation

This song starts a bit muffled with the introductory riff, yet you can hear the hi hat being hit, this is a very soothing beginning, I like that it is about to change and it does, the drum pattern on the hi hat accent the rhythm, the perpetual guitar riff and the bass hitting the groove in that low tone. This song seems like it could tell a story, it could leave you thinking about things in a different perspective, and will keep you hanging on every note for the entire 7:17 of song length.

 

  1. Left Unspoken

This song starts out very smooth and melodic, this is a very relaxing tune so far, and I am certainly enjoying the vibe it gives off. This is like once of those intermission tracks, it’s not very long, it doesn’t have many changes, it’s just a cool soothing track to get you brought down from the last song and get you mentally prepared for the last track of the album, the title track.

 

  1. Voids

This has a rock solid groove right out of the gate, this is actually a fun song by the sounds of it so far. I am betting they like to end on this song because it sounds like as much fun as it is to listen and enjoy this song, it’s a fun song to play. Jerrick though, he likes those hand cramping riffs I can tell. The song picks up the pace right around the 1:20 mark and delivers some energy inducing drums to get you going into the next change. This is a killer track, I mean that groove alone is highly enjoyable but right around the halfway point they mix things up and then those toms rolling out and setting up that slower more dramatic section. They throw down some funk right around the 3:40 mark where they just start to set it up, but yea you get to that point and they just brought the funk. And to answer your question, no they did not end the album without Jerrick delivering a face melting shredfest of a guitar solo.

 


 

 

This album is awesome, the amount of sound they pack in with only three members is impressive. The styles that can be heard throughout this album range from jazz and funk, to thrash and progressive metal. I couldnt pick just one song to be a favorite, but I will tell you that “Echoes” has been played a few dozen times, it is now my alarm clock sound,  and a  ringtone, as it is such a killer track. The album really is a an example of variety, not every song sounds the same,  yet every song has its own style.  Call me crazy but  if this was to be paired the way people pair wine or beer with food. This album could be paired with ” The Algorithm”  I would love to see maybe a split, where you have The Algorithm  doing their thing, and Odyssey doing theirs because they would compliment each other so well. This album can be played any where, from the office to  driving. With instrumental metal bands coming out more and more, I will say that this album would rank high in a list of instrumental metal album lists for 2016,  if compared to the releases from 2015,  I would put this higher than quite a few albums released last year.  My only hope is that they eventually release it on vinyl, for my collection. Hands down a solid 8/10 rating is what Voids deserves, and you should pre order today! \m/

 

 

Check out this Album promo video they put up New Year’s Eve Check it out below.

 

 

 

 

 

Make sure to click HERE \m/ if you want to pre order either the physical or digital album.

After you do that you can stream their last release while you wait for “Voids” album to be released.

 

Check them out on Facebook: Odyssey spokane \m/

Also make sure to follow them on TWITTER for the latest news

-Badger \m/
http://www.badgersmetalbreakdown.com

Matubes release new single and video

MATUBES are proud to announce their new single “Песента На Мъртвеца”(Words Of Power )

 

Head on over to their website at: http://www.matubesblackmetal.com/
and you can always check out their music on BANDCAMP

 

also feel free to take a listen to their last E.P. they release a few months back

-Badger \m/
http://www.badgersmetalbreakdown.com

 

 

Vehemence posts up a new Video for “Murdered by the Earth”

Vehemence’s new album is only ten days away from its release date,  and the band just put out a new video for the track titled ” Murdered by the Earth”

You will want to check the video out and definitely check out their website to pre order the new album.

Heres the video \m/

http://www.vehemence.us/

check out their BANDCAMP PAGE

and also follow them on FACEBOOK

-Badger \m/
http://www.badgersmetalbreakdown.com

This weeks metal news stories

September 14th:

Metal lost a great drummer  this week

Martin ” Kiddie” Kearns (March 7, 1977 – September 14, 2015) was a drummer playing death metal and  known for his style while playing for  the band Bolthrower

Kearns joined Bolt Thrower when Andrew Whale left in 1994

Kearns died unexpectedly at the age of 38 on September 14, 2015

September 15th:

Metal Allegiance released a video for the song  The Gift Of Pain

check it out

Cattle Decapitation kicked off a huge North American tour

CATTLE DECAPITATION – The North American Extinction Tour 2015
w/ King Parrot, Black Crown Initiate, Dark Sermon:
9/15/2015 Boardwalk – Sacramento, CA
9/16/2015 Analog – Portland, OR
9/17/2015 El Corazon – Seattle, WA
9/18/2015 Rickshaw Theater – Vancouver, BC
9/19/2015 Level – Kelowna, BC
9/20/2015 Nite Owl – Calgary, AB
9/21/2015 Starlite – Edmonton, AB
9/22/2015 Exchange – Regina, SK
9/23/2015 The Zoo – Winnipeg, MB
9/24/2015 Q & Z Center – Ringle, WI
9/25/2015 Reggie’s – Chicago, IL
9/26/2015 Mac’s – Lansing, MI
9/27/2015 Hard Luck – Toronto, ON
9/28/2015 Mavericks – Ottawa, ON
9/29/2015 L’Anti – Quebec City, QC
10/01/2015 Club Metronome – Burlington, VT
10/02/2015 Basement Transmissions – Erie, PA
10/03/2015 Broadway Joe’s – Buffalo, NY
10/04/2015 Cafe 611 – Frederick, MD
10/05/2015 Brighton Music Hall – Allston, MA
10/07/2015 Masquerade – Atlanta, GA
End Tour
w/ Cannibal Corpse, Soreption:
10/08/2015 Underbelly – Jacksonville, FL
10/09/2015 Motorco – Durham, NC
10/10/2015 Ziggy’s – Winston-Salem, NC
10/12/2015 The Broadberry – Richmond, VA
10/13/2015 Reverb – Reading, PA
10/14/2015 The Emporium – The Emporium – Long Island, NY
10/15/2015 The Met – Pawtucket, RI
10/16/2015 The Chance Theater – Poughkeepsie, NY
10/17/2015 The Lost Horizon – Syracuse, NY
10/19/2015 VClub Live – Huntington, WV
10/20/2015 The Warehouse – Clarksville, TN
10/21/2015 New Daisy Theatre – Memphis, TN
10/23/2015 Tricky Falls – El Paso, TX
10/24/2015 Club XS – Tucson, AZ
10/25/2015 KnotFest – San Bernardino, CA
10/27/2015 Top Deck – Farmington, NM
10/28/2015 The Black Sheep – Colorado Springs, CO
10/29/2015 The Waiting Room – Omaha, NE
10/30/2015 Durty Nellies – Palatine, IL
10/31/2015 Big Shots – Valparaiso, IN
11/01/2015 The Pyramid Scheme – Grand Rapids, MI
11/02/2015 Ace Of Cups – Columbus, OH *
11/03/2015 Altar Bar – Pittsburgh, PA
11/04/2015 Expo Five – Louisville, KY
11/05/2015 Zydeco – Birmingham, AL
11/06/2015 Vinyl Music Hall – Pensacola, FL
11/07/2015 Venue 578 – Orlando, FL
End Tour
11/08/2015 Orpheum – Tampa, FL *
w/ Abiotic:
11/09/2015 The Atlantic – Gainesville, FL
11/10/2015 Side Bar – Tallahassee, FL
11/11/2015 The Levee – Longview, TX
11/12/2015 Dirty Dog – Austin, TX
11/13/2015 Rail Club – Fort Worth, TX
11/14/2015 Launchpad – Albuquerque, NM
11/15/2015 Club Red – Tempe, AZ * CATTLE headlining date with Hate Eternal
* CATTLE DECAPITATION headlining date

Epica cancelled all remaining North American tour dates due to a family emergency.

Broken Hope released some live concert footage to promote their upcoming DVD

September 16th:

A promotional video flooded the internet about a great Horror/ Metal style documentary. while it was officially published on youtube September 6th, it went viral  on the 16th and could be seen on every major metal new outlet.

here’s the promo video

September 17th:

Children Of Bodom premier a lyric video for the song ” I Hurt”

Killswitch Engages’ s Jesse Leach  posts on instagram  the ills of being a vocalist on the road with this post;

“Well now that is over with and I am sighing for relief, here is one of the issues. This is my throat (top) and vocal folds (bottom…yes it looks like something else, we all see it). I have had a bit of blood come out of my mouth on the last tour, that freaked me out. Also as of yesterday I felt physically off and my throat was feeling irritated. I looked in the mirror with a light and saw the white splotches and kind of freaked. Mind you I am aware white splotches usually mean an infection, but I can not help thinking the worse when it comes to my voice (as it is super important to my life)! So it contributed to an already mentally and physically off day yesterday! Turns out is is strep throat with some swollen folds. Im on the appropriate medications and will only have a one day set back for recording! Very thankful for my doctor who is the man! #DrScottKessler this guy has been my doctor for over a decade and has saved me many times from potential damage and sickness! Feeling a great deal better knowing what’s going on! I’m not sorry for sharing these gross photos ha ha! Peace everyone, keep on the grind! #kserecordingsessions #VocalFolds #Throat #Gross #VocalVagina #ISaidIt #SickMan #IKeepsItReal”

September 18th:

New Black Dahlia Murder ” Abysmal” album is released today and the band premiers the video for ” Receipt”

Some of the metal that is released today:

Atreyu – Long Live (Spinefarm)

The Black Dahlia Murder – Abysmal (Metal Blade)

Blessthefall – To Those Left Behind (Fearless)
Broken Hope – Live Disease at Brutal Assault DVD (Century Media)

Christian Mistress – To Your Death (Relapse)

Deep Purple – From the Setting Sun…(In Wacken) (earMusic)
Deep Purple – …To The Rising Sun (In Tokyo) (earMusic)

Harlott – Proliferation (Metal Blade)

Metal Allegiance – Metal Allegiance (Nuclear Blast)

Operation Mindcrime – The Key (Frontiers

Scale The Summit – V (Prosthetic)

Serial Butcher – Brute Force Lobotomy (Unique Leader)

Tesseract – Polaris (eOne)

Windhand – Grief’s Infernal Flower (Relapse)

-Badger \m/
http://www.badgersmetalbreakdown.com